Japanese pink film in Nikkatsu’s Roman Porno series starring Asami Ogawa and directed by Masaru Konuma. Ogawa’s debut film, this was the seventh and last entry in the Office Lady Journal series, which had been launched in 1972 with Office Lady Journal: Scent Of Female Cat. In their Japanese Cinema Encyclopedia: The Sex Films, the Weissers write, “This film is a perfect end to the series. Konuma is the master of free-form, rambling cinema. He manages to make ordinary life seem extraordinary with moments of kinkiness (i.e., the eroticism of a sex scene with Ms. [Aoi] Nakajima wearing a full kimono dress; or another segment where Asami is making love in a room full of baby chicks).” Continue reading
Comic-book artist Jung returns to Seoul for the first time since he was abandoned at the age of 5. Continue reading
Description: Yûkoku deals with the ritual suicide of high-ranking naval officer Takeyama. His harakiri is spun out as a long, emotional, romantic ritual in which he is joined (all the way to the bitter and graphically bloody end) by his wife Reiko. The film is based on Japanese author and playwright Yukio Mishima’s own novel of the same name, which was in turn inspired by the true events of ‘Ni ni roku’ – a failed, patriotically-motivated, attempted coup by a group of officers on February 26, 1936.
Shuji Terayama (December 10, 1935—May 4, 1983) was an avant-garde Japanese dramatist, writer, director, and photographer, noted for such films as Emperor Tomato Ketchup and Fruits of Passion.
In 1967, Terayama started an experimental cinema and gallery called ‘Universal Gravitation,’ which is in fact still in existence at Misawa as a resource center. The Terayama Shuji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal affects and relics from his theatre productions, can also be found in Misawa.
source: artandpopularculture Continue reading
An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life. Continue reading
Hitoshi Nagano (Kazuya Kamenashi), who works at an electronics store, picks up a cellphone left behind by a customer and goes about a scam. He calls the person’s mother and pretends to be her son. He then gets the mother to transfer money to his bank account. Soon, Hitoshi gets a lot more than he bargained for. Continue reading
A girl, bored with her current relationship, dumps her boyfriend and starts a new relationship. The new relationship goes well and they move in together, but things start to go downhill.
Comments from imdb:
Though this movie will certainly be remembered much more by its numerous erotic scenes, which though carefully choreographed still won’t be to everybody’s likings, the other its part shouldn’t be overlooked however; it deals with love and everyday problems of life being spent together. Overall, it’s a sad story about love between two people and their up’s and down’s while they are together swimming through everyday life. Worth looking just for the end itself if not for anything else. 7/10 Continue reading