Hideo Sekigawa – Hiroshima (1953)


“Hiroshima” is a feature film directed by Hideo Sekigawa and was independently produced outside of major studio system in 1953. In fact the film was supported by the Teacher’s Union of Hiroshima who helped finance the production and organized about 90,000 Hiroshima citizens who acted in the film.

The film begins with Hiroshima in the early 1950s and flashes back to scenes of the horrific aftermath following the detonation of an atomic bomb on humans for the first time in history. Continue reading

Seijun Suzuki – Tantei jimusho 23: Kutabare akuto-domo aka Detective bureau 23 (1963)


Japanese director Seijun Suzuki solidified his growing cult following with this offbeat adaptation of Haruhiko Ooyabu’s crime novel. Jo Shishido stars as Det. Tajima, a smug investigator who nabs a pair of criminal gangs with flamboyant aplomb while the police remain baffled. Suzuki treats the rather hoary plotline as an excuse for dark-humored camp, and young audiences were delighted with his irreverent approach, which made him one of the few distinctive names in the ’60s assembly-line of Nikkatsu Studios. ~ (Robert Firsching, All Movie Guide) Continue reading

Takashi Miike – Dead or Alive 2: Tôbôsha AKA Dead or Alive 2: Birds (2000)


From the ashes of Dead or Alive’s apocalyptic ending comes Dead or Alive 2, both a continuation of the series and a stand-alone film on par with its predecessor. Serving up shockingly graphic violence, sincere character nuance, engaging humor and transcendent magical realism with equal mastery, Dead or Alive 2 offers definitive evidence of why the New York Post hailed director Takashi Miike (Audition, Ichi the Killer) as “one of the most exciting, versatile directors working today.” Continue reading

Ki-duk Kim – Bin-Jip AKA 3-iron (2004)



Plot Summary (Taken from IMDb): A young drifter enters strangers’ houses – and lives – while owners are away. He spends a night or a day squatting in, repaying their unwitting hospitality by doing laundry or small repairs. His life changes when he runs into a beautiful woman in an affluent mansion who is ready to escape her unhappy, abusive marriage. Continue reading

Robert Houston – Shogun Assassin (1980)


A sort of remake of Lone Wolf and Cub for the western market condensing the series in one film. In 1980, Americans David Weisman (producer) and Robert Houston (director) stumbled upon the Japanese Lone Wolf and Cub films (in turn based on a hugely successful manga comic book), and realised that while Western Audiences at the time would lap up the violent battles, they might not be ready for the Chanbara genre’s comparatively slow pacing and period politics. They decided to take the best bits of Lone Wolf and Cub parts 1 and 2, and add their own dubbing and simplified plot. Shogun Assassin was born, and is probably responsible to this day for the Chanbara movie’s arrival in the West. Best approached as an introduction to the Lone Wolf and Cub legend. Continue reading