This film from Turkmenistan belongs to an edition of ten films from Central Asia that were shot both during the Soviet times and during the independence epoch. This collection contains 2 films of each country.
This collection was edited in 2006. It was released by the Center of Central Asian Cinematography with the financial support of “Arts and Culture” Network Program of Open Society Institute of Budapest. You will have english subtitles for each film. Continue reading
Uni to Dokuyaku (1987)
July 22, 1987
FILM: ‘SEA AND POISON,’ FROM JAPAN
By Walter Goodman
Published: July 22, 1987
LEAD: EARLY in ”The Sea and Poison,” the harrowing Japanese movie now at Film Forum 1, a surgical team performs a lung operation on a young woman. It is probably the most graphic view that most of its audience will ever have had of the scalpel and forceps doing their work, and you may find yourself joining the young intern Suguro, who confesses, ”Today in the operating room, I had to close my eyes.
EARLY in ”The Sea and Poison,” the harrowing Japanese movie now at Film Forum 1, a surgical team performs a lung operation on a young woman. It is probably the most graphic view that most of its audience will ever have had of the scalpel and forceps doing their work, and you may find yourself joining the young intern Suguro, who confesses, ”Today in the operating room, I had to close my eyes.” Continue reading
– from Variety-
A Tetsuo Group presentation of a Kaijyu Theater, Asmik Ace Entertainment production. (International sales: the Coproduction Office, Paris.) Produced by Shinichi Kawahara, Masayuki Tanishima.
Directed by Shinya Tsukamoto. Screenplay, Tsukamoto, Hisakatsu Kuroki.
With: Erik Bossick, Akiko Monou, Shinya Tsukamoto, Stephen Sarrazin, Yuko Nakamura, Tiger Charlie Gerhardt.
Twenty years after making his breakout cult hit, “Tetsuo,” and 17 years after its sequel, “Tetsuo II: Body Hammer,” multihyphenate filmmaker Shinya Tsukamoto busts out the big guns again with “Tetsuo the Bullet Man.” Contempo-set pic doesn’t bring much new to the half-man-half-machine concept, but with its delirious editing and eardrum-crunching soundtrack, it punches above its weight and musters a certain retro charm with its old-school effects, all done on about one-hundredth of the budget of a “Transformers” movie. Fans of the franchise will have this in their sights and show support, but crossover potential looks iffy. Continue reading
Yukie and two of her girlfriends are being haunted by the ghost of a classmate, they once heavily bullied. When the other two die under mysterious circumstances, Yukie sees only one chance for herself. With the help of the Nightmare Detective (Ryuhei Matsuda) she hopes to escape her hopeless situation.
NIGHTMARE DETECTIVE 2 surpasses it’s predecessor on almost all levels. For one thing, though the film has a slightly more poetic feel to it (as opposed to the dark and chaotic nature of the original), it’s laden with depression and grief, adding a foreboding atmosphere that grows stronger as the film progresses. While the first film had a more straightforward plot (albeit still following Tsukamoto’s puzzling logic at times), now the story features a well-balanced duality. When Kyoichi starts to learn more about the origin of Yukie’s nightmares, he discovers parallels with his own past which will eventually lead to more discoveries concerning the mystery of his own, cursed persona. Continue reading