Willi Hengstler’s adaptation of Jack Unterweger’s autobiography.
Johann “Jack” Unterweger (16 August 1950 – 29 June 1994) was an Austrian serial killer who murdered prostitutes in several countries. First convicted of a 1974 murder, he was released in 1990 as an example of rehabilitation. He became a journalist and minor celebrity, but within months started killing again. He committed suicide following a conviction for several murders. Austrian psychiatrist Dr. Reinhard Haller diagnosed him with narcissistic personality disorder in 1994.
Unterweger was born in 1950 to Theresia Unterweger, a Viennese barmaid and waitress, and an unknown American soldier whom she met in Trieste. Some sources describe his mother as a prostitute. His mother was jailed for fraud while pregnant but was released and travelled to Graz where he was born. In 1953, his mother was again arrested and he was sent to Carinthia in southern Austria to live with his grandfather, whom he described as a violent alcoholic.
Markus Schleinzer was Michael Hanekes casting director on several projects util he decided to turn to directing himself. This is his first feature film – A drama that focuses on five months in the life of a pedophile who keeps a 10-year-old boy locked in his basement.
Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for …seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 – along with all the other patients – it is only to plunge into the horrors of World War I. Continue reading
The Café Elektric has a “mixed” clientele. This is where criminal gigolo Ferdl spends his evenings, but it´s also where men like construction tycoon Göttlinger celebrate a successful business deal with the girls. One of the girls is Hansi who dreams of a better life but remarks that “the likes of us never get out of the Elektric”. Meanwhile Göttlinger´s daughter Erni falls for Ferdl. When he demands money from her she can only steal from her father. Construction engineer Max is concerned over Erni´s possible downfall but covers her. Things change when he meets Hansi. When Ferdl uses a ring stolen by Erni to impress his former girlfriend Hansi, matters get complicated and fates entwine. Continue reading
A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature. Continue reading
Siegfried A. Fruhauf
Born:1976 in not specified
Foto: Siegfried Wöber
Born in Grieskirchen (Upper Austria) in 1976 and grown up in the small village of Heiligenberg (Upper Austria). 1991 – 1994 Training as commercial manager.
Studied experimental visual design at the University of Artistic and Industrial Design in Linz where he first came into contact with the Austrian Film Avantgarde. From 1995 to 2010 he lived and worked in Linz and Heiligenberg. 2002 Supporting Award for Filmart by the Austrian Federal Chancellery.
Since 2001 organization of film and art events. Since 2009 lecturere at the University of Artistic and Industrial Design, Linz. Numerous works and shows in the area of film, video and fotography. Participation in various important international film festivals (Festival de Cannes – Semaine Internationale de la Critique, Intenational Filmfestival of Venice – Section Nuovi Territori, Sundance Film Festival Park City, …). Member of sixpackfilm.
Has a son (Jonas Theodor) with the Austrian journalist Anna Katharina Laggner. Lives and works in Vienna and Heiligenberg since 2010. Continue reading
Her mother goes off to Kenya in search of beach boys willing to provide her with amorous services. Her staunchly Catholic aunt is absorbed in house-to-house evangelism. Thus, thirteen-year-old Melanie spends the holidays in a diet camp in the Austrian mountains. In between physical training and nutritional counselling, nightly pillow fights and a secret bout of binge drinking at the local disco, she falls in love with the doctor and camp director, who is forty years her senior. Melanie uses all her seductive wiles to win him over …
In the third part of his ‘paradise’ trilogy – following Paradies: Liebe and Paradies: Glaube – Ulrich Seidl pits the deep-seated human desire for love and security against harsh reality. From the sterile surroundings of the diet camp, Seidl filters impeccably pristine, minimalist images in which any hint of sensuality, passion or anarchy would appear to be a complete anathema. And yet Paradies: Hoffnung is the most tender of the three ‘paradise’ films, for his young protagonists bear within them a spark of hope that love is not just an illusion, but can be an honest and powerful emotion. Continue reading