This is Michael Haneke’s first feature film, made for Österreichischer Rundfunk and Südwestfunk and broadcast in 1976. Like many of his later films for television and for the screen, it is an adaptation of a literary work; but viewers will probably notice moments in it that strangely anticipate later films — from The Seventh Continent and 71 Fragments of a Chronology of Chance, to Code Inconnu and Caché. The film, which is 97 minutes long, is based on a novella by the Austrian author Ingeborg Bachmann, published in 1972, a year before her death following a fire in her Rome apartment.
Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs. Shot predominantly in black and white (with a color sequence added toward the end), Fraulein asserts Haneke’s place alongside the masters of the New German Cinema. Continue reading
an imdb commentary :
Nacktschnecken (translated “slugs” ) is an Austrian low-budget comedy with quite a fine plot: Three young pals plan to earn money by shooting an hardcore-porno movie. But is it really so easy to shoot some gang-banging with home-video equipment?
What sounds like some stupid german 70s sex-movie is in fact a very entertaining comedy, both clever and sensitive. So if you like new Austrian cinema like “Hundstage” (which is – of course – much more serious) – you should not miss this one.
The flic was shot in Styria, so much of it´s charm depends on various local accents (like a Viennese pimp, a girl from Graz´s upper class, rural-styrian working class heroes e.a.). So this movie is not really easy to translate. Continue reading
Two young characters in this story of rebellious youth are named after two Germans, brother and sister Hans and Sophie Scholl who were imprisoned and executed for their anti-Nazi stance during World War II. In this film, the rebels do not have such a clear-cut enemy but nevertheless, they cannot accept the way life is heading in Austria of the 1950s and they revolt by stealing, mugging, and trying out terrorist methods (bombs). Their future seems to be inexorably heading on a collision course with the forces that have “locked them out.” Continue reading
Tells several stories of prostitution around the world. The documentary revolves around the lives and individual hopes, needs and experiences of the women. Continue reading
A housing development on the outskirts of a big city, common, ubiquitous – high-rise apartment complexes, lots of concrete, sparse plots of perfunctory green. Graffiti-scrawled entryways, intercoms, long stairwells, thousands of faceless windows. From out of this uniform coexistence three couples emerge whose lives intersect over the course of three days and will never be the same again. Continue reading