Barbara Loden – Wanda (1970)


Winner of the Critics Prize in Venice in 1970, Barbara Loden’s Wanda (1970) was, as the New York Times meekly puts it, “a critical hit but failed to create excitement at the box-office” (New York Times, September 6, 1980, 261).

Shot in cinema-verité style on grainy 16mm film stock, Wanda tells the story of the unlikely partnership between a coal-mining wife from Pennsylvania (played with sensitivity and brio by the filmmaker herself), dumped by her husband and the men she met while drifting, and a petty crook on the rebound (Michael Higgins), who convinces her to pull a major “bank job” with him. The film was released in one theatre in New York, Cinema II, and never shown in the rest of the country (Interview, Proferes). Ten years later, Wanda was “already forgotten in the United States,” but “much admired in Europe” (Kazan, 1988, 807). It was screened in the “Women and Film” event at the 1979 Edinburgh Film Festival and in Deauville in 1980. Loden died of cancer on September 5, 1980, “the day [she was] booked to fly to Paris-Deauville. Her death was announced from the stage of the Festival” (Kazan, 1988, 809). Continue reading Barbara Loden – Wanda (1970)

Barbara Loden – Wanda (1971)


“An American New Wave classic.” – Village Voice

“A stunning debut.” – Sight and Sound

An overlooked landmark of 70’s American cinema, Barbara Loden’s WANDA is a radical revisioning of the road movie genre. Writer-director Loden (wife of famed director Elia Kazan) stars as Wanda, a troubled young woman adrift in a modern-day industrial wasteland until she embarks on a crime spree with a small-time crook (Michael Higgins). Loden’s unique film deserves to be counted among the most formidable debuts in the history of independent cinema. – from the Parlour Pictures website Continue reading Barbara Loden – Wanda (1971)