Premiered in Cannes (Quinzaine des Réalisateurs) in 2011
Blue Bird is a story about how one day in a child’s life can change its world. One morning, Bafiokadié and his sister Téné, two African children, leave their village. The only thing on their mind is to find their lost blue bird before the day is over. But they will find much more along their way. Continue reading
Jacques Lacan (1901-1981) is widely regarded as one of the most influential psychoanalysts of the 20th century, one whose work has refashioned psychiatry both as a theory of the unconscious mind and as a clinical practice. His seminars and writings have also had a widespread influence throughout the humanities and social sciences, especially in education, legal studies, literary and film studies and women’s studies. Continue reading
Synopsis (One World Festival):
Before turning fifteen, Georgiana has already taken on the role of mother, caretaker and guardian to her six brothers and sisters with whom she shares a flat on the outskirts of Bacau. Their mother works in Italy, where many Romanians feel they can make more to provide for their offspring, and only comes back every August. Until then, she Skypes from Italy, contributes advice in case of crisis, and sends Easter gifts, while Georgiana plays the role of the mother and tries to cope with homework and high school entrance exam preparation. Continue reading
Set in the frozen steppes of Mongolia, Khadak tells the epic story of Bagi, a young nomad confronted with his destiny to become a shaman. A plague strikes the animals and the nomads are forcibly relocated to desolate mining towns. Bagi saves the life of a beautiful coal thief, Zolzaya, and together they reveal the plague was a lie fabricated to eradicate nomadism. A sublime revolution ensues. Continue reading
Loosely based on the fifth volume of Proust’s monolithic À La recherche du temps perdu, La Captive is a dark study of obsessive love from Chantal Akerman, currently one of Belgian’s most highly rated film directors. The feel of the film is more a psychological thriller than a traditional romantic drama, with frequent references to Hitchcock’s Vertigo more than evident.
The most striking feature of the film is its austere cinematography. Most of the film is set at night or within darkened rooms (which no matter how large appear stiflingly claustrophobic), something which constantly emphasises the prisoner-gaoler relationship of the two young lovers. Add to that the restrained (yet effective) performances of the two lead actors and the result is a hauntingly existentialist work, a chilling black poem of a fairytale romance twisted and ultimately obliterated by perverse mental aberrations. Continue reading
Release Date: 1993
Ebert Rating: ***
By Roger Ebert Mar 18, 1994
I I n 1884 the French author Emile Zola traveled to a poor rural district of France to observe the living and working conditions of striking coal miners. The novel he wrote about that experience, Germinal, was instrumental in winning justice for the workers, who existed in a condition little better than slavery.
Claude Berri’s ambitious new epic “Germinal” recreates Zola’s story. Zola, who began as a writer at a time when most novels were inspired by imagination and romance, helped pioneer a style of detailed realism, piling fact upon fact so that his books seemed drawn from real life. Berri’s film has been made in the same spirit, and the elaborate sets showing the villages and mines are so convincing the movie almost seems shot on 19th century locations. Continue reading
Winter, spring, summer, autumn…and then? La cinquiememe saison (The Fifth Season) is an apocalyptic tale which does not need to make use of extraterrestrial aliens or natural catastrophes to impress the viewer. Humans and nature have a very fragile connection – what if nature suddenly decided to cut this connection?
Set in a little rural village in the Ardennes, the inhabitants are preparing for the local feast to celebrate the end of the winter. But something goes wrong: the fire that was supposed to light up the bonfire refuses to burn, a bad omen for the whole community. We do not see the end coming at first but season after season we gradually witness a slow but implacable process of decay: the crops do not grow, the animals become sterile, people fall ill and the trees collapse. The two young protagonists Alice and Thomas, the outsider Pol and his paraplegic son, and all the others can do nothing other than be spectators to this silent disaster. Continue reading