Sergei M. Eisenstein – Drawings (1961)

Рисунки. Dessins. Drawings.
by Sergei M. Eisenstein

Hardcover: 228 pages
Publisher: Publishing House “Iskustvo” (Art) (May 30, 1961)
Language: Russian, English, French
Product Dimensions: 62 x 94.8

Sergei Mikhailovich Eisenstein was a Soviet Russian film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).

Eisenstein’s book presents his drawings and sketches for his films of different years as well as trilingual texts: essays by Y. Pimenov (“The Drawings of Eisenstein”), Olga Aisenstat (“Eisenstein the Graphic Artist”), Gennady Myasnikov (“Director’s View of the Film”) and Eisenstein himself (“How I Learned to Draw” and “A Few Words about My Drawings”). Continue reading

Jennifer M. Bean, Anupama Kapse, Laura Horak – Silent Cinema and the Politics of Space (2014)

In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces–geographic, economic, political, psychological, textual, and experiential–that underscore a non-linear approach to film history. The “messiness” of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema. Continue reading

The Criterion Collection – Criterion Designs (2014)

A lavishly illustrated coffee-table book celebrating thirty years of artwork from the Criterion Collection. The most exciting names in design and illustration today apply their talents to some of the most important and influential films of all time. This volume gathers highlights from designs commissioned by the Criterion Collection, featuring covers, supplemental art, and never-before-seen sketches and concept art plus a gallery of every Criterion cover since the collection’s first laserdisc in 1984. From avant-garde experiments to big-budget blockbusters, cult favorites to the towering classics of world cinema, the depth and breadth of what film can be is on display in these striking images. Whether painstakingly faithful re-creations or bold reimaginings, the diverse designs collected here offer new ways for cinephiles and design aficionados alike to engage with the world’s greatest filmmakers . Continue reading

Justin Remes – Motion(less) Pictures: The Cinema of Stasis (2015)

Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol’s Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow’s So Is This (1982), and Derek Jarman’s Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. Continue reading