Yuriko Furuhata – Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics (2013)

During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the “season of politics,” the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers’ struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts. Read More »

Roger Ebert – Herzog by Ebert (2017)

Roger Ebert was the most influential film critic in the United States, the first to win a Pulitzer Prize. For almost fifty years, he wrote with plainspoken eloquence about the films he loved for the Chicago Sun-Times, his vast cinematic knowledge matched by a sheer love of life that bolstered his appreciation of films. Ebert had particular admiration for the work of director Werner Herzog, whom he first encountered at the New York Film Festival in 1968, the start of a long and productive relationship between the filmmaker and the film critic. Read More »

Philip Powrie & Keith Reader – French Cinema: A Student’s Guide (2003)

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The study of French cinema has expanded dramatically in recent years, as it is increasingly taught alongside literature in modern language departments. Many entrants to courses have no previous experience of film study. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema, while giving them an understanding of the concepts and techniques involved in the study of film. It also contains a model essay, sample film analyses, and an appendix of statistics, filmography, bibliography and glossary, making this book an indispensable and comprehensive resource. Read More »

Sight & Sound – Sight & Sound: January – December 2016 (2016)

All 12 issues of Sight & Sound published in 2016.
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Gönül Dönmez-Colin – Women, Islam and Cinema (2004)

‘A vivid series of insights into the little-known world of Muslim Asian cinemas, where issues of gender and religion come harshly together, where women’s lives and sufferings are a constant focus for male directors, but where – outside Iran – there is next to no scope for women directors to express their views. This excellent book – lucidly written, and based on close firsthand experience – is highly recommended to all who want to understand the realities of world cinema.’ Roy Armes, Emeritus Professor of Film, Middlesex University, London Read More »

Various – Lithuanian Cinema (2015)

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Jonathan Kahana – The Documentary Film Reader: History, Theory, Criticism (2016)

History, Theory, Criticism
Edited by Jonathan Kahana and Foreword by Charles Musser

Provides the most comprehensive overview of documentary film assembled to date, with over 100 articles on myriad topics
Features a substantial main introduction and section introductions throughout to establish key contexts and important critical issues
Ranges widely across continents, filmmakers, and subgenres, addressing early documentary, avant-garde, propaganda, the essay film, and more
Proposes a fresh canon of films and texts as a starting point for further exploration into the world of nonfiction cinema
Includes foreword from the renowned film historian and filmmaker Charles Musser Read More »