Jose Eduardo Belmonte – A Concepcao aka The Conception (2005)

concepcao Jose Eduardo Belmonte   A Concepcao aka The Conception (2005)

logoimdbb Jose Eduardo Belmonte   A Concepcao aka The Conception (2005)

Synopsis
Alex, Lino and Liz, three sons of diplomats, live together in Brasilia enjoying the freedom inside an empty apartment with no parents, seemingly unaware of the world outside. Their lives change irrevocably when they meet ‘X’, a person with no name or past, who suggests taking the idea of living every day as it was the last one. For that to happen they form a new movement – THE CONCEPTION, having a revolutionary creed: Death to the ego, be a new character every day, lose your memories, abolish money, have excesses all the time. The world becomes a great theatre, the conceptualist is someone that makes up characters which last only 24 hours. Continue reading

Marcus Baldini – Bruna Surfistinha (2011)

UkMSD Marcus Baldini   Bruna Surfistinha (2011)

logoimdbb Marcus Baldini   Bruna Surfistinha (2011)

Taken from IMDB comments:

“Not the best thing, but also not the worst., 22 March 2011

Author: M. O. from Brazil
‘Bruna Surfistinha’ is the story of Rachel Pacheco, an adopted Brazilian girl that constantly suffered from bullying and, feeling apart of everyone, leaved her house and family at age of 18 in search for independence to prove herself and the others that she could be someone special. Then she finds a job opportunity that could give what she was so desperately wanting. She really didn’t care if it’s from sex, she just wanted to make money and achieve her objectives. “More sex, more money”, that’s what she thinks to keep surviving. Continue reading

Júlio Bressane – Barão Olavo, o Horrível (1970)

posterbaraoolavoohorrve Júlio Bressane   Barão Olavo, o Horrível (1970)

logoimdbb Júlio Bressane   Barão Olavo, o Horrível (1970)

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival Continue reading

Glauber Rocha – Câncer (1972)

cancer1rd0 Glauber Rocha   Câncer (1972)

logoimdbb Glauber Rocha   Câncer (1972)

Quote:
The film does not have a story. There are three characters and violent action. I was interested in making a technical experiment, concernig the problem of the resistance of the duration of the cinematographic take. There, we can see how the technique interferes in the cinematographic process. I decided to make a film in which each take would have the length of a chassis, and study the almost elimination of the editing when there is a verbal action and a psychological action in the same take. – Glauber Rocha Continue reading

pixel Glauber Rocha   Câncer (1972)