“The movie shows a Sinner-Christ, performed by Jece Valadão; a Black-Christ, performed by Antônio Pitanga; shows the Christ that is the portuguese conqueror, Dom Sebastião, performed by Tarcísio Meira and show the Ogum-Warrior Christ of Lampião, performed by Geraldo Del Rey. That is, the four Knights of the Apocalypse that resurrect the Christ of the Third World, recounting the myth through the four evangelists: Matthew, “Marcos”, “Lucas” and John, whose identity is revealed in the film almost like it was a Third Testament. And the film assumes a prophetic tone, really biblical and religious.” Glauber Rocha
A personal vision of contemporary Brazil and its evolution, with a number of archetypes which recall some of Glauber Rocha’s previous films : the Indian, the Colonizer, the Nordeste man, the Worker, the Amazon, the Bourgeois and a black Christ bringing new revolutionary hope for the Third World. Continue reading
This is the story of father and son who work as clowns Puro Sangue/Valdemar (Paulo Jose) and Pangare/Benjamin (Selton Mello) in a circus which travels through the Brazilian country side. Benjamin is a clown who does not have id or social security number. Going through a phase where he starts questioning his ability to make people laugh and his future, Benjamin decides to follow a different path to find his answers and pursue his dreams: a fixed address and the ideal woman. In the adventure, he meets several people on the way to find his own identity. (~IMDb) Continue reading
A Brazilian masterpiece, fascinating, powerful and still contemporary, waiting to be (re)discovered by the world, 12 October 2006
The first thing you’ll remark when you see “Os Cafajestes” today (if you are lucky enough to find a copy of it) is how surprisingly modern, daring and mesmerizing it still is. The existential drama of 4 characters — two men (low-life scum Jandir, small-time playboy Vavá) and two women (used up Leda, provocative Vilma), who indulge in dangerous, deceitful games that include sex, photos, cars, beaches, drugs and blackmail — is amazingly contemporary in its visual style, boldness and acid criticism of amorality and egotism. That, combined with the virtuoso camera-work by Tony Rabatoni, the blazing summer whiteness of Cabo Frio beaches and dunes, the surprising turns in the plot, the edgy dialog and the non-linear treatment of sound vs image make this an unforgettable film, one of the most impressive directing debuts in the history of cinema (that’s not an overstatement), regrettably little known outside Brazil. Continue reading
Plot Outline: Documentary about a region in Northeast Brazil, situated in an area subject to severe drought, and the evolution of its economic activities.
The Land Of São Saruê, one of the most important Brazilian documentaries, was produced in 1970. It was banned by censorship until 1979 when it wasselected for the Brasilia Festival and wont the jury prize. The film, now restored, was hot in 16mm and then copied onto 35mm. The 16mm original has disappeared. The restoration was made using the extant 35mm internegative. The treatment given to the original sound generated a new re-equalized and remixed sound negative. Within the constraints of an optical restoration the restorers tired to eliminate imperfections caused by improper handling and storage. Due to the poor conditions of the original material some scenes couldn’t be totally restored. This optical restoration will enable such defects to be minimized through digital treatment in the future. Restoration was made from March 2003 through September 2004 by Francisco Sergio Moreira, under the supervision of the original director, Vlamidir Carvalho with Myrna Brandão and Carlos Augosto Brandão from the Brazilian Cinema Researchers’ Center. Continue reading
Cinebiography of celebrated historian Sérgio Buarque de Hollanda, who wrote the seminal “Raízes do Brasil” in 1935, with interviews with his large family (including his widow and his seven children, among them famous composer/singer/writer Chico Buarque and singer Miúcha) and scholar friend Antonio Candido. Written by fabreu Continue reading
If you like early John Waters pieces, you have to see this one. In fact, this movie was released an year earlier than Pink Flamingos. The director was also writer, art director and set decorator, in the traditon of underground cinema – the movie is considered part of the movement called Cinema Marginal and was banned by the military Brazilian authorities.
–mandragoru Continue reading
workers strikes at 80s in abc paulista – sao paulo – brazil.
Na década de 80, acompanhou a emergência do movimento operário e do Partido dos Trabalhadores no ABC paulista. Continue reading