Joan Crawford has another of her star-sized roles….Playing a musical comedy actress in the throes of rehearsal and in love with a blind pianist, she is vivid and irritable, volcanic and feminine. She dances; she pretends to sing; she graciously permits her wide mouth and snappish eyes to be photographed in Technicolor….Here is Joan Crawford all over the screen, in command, in love and in color, a real movie star in what amounts to a carefully produced one-woman show. Miss Crawford’s acting is sheer and colorful as a painted arrow, aimed straight at the sensibilities of her particular fans. Continue reading
A lonely security guard can’t even get a decent blind date, so he begins peeping at women through their bedroom windows. Before long he’s paying call girls to come over and secretly videotaping every session.
Within two weeks he’s blown his life savings and been subjected to a lot of verbal and physical abuse. This bizarre black comedy is loaded with naked women!
Starring Andren Scott – with Monica McFarland, Karen Pombo, Becky Van Lewen and Sheila Traister. Directed by Ronnie Cramer, music by Alarming Trends.
“The Best Drive-in Movie of 1992…” Joe Bob Briggs Continue reading
After being plagued by recurring dreams where three strange creatures play havoc with his mind, a novelist pulls an overnighter during which his mind-spun creatures become a reality and horror happens. Continue reading
This film is a sequel in name only to Valley of the Dolls (1967). An all-girl rock band goes to Hollywood to make it big. There they find success, but luckily for us, they sink into a cesspool of decadence. This film has a sleeping woman performing on a gun which is in her mouth. It has women posing as men. It has lesbian sex scenes. It is also written by Roger Ebert, who had become friends with Russ Meyer after writing favorable reviews of several of his films. Continue reading
I can’t stress enough how wonderful, anarchic and unique is this early Israeli film. It blends lots of genres and pokes
fun at many sacred cows while dealing with connections between cinema, reality and its ideological representations.
There simply isn’t any other film like that, and it’s the first time it’s on the net, with subs.
Not much information in English, so I edited an article I’ve found, but it dosen’t do the movie justice:
A comic and episodic satire, the film uses improvization to ilustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray film as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics- parallel to the miracle of Israel, the dream that has become reality (?). Although not a commercial success, there’s no equal to it in all of the Israeli films made since then. Continue reading
LOVE IS ALL Klaasje has divorced Dennis, who cheated on her with a school teacher. Dennis would like her back, but when she moves in with a young lover it looks as if he has missed the boat. Meanwhile, Klaasje’s best friend Simone is the pivot of her family. Her husband Ted often feels redundant and he does not have the guts to tell her that he has been laid off. Pool attendant Victor is looking forward to marrying the love of his life, Kees. But Kees has doubts and keeps his fears at bay during weekends spent ‘larping’ (Live Action Role Play). Victor’s sister Kiki, a sales assistant at department store Bijenkorf, is dreaming of a prince on a white horse. But she is unaware of the fact that a real prince, Valentijn, is crazy about her. With the arrival of a mysterious Santa Claus, all these amorous ups and downs reach a climax, while the happy endings come closer too. Written by Motel Films Continue reading
13 Ghosts (1960)
Reclusive Dr. Zorba has died and left his eerie mansion to his penniless nephew Cyrus Zorba and his family. Along with the house, the Zorba family has also inherited the occultist’s collection of 12 ghosts, who can only be seen through
Zorba’s special goggles. The family members, their lives at risk upon the discovery that Dr. Zorba’s fortune lies hidden somewhere in the house, receive aid from unexpected quarters as the threat to their lives is revealed.
The movie was filmed in “Illusion-O” and a pair of special glasses where needed to see the ghosts. This resulted in a number of sources incorrectly stating that the film was originally shown in 3D. The “ghost viewers” contained a red filter and a blue filter but unlike 3D viewers, both eyes would look through the same color filter. One color would cause the ghostly images to intensify while the other color caused the images to fade. Continue reading