OCCUPY LOVE captures the heart of the movement of movements that is sweeping the planet in response to today’s economic and environmental crises. ‘Philosopher-filmmaker’ Velcrow Ripper travels to history-making hot spots, asking the question, ‘How can crisis create a love story?’ Scenes include the Egyptian revolution in Tahrir Square, Spain’s Indignado movement, Occupy Wall Street NYC, The Maple Spring in Quebec, and indigenous activists at the Alberta Tar Sands. The film explores the aspects of this arising that take the form of what Martin Luther King Jr. called ‘Love in action.’ Woven throughout is a deep exploration on the meaning and importance of ‘public love’ – the love of humanity, the love of the planet. Continue reading
Clara spent the summer of his 16 years seeking his missing sister. Local authorities do not move. The mother is bedridden. The adults in the village seem busy with other things. Between his summer job, take care of the family home and his little sister, Clara focuses his energies to find Margarete. Aided by her friends, she searched fields, rivers, edges of highways. For Clara, the body of his elder can be under any bridge, behind any door in any warehouse. When the mystery is solved, Clara finds himself more alone and helpless. Continues his research and focus far from home.
Through an initiatory quest where dialogues are reduced to their simplest expression in favor of suggestive images and some clues gleaned here and there, the girl (Clara Turcotte) in shock oscillates between dream and reality. Continue reading
After being plagued by recurring dreams where three strange creatures play havoc with his mind, a novelist pulls an overnighter during which his mind-spun creatures become a reality and horror happens. Continue reading
From IMDb :
Animals/People: Along the rhythm of the changing seasons they watch one another. Bestiary unfolds like a filmed picture book about mutual observation, about peculiar perception. A contemplation of a stable imbalance, and of lose, tranquil and indefinable elements.
From www.berlinale.de (Berlin Film Festival) :
A drawing course, a safari park and a taxidermist’s workshop: three settings in which humans and animals meet. The focus of observation is on relationships of sight and perception, which often reflect unequal power structures at the same time. In the process, the film also seems to be considering the question of how animals can be filmed.
Richard was coming back into town and we set up a gig for him at the local co-op. He was bringing along his new, tough, beautiful, hard-won movie called The Last Days of Contrition. It showed just about everywhere that tough movies were being shown. But for this night we brought dad’s pull-down screen and a couple of boxes of beer and the crowd spilled out into the hallway. We sat around the projector and marveled at how he’d managed to go into America and find it so emptied and cruel. There were how many military vehicles shuttling across the desert in shots he’d waited all day for, so by the time he finally turned the camera on, all that anger had become something else. He really had a knack for the silver light. Continue reading
Montreal-based actor-turned-filmmaker prodigy Xavier Dolan’s third feature is a terrific character study for its first two hours — and then there’s the third one. That’s starting to be a routine for the young director: Dolan’s gently affecting debut, “I Killed My Mother,” was a remarkably insightful portrait of a young gay man’s relationship to his mother, but his two follow-ups have suffered from an overindulgence in style in spite of their many strengths. In the case of “Laurence, Anyways,” Melvil Poupaud delivers a stirring performance in the title role as a high school teacher who confesses to his hip girlfriend Fred (Suzanne Clément) that he has a penchant for cross-dressing. The story tracks Fred’s transition from anger to acceptance as the couple attempts to keep their relationship intact. Dolan’s screenplay is sharply attuned the nuances of human behavior, and strikes an intelligent note between intimacy and a grandly expressionistic vision that dramatizes the emotion of the scenario with boisterous music cues, fantasy sequences and a lavish color scheme. Continue reading
Chloe is a young Canadian doctor who divides her time between Ramallah, where she works with the Red Crescent, and Jerusalem, where she lives next door to her friend Ava, a young Israeli soldier. Increasingly sensitive to the conflict, Chloe goes daily through the checkpoint between the two cities to get to the refugee camp where she monitors the pregnancies of young women.
As she becomes friends with Rand, one of her patients, Chloe learns more about life in the occupied territories and gets to spend some time with Rand’s family. Torn between the two sides of the conflict, Chloe tries as best she can to build bridges between her friends but suffers from remaining a perpetual foreigner to both sides.
Following up her acclaimed debut-feature Le ring, filmmaker Anais Barbeau-Lavalette delivers with Inch’Allah the moving tale a young woman’s encounter with war and its everyday life. Avoiding any political agenda, Chloe’s story questions how one can internalize a foreign conflict without …