The population of a small Beauce town in Quebec dogs a mother and her daughter who are believed to trade on their charms. The film shows the brutal reality of the village inhabitants’ behaviour toward the mother and her daughter. Taureau, the woman’s son who is a little crazy, but as strong as an ox, even takes the liberty of courting the teacher. The Beaucerons feel obliged to avenge their honour. Continue reading
Three girls and six boys from the Montreal middle class give of the universe of a certain youth a true, different image from the one we might have imagined. Drugs, love, sex, freedom, authority, social conflicts feed their conversations and are on their minds. Continue reading
The story of three men and a boy on a three-day hunting expedition. For them, who are from a humble background, hunting is a form of social promotion and freedom. But above all it’s a virility test which they must pass. Continue reading
When Simone nods off at the wheel, her car goes out of control. She escapes serious physical injury, but her life changes direction nevertheless. She cancels a planned trip to Italy, quits her modeling job, and calls her friend Philippe with the suggestion that they have a baby together. To gain time, he agrees but only under the condition that they do it in the desert. The two leave Montreal for Utah where something unexpected awaits Philippe. Continue reading
“Like a Dream That Vanishes” continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses. (Your life is like a candle burning.) Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles. Continue reading
“Transitions” is a film of inner life and speaks of time, reality, power. It depicts the disquieting sensations of being between – between falling asleep and being awake, between here and there, between being and non-being. These metaphysical themes are evoked by the central image of a woman in white over which layers of images and sound (voices) are superimposed. Continue reading
A woman believes she is beginning to lose her mind when she begins seeing ghosts and spirits.
As a comment on religious repression, familial ostracism, and subliminal incestuous urges, this film might have some value. Continue reading