Forty-something Quebeçois Philippe Roberge is floundering in his life. He believes that no one listens to him or takes him seriously. A graduate student in Philosophy of Scientific Culture, he has just failed his Ph.D. dissertation for the second time, his theory of interest in outer space being a narcissistic response from man being widely rejected throughout the community. To make ends meet, he works selling newspaper subscriptions. And he has a cordial but basically non-existent relationship with his ex-wife. Philippe examines his life in response to the recent death of his mother coupled with his dissertation beliefs. Although she lived in a care home, he acted as her primary caregiver. His only remaining family is his younger gay brother, André, the two who could not have more different temperaments. As such, they do not get along. Following his mother’s death, Philippe’s thoughts about his life are influenced by three major incidents: being invited to speak at a major conference in Russia by a cosmonaut who he idolizes, entering a contest on sending messages into outer space, and receiving information regarding the nature of his mother’s death.
— IMDb. Continue reading
One critic described this film as an “immensely appealing and articulate exploration of the world of the drop-out, which makes almost everything else in the recent spate of films about hippydom seem adolescent.” Prologue concerns a young Montrealer who edits an underground newspaper. He and his female companion are joined by a young draft dodger from the United States. In the choices they make, the two rival philosophies of dissenting youth become evident: militant protest or communal retreat.
The film includes some of the bloody rioting in Chicago during the 1968 Democratic Convention. Also seen and heard in the film is anti-war and civil rights spokesman Abbie Hoffman.
Robin Spry was one of the brightest talents of the late sixties and early seventies and a pioneer of the emerging English-Canadian film scene of that era. Equally adept at documentary and fiction and gifted with a keen eye for social analysis, his films often dealt with contemporary social issues and were continually concerned with the politics of power. Continue reading
In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who’s telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the …
Written by The National Film Board of Canada Continue reading
Film by Fred L’Epee
In collaboration with Kenneth Gentry and Ed Alvarado.
“The theme of bipolarity is seen through various means: the natural and the man-made; production and destruction; energy and adynamia; peace and apocalypse; equilibrium and disequilibrium — from the beginning to the end. This emerging view of a complex “bipolar climate machinery” urgently calls for a major research effort in order to decipher and quantify the interplay of atmospheric and social processes. When the world is in no accordance with all the cyclic combinations, a more or less bipolar world cannot be inevitable” Continue reading
The demands of her family and the stress of daily life drive the mind of a woman into permanent fantasy as a way to cope.
Normande St-Onge (Carole Laure) works in a drug store and dreams of being a cabaret dancer. Her mother, Berthe (Renée Girard), has been confined to a mental institution by Normande’s uncle, Jean-Paul (Denys Arcand). But Normande, who does not believe her mother is insane, releases her from the institution and brings her home. They live in a large house with a variety of eccentric characters, including Normande’s sister, Pierrette (Carmen Giroux), her boyfriend, Bouliane (Raymond Cloutier), and a strange magician named Carol (Reynald Bouchard). Also in the mix is a sculptor (J.-Léo Gagnon) who lives in the basement and is obsessed with creating a life-sized, nude replica of Normande. Continue reading
A grieving man meets his lover’s family, who were not aware of their son’s sexual orientation.
“What you don’t know WILL hurt you.”. Tom, a young advertising copywriter, travels to the country for a funeral. There, he’s shocked to find out no one knows who he is, nor who he was to the deceased, whose brother soon sets the rules of a twisted game. In order to protect the family’s name and grieving mother, Tom now has to play the peacekeeper in a household whose obscure past bodes even greater darkness for his “trip” to the farm. Long ways, long lies… Set in Quebec’s rural panorama, this psychological thriller centres on the ever-growing gap between city and country and the oppositive nature of men who live there. Stockholm syndrome, deception, grief and secretive savageries pervade this brief and brutal pilgrimage through the warped and ugly truth Continue reading
Making the most of the family home while her parents are away, Nicole, 22 years old, is enjoying a peaceful summer with her best friend Véronique. When Nicole’s older brother shows up with his band to record an album, the girls’ friendship is put to the test. Their vacation takes an unexpected turn, punctuated by a heatwave, Nicole’s growing insomnia and the persistent courtship of a 10-year-old boy. Continue reading