Carl Theodor Dreyer – Glomdalsbruden (1926)

29f7c043f76a2bde437fd0d52a185152

Birgit Granhøj, CarlThDreyer.dk wrote:

Quote:
Tore takes over the rundown family farm. Applying his youthful energy, he intends to make it into a big farm like Glomgården on the other side of the river, where beautiful Berit loves. Tore falls in love with her, but her father has promised her to rich Gjermund. As her wedding to Gjermund draws near, Berit runs away and seeks refuge with Tore and his parents. She soon falls deathly ill but recovers, asking for, and getting, her father’s permission to marry Tore. Jealous Gjermund is determined to prevent their wedding, however, in a dramatic climactic scene playing out around the rushing river. Continue reading Carl Theodor Dreyer – Glomdalsbruden (1926)

Carl Theodor Dreyer – Du skal ære din hustru AKA Master of the House (1925)

29f7c043f76a2bde437fd0d52a185152

Quote:
Victor Frandsen is a domestic tyrant. His wife Ida has to work as a slave for him and the rest of the family. She rises early to prepare everything for the day, she toils all day long, and she is often up also in the night, doing some sewing to earn extra money for the household. In daytime she is supported by an old woman called Mads, who was Victors’ nanny when he was a child. Mads is filled with loathing for Victor’s behavior towards his wife, and calls him a brute. She understands that Ida is on the verge of a serious breakdown, and persuades Ida’s mother, Mrs. Kryer, to take Ida away. Mads will herself take care of the household and the children for a time. When Victor comes home and finds out that Ida is gone, he gets angry. He asks his daughter, Karen, where her mother is, but she refuses to tell him. She only says that her mother is very ill, and that it will be his fault if she dies. The accusation strikes Victor in his heart, and he sits down, feeling dejected. Continue reading Carl Theodor Dreyer – Du skal ære din hustru AKA Master of the House (1925)

Carl Theodor Dreyer – Ordet (1955)

29f7c043f76a2bde437fd0d52a185152

Quote:
Although The Word deals with a miracle, it is through and through a realistic film—about those who are weak in faith. The hoped-for miracle does not occur until one who has faith, the True Faith, arrives. The action takes place among country folk living in a small, outlying parish on Jutland’s west coast. It pictures the struggle between two different sides of Christian faith—a bright, happy Christianity and its contrast, a dark fanaticism, hostile to life. Continue reading Carl Theodor Dreyer – Ordet (1955)

Carl Theodor Dreyer – Præsidenten AKA The President (1919)

29f7c043f76a2bde437fd0d52a185152

Quote:
It perhaps comes as no surprise, given Carl Theodor Dreyer’s lifelong, idealized melancholy over his own unresolved parentage, that the scenario selected for his first film, The President would involve three generations of children conceived out of wedlock, and thematically crystallize on the legacy of their unreconciled paternity in the resolution of their own disparate lives. For Dreyer, this expurgation of such deep-seated trauma was not only manifested in the naïve idea of restoring the virtue and honor of a “fallen” woman (an archetypal surrogate for his own idealized, unwed, biological mother) through transcendence, but also in confronting the innate cruelty of the very institutions that socially (and inequitably) stigmatized such human transgressions through codified notions of morality and class division. It is within this framework that the film’s preface of the aging aristocrat, Franz Victor von Sendlinger (Elith Pio) offering a promissory relationship advice to his son Karl Victor (Halvard Hoff) on the folly of marrying outside (or more specifically, beneath) one’s social class while walking along the grounds of their forbiddingly isolated, dilapidated estate seems especially conducive to the figurative idea of empty, superficial, crumbling institutions and Dreyer’s own symbolic attempts to dismantle them. Continue reading Carl Theodor Dreyer – Præsidenten AKA The President (1919)

Carl Theodor Dreyer – Der var engang AKA Once Upon a Time (1922)

29f7c043f76a2bde437fd0d52a185152

Quote:
Once upon a Time (a.k.a. Der var engang) is an atypical film for the Danish filmmaker Carl Theodor Dreyer, a departure from his more usual realistic dramas into the realm of fantasy and fairytale. It was the only film that Dreyer made for the independent film producer Sophus Madsen, a Danish film enthusiast whose only other production was Laurids Skands’s all but forgotten Livets Karneval (1923). The film was adapted from a play by Holger Drachmann, written in 1885, that was itself based on Hans Christian Andersen’s fairytale Svinedrengen and Shakespeare’s The Taming of the
Shrew. From the outset, this was conceived as a lavish production, but it soon ran into financial difficulties. Even though some scenes were cut – including an extravagant market sequence – the film still ended up with a 150 per cent overspend on its 90,000
kroner budget. Continue reading Carl Theodor Dreyer – Der var engang AKA Once Upon a Time (1922)

Carl Theodor Dreyer – La Passion de Jeanne d’Arc AKA The Passion of Joan of Arc (1928) (HD)

29f7c043f76a2bde437fd0d52a185152

he sufferings of a martyr, Jeanne D’Arc (1412-1431). Jeanne appears in court where Cauchon questions her and d’Estivet spits on her. She predicts her rescue, is taken to her cell, and judges forge evidence against her. In her cell, priests interrogate her and judges deny her the Mass. Threatened first in a torture chamber and then offered communion if she will recant, she refuses. At a cemetery, in front of a crowd, a priest and supporters urge her to recant; she does, and Cauchon announces her sentence. In her cell, she explains her change of mind and receives communion. In the courtyard at Rouen castle, she burns at the stake; the soldiers turn on the protesting crowd. Continue reading Carl Theodor Dreyer – La Passion de Jeanne d’Arc AKA The Passion of Joan of Arc (1928) (HD)

Carl Theodor Dreyer – Ordet AKA The Word [+extra] (1955)

29f7c043f76a2bde437fd0d52a185152

Plot:
A farmer’s family is torn apart by faith, sanctity, and love—one child believes he’s Jesus Christ, a second proclaims himself agnostic, and the third falls in love with a fundamentalist’s daughter. Putting the lie to the term “organized religion,” Ordet (The Word) is a challenge to simple facts and dogmatic orthodoxy. Layering multiple stories of faith and rebellion, Dreyer’s adaptation of Kaj Munk’s play quietly builds towards a shattering, miraculous climax.

Review:
‘Powerful’ doesn’t do justice to this 1955 exploration of life, death and faith from Danish master Carl Theodor Dreyer. Based on Kaj Munk’s 1932 play, ‘Ordet’ is an austere, realist work on one level as it joins a farming family in their Jutland home over a short but devastating period of time. Continue reading Carl Theodor Dreyer – Ordet AKA The Word [+extra] (1955)