This obscure film is directed by five well-known cinematographers. “Apathy” is directed by Carlo Lizzani and concerns a New York rape victim whose cries for help fall on deaf ears. Bernardo Bertolucci directs “Agony.” Members of the Living Theater mime death scenes. In “The Paper Flower Sequence,” directed by Pier Paolo Pasolini, a man carries a paper flower through Rome. Part four is directed by Jean-Luc Godard, a tedious segment where two people watch some actors give a boring performance. The last story is directed by Marcello Bellochio. Students at a Roman university engage in dialogue with members of the Establishment. While the stories averages 20 minutes each, this gang-directed effort quickly fell into cinematic oblivion. — Dan [hxxp://www.allmovie.com] Continue reading
Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.
For all those who will not be going to Italy for a vacation this year… here is the next best thing. A who’s who of Italian directors anno 1990 turn their cameras on a specific Italian city. Most of these (very) short films do not have dialogue of any kind, and rely instead solely on the beauty of the images and music to depict the various cities.
Michelangelo Antonioni (segment “Roma”)
Bernardo Bertolucci (segment “Bologna”)
Giuseppe Bertolucci (segment “Bologna”)
Mauro Bolognini (segment “Palermo”)
Alberto Lattuada (segment “Genova”)
Carlo Lizzani (segment “Cagliari”)
Mario Monicelli (segment “Verona”)
Ermanno Olmi (segment “Milano”)
Gillo Pontecorvo (segment “Udine”)
Francesco Rosi (segment “Napoli”)
Mario Soldati (segment “Torino”)
Lina Wertmüller (segment “Bari”)
Franco Zeffirelli (segment “Firenze”) Continue reading
Kevin Lyons on EOFFTV wrote:
By the early 1980s, the giallo – that uniquely Italian blend of thriller and horror tropes laced with plenty of sex – was facing its final curtain. Dario Argento would return to the form throughout the decade but just about everyone else was getting ready to give up on it as Italian horror lurched towards the more visceral in the wake of Lucio Fulci’s worldwide success with Zombi 2 / Zombie Flesheaters Zombie . Those gialli that were still being made seemed a pale imitation of the excesses of their 1970s forebears. Continue reading
Description: As public outrage mounts against organized crime in modern-day Milan, four robbers meticulously plan a timed assault on several major banks within a period of 40 minutes. Led by the mastermind Cavallero, the men have pulled off other robberies in the past, keeping their identities secret by leading seemingly law-abiding lives. While making their getaway after one robbery, however, there is a slip-up, and the men must blast their way through the streets with submachine guns, killing several innocent bystanders in an effort to escape from the police. Three of the robbers escape, but a fourth, Rovoletto, is wounded and captured. The city is blockaded with the latest electronic devices, and police inspector Basevi questions Rovoletto, who finally breaks down. Lopez, the youngest gang member, is easily captured in his home, but Cavallero and Notarnicola evade the police dragnet. Before long, however, they are tracked down and cornered in an abandoned farmhouse. While being brought back to headquarters by Basevi, Cavallero boasts that his crimes have made him as famous as the Sicilian bandits of old, but he is shocked when a mob of irate citizens surround the police car, cursing and spitting at him.