The story takes place in 1937 in the southern town, a young woman married into Yinjialin rain lotus in the day, never met her husband joined the fleeing forced marriages MingXuan Japanese team, taking into account the family face, Ming Hao Yinjialin decided to let his brother instead of his brother weddings married , temporarily to defuse the crisis, but in the hearts of the people can not be together planted the seeds of love.
Over time, the war to the South. In the traditional immoral attack, rain Lin and Ming Hao, like love, like this piece of land was the ruthless destruction. Mingxuan killed returned a town news, grief hearts of two people and took a step closer.
But the fate of the family’s love and innocence in the face of war seemed fragile. Merciless fire enveloped the town, wedding eve, Minghao hesitate to join the fight to the death squads …… not the aggressor in the war-torn environment, weak rain stick on the beautiful lotus town, but also true to his love Continue reading
Northern China, 1999. The grisly discovery of several corpses is made in a small town. A bloody incident during the attempt to capture the alleged murderer leaves two police officers dead and another badly injured. The surviving officer Zhang Zili is suspended from duty; he takes a job as a security guard at a factory. Five years later, another series of mysterious murders occurs. Aided by a former colleague, Zhang decides to investigate under his own initiative. He discovers that all the victims were connected to Wu Zhizhen, a young woman who works at a dry cleaners. Pretending to be a customer, Zhang begins to observe her and finds himself falling in love with the reticent Wu Zhizhen. One cold winter’s day he makes a horrific discovery. His life now in danger, he realises it is not always possible to separate guilt from innocence. Diao Yinan’s use of the characters of the ex-police officer and the femme fatale is a direct reference to classic detective films. This director’s third feature is a noirish thriller in drained colours which, whilst playfully alluding to the genre, also invites us into the lives of very ordinary people. (-berlinale.de) Continue reading
Interlocking episodes and a bemused, deadpan vision shape the Chinese film ”Rain Clouds Over Wushan,” which is directed with quirky promise and dry precision by Zhang Ming. Mr. Zhang echoes Jim Jarmusch with his bare, quotidian settings and with characters whose quiet desperation can give way to surprising flashes of tenderness and sly, tacit wit. The film’s manner is impressively measured, but its progress can be very desultory. Events progress slowly, accompanied by pointedly mundane detail. The actors are often in the grip of stylized anomie. Continue reading
An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life. Continue reading
“Spring in a Small Town” is a remarkable fusion of classic form and the convincingly real. It moves from its central character, Yuwen, who is isolated in a small town, and in an arranged marriage with an ill neurasthenic husband, Lyan; and moves too from a truly enduring acting job by Wei Wei as Yuwen.
The story revolves around memory: memory of love, and memory of a pre-war period of youthful promise. These moments of being are stirred to life by the visit of the husband’s long estranged friend Zhang, who is now a city doctor. Zhang means renewed life and vigor at the desolate, war ruined estate of the noble Lyan, and love and passion to Yuwen, who happens to have been someone she once loved as a teen. Continue reading
Confucius (Chinese: 孔夫子; pinyin: Kǒng Fūzǐ) is a 1940 Chinese film directed by Fei Mu. Produced during the war, the film was released twice in the 1940s before being thought lost. In 2001, the film was rediscovered when an anonymous donor sent a damaged copy of the print to the Hong Kong Film Archive (HKFA). The HKFA then spent seven years restoring the print which was finally screened to modern audiences at the 33rd Hong Kong International Film Festival in April 2009.
The film depicts Confucius’s later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.
Plot Summary: “In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each day and promises her an extra 10 yuan if there’s not one less student when he returns. Within days, poverty forces the class troublemaker, Zhang Huike, to leave for the city to work. Minzhi, possessed of a stubborn streak, determines to bring him back. She enlists the 26 remaining pupils in earning money for her trip. She hitches to Jiangjiakou City and begins her search. The boy, meanwhile, is there, lost and begging for food. Minzhi’s stubbornness may be Huike and the village school’s salvation.” Continue reading