French essay film focusing on global political turmoil in the 1960s and ’70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America. Continue reading
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I had four camels stages a probing, at times agitated, search for the meanings of the photographic image. Continue reading
“extremely profound & sophisticated anthology of the 60s events conducted by one of the most unique masters of cinema. All the events are well known to us, fundamentally studied & analyzed by each of us, so Marker has to be totally frank, & he is by that matter; he never imposes his points literally, never judges nor justifies, what he does is that he constructs the sequence of the events in such manner that the facts talk for themselves & there’s no place left for accusing Marker in subjectivity. Continue reading
Documentary about the disintegration and desecration of black African art
by white Europeans, who have removed it from its sacred animist context
to be viewed in sterile museums.The strong anticolonialist message precipitated
a ten year ban after its premier at the Cannes Film Festival in 1953. Continue reading
The Astronauts (1959) is a short, collaborative animation project between eccentric filmmakers Walerian Borowczyk and Chris Marker. Borowczyk would later move into live-action film-making, turning his attention to a cinema of perverse eroticism with projects like Goto, The Island of Love (1969), The Immoral Tales (1974), Beast (1975) and Emmanuelle 5 (1987). Likewise, Marker would produce the short masterpiece La Jetée (1962), the celebrated proto-documentary Sans Soleil (1983) and his critical study of Japanese filmmaker Akira Kurosawa, A.K. (1985). The film, at twelve-minutes in length, is a testament to the creative energy and ideas of these two filmmakers, not only standing as an interesting short film in its own right, but as a window into the creative world of these two, highly skilled, highly original filmmakers. It remains an amazing piece of work for this very reason, more so perhaps than any other; even if it is admittedly impossible to distinguish between which filmmaker was responsible for each individual part of the creative process, leaving us to assume that it was a pure collaboration in every sense of the word. Continue reading
English audio (Alexandra Stewart)
REMEMBRANCE OF THINGS TO COME, the latest “cine-essay” of Chris Marker, is dense and demanding, a splendid reminder that his nimble, capacious mind has lost none of its agility, poetry, and power. Ostensibly a portrait of photographer Denise Bellon, focusing on the two decades between 1935 and 1955, the film leaps and backtracks, Marker-style, from subject to subject, from a family portrait of Bellon and her two daughters, Loleh and Yannick (the latter co-authored the film), to a wide-ranging history of surrealism, of the city of Paris, of French cinema and the birth of the cinémathèque, of Europe, the National Front, the Second World War and Spanish Civil War, and postwar politics and culture.
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. Sans Soleil is his mind-bending free-form travelogue that journeys from Africa to Japan.