Chris Marker – Sans soleil (1983) (HD)

bdxyr Chris Marker   Sans soleil (1983) (HD)

29f7c043f76a2bde437fd0d52a185152 Chris Marker   Sans soleil (1983) (HD)

Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. Sans Soleil is his mind-bending free-form travelogue that journeys from Africa to Japan.
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Chris Marker – Cinéma, de notre temps: Une journée d’Andrei Arsenevitch aka One Day in the Life of Andrei Arsenevich Tarkovsky (2000)

bscap00003 Chris Marker   Cinéma, de notre temps: Une journée dAndrei Arsenevitch aka One Day in the Life of Andrei Arsenevich Tarkovsky (2000)

29f7c043f76a2bde437fd0d52a185152 Chris Marker   Cinéma, de notre temps: Une journée dAndrei Arsenevitch aka One Day in the Life of Andrei Arsenevich Tarkovsky (2000)

Plot Summary :
This appreciation of Tarkovsky made by his friend Chris Marker for the French television series ‘Cinema du Notre Temps’ is both an illuminating personal portrait and a poetic study of the Russian master’s films. Granted access to the set of ‘The Sacrifice’ Marker captured fascinating and insightful behind-the-scenes footage, including the editing process which the then gravely ill Tarkovsky conducted from his sickbed. Continue reading

Chris Marker & Pierre Lhomme – Le Joli mai (1963)

lejolimai40082 Chris Marker & Pierre Lhomme   Le Joli mai (1963)

29f7c043f76a2bde437fd0d52a185152 Chris Marker & Pierre Lhomme   Le Joli mai (1963)

Some info:

Setting out to create an evocative portrait of his beloved hometown of Paris and to “track it like a detective with a telescope and a microphone,” Chris Marker’s astounding and astute film LE JOLI MAI emerges as an early example of Marker’s unique cinema of poetic cultural anthropology. Filmed in May 1962, just as the Algerian war had come to an end, LE JOLI MAI sees a crew of interviewers and cameramen fanning out across Paris interviewing a compelling cross section of city dwellers on life, love, money, happiness, work, war, and peace. From a poverty stricken mother of seven who just received a government-financed flat, to outspoken teenage students at the stock exchange, Marker’s interviewees respond to his deceptively simple questions with statements that encapsulate the complex, troubled, and exciting society of 1962 Paris during a period of psychological and social turmoil. Marker’s highly subjective documentary style matches eloquent narration with illustrative montage. The film’s visual and verbal wit matches the stark reality of its documentary footage with philosophical musings (voiced beautifully by narrator Simone Signoret). LE JOLI MAI faithfully captures Marker’s sociopolitical vision of Paris, and it foreshadows the unrest that would erupt less than a decade later in the revolts of May 1968. Continue reading

Chris Marker – La Jetée (1962)

 Chris Marker   La Jetée (1962)

thgc Chris Marker   La Jetée (1962)

Review (taken from Turner Classic Movies)

“This is the story of a man marked by an image of his childhood,” begins La Jetee (1962), one of the most instantly recognizable and acclaimed short films ever made. Using only still photographs, voiceover narration, sound effects and music, it tells the story of a World War III survivor whose vivid memories make him the subject of time travel experiments. In only one shot of the film–that of “the Woman” opening her eyes in the morning–does the image move. Through such deceptively simple means Chris Marker explores the paradoxes of time travel and, on a deeper philosophical level, the relationships between image and memory, and word and image. Continue reading

Chris Marker – L’Ambassade (1973)

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thgc Chris Marker   LAmbassade (1973)

IMDB says
An unexpected response to Pinochet’s 1973 coup d’etat in Chile. A Super-8 film apparently found in an embassy -as it’s written in the original title-, where political activists had taken refuge after a military coup d’état. But the events -and their setting- are not what they first appear to be. Written by Raphaël Jullien Continue reading

pixel Chris Marker   LAmbassade (1973)