The story of the cheat begins and ends with personal misfortune. When he was a young boy, our hero was caught stealing money from the family shop. As a punishment, he was not allowed to join his family on their picnic. They ate mushrooms and died of food poisoning, he survived and was placed in the care of his unscrupulous aunt and uncle, who intended to rob him of his inheritance. Years later, our hero ends up as a croupier in a casino at Morocco. There, he is about to embark at what looks like being a very lucrative career – as a professional cheat. Continue reading
A shot-down American pilot finds his way to a small, unpopulated island where he hopes to find provisions. He soon discovers that he is not alone; there is a Japanese officer marooned on the island also. Will they continue to fight each other to the death, or will they reach a modus vivendi?
Lone Japanese soldier Toshiro Mifune diligently scans the ocean from his island lookout as he must have thousands of times before, but this time he spies an abandoned life raft resting on a rocky bluff. Within minutes he’s face to face with American sea-wreck survivor Lee Marvin and the two begin an elaborate game of cat and mouse. Director John Boorman presents this two-man war as a deadly game between a pair of overgrown children, who finally tire of it (as kids will) and settle into tolerated co-existence and then even something resembling a friendship. With impressionistic strokes, Boorman paints a lush tropical paradise in colors you can drink from the screen, capturing the texture of their experience as refracted through the cinema: the look of the island as seen through the haze of smoke, the sound of a sudden rainstorm as it hushes the island in a calming roar, the timelessness of life outside of civilization. Continue reading
Desperate because abandoned by his lover (V. Alexandrescu), orchestra conductor hesitates: to kill himself, or kill her? He simply shoots the portrait of the lover and returns to conducting, helped in his “resurrection”, by a cute girl (L. Franca), who restores his will to live.
Second film by Blasetti, after the silent “Sun” (1929), and the only one for which he signs the script himself. Produced by Cines, it is the first Italian sound film but, deemed not commercial enough, was released after La canzone dell’amore (1930) by Righelli.
It is interesting at stylistic level, for the ambitious mixage of dialogs, music (Amedeo Escobar) and noises in parallel with experimental visual inventions. Continue reading
This is definitely one of the best comedy ever made anywhere…In a Technical school girl students learn to write commercial letters to a Mr Doe in Germany…one day one of these letters is posted by mistake..the problem is that this Mr Doe really exists…The exquisite vittorio de Sica was a great performer before reaching stardom in 1946 with “the bicycle theft”…The movie is always charming ,never vulgar nor stupid and you really get off the movie theatre happy with yourself and life in general..Mussolini censors used Cinema to divert people in those black days…its is not the only movie of its kind but it is the best by miles..After 1960 Italian Directors like Fellini or Scola reacted strongly against this type of comedies..Now they dont seem to know how to make them anymore. Continue reading
A Hungarian masterpiece from Sándor Pál.
The film’s story take place in Budapest, in 1944 in the very end of the 2nd WW. The film’s photographer, Elemér Ragályi won prize in Montreal in 1979. Montreal, 1979.
In this very dark comedy, the loss of a coat from a dance hall cloakroom sets off a frantic search which results in widespread death and mayhem. It is 1944, and the loss of the coat represents the family’s loss of social standing, even during a time when everyone is suffering from the Nazi occupation. The whole family is called in to search for it, and a cross-section of the social chaos of the times is exposed during their search, which involves murders and more. ~ Clarke Fountain, All Movie Guide Continue reading
Originally released in 1942, Four Steps in the Clouds (Quattro Passi fra le Nuvole) was a major stepping stone in the starring career of Gino Cervi. The story begins as young unwed mother-to-be Maria (Adriana Benetti) desperately casts about for a means of avoiding disgrace. Making the acquaintance of good-natured Paolo Bianchi (Cervi), Maria persuades him to pose as her husband and meet her family.
Immediately ingratiating himself with Maria’s parents, Paolo plays his part so well that only a completely unforeseen disaster could spoil the charade. And when that disaster inevitably arrives, it is Paolo who comes to the rescue… Four Steps in the Clouds was superbly remade by Alfonso Arau in 1995 as A Walk in the Clouds, with Keanu Reeves in the Gino Cervi role Continue reading
At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride… The boys meet Attilio, Giuse’s much older brother, and his shady friend at a boat on the Tiber. In return for a commission, the boys agree to deliver black market goods to a fortune-teller. Once the woman has paid, Attilio’s gang suddenly arrives. Pretending to be cops, they shake the woman down. With a payoff from Attilio, the boys are able to make the final payment and stable their horse in Trastevere over the river… The fortune-teller identifies Pasqua and Giuse. Held at an overcrowded boys’ prison, they are separated. Giuse falls under the influence of an older lad in his cell, Arcangeli. During interrogation, Pasqua is tricked into betraying Giuse’s brother to the police. With their trial still in the future, the two friends are driven further apart… Continue reading