Joan Crawford has another of her star-sized roles….Playing a musical comedy actress in the throes of rehearsal and in love with a blind pianist, she is vivid and irritable, volcanic and feminine. She dances; she pretends to sing; she graciously permits her wide mouth and snappish eyes to be photographed in Technicolor….Here is Joan Crawford all over the screen, in command, in love and in color, a real movie star in what amounts to a carefully produced one-woman show. Miss Crawford’s acting is sheer and colorful as a painted arrow, aimed straight at the sensibilities of her particular fans. Continue reading
A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to have a change of heart. Written by Daniel Bubbeo
Two Chicago musicians are accidental witnesses to a gangland massacre and suddenly find themselves in even more urgent need of a job that will take them out of town for a while. Joe (Tony Curtis) is the smooth talker, and Jerry (Jack Lemmon) is the worrier. But both find themselves out of their depth with the disguise they have to adopt to avoid the mob – two new recruits to an all-girl jazz band.
As “Josephine” and “Daphne” the boys have to avoid detection and stay out of trouble. Not easy when “Josephine” falls for “Sugar” (Marilyn Monroe) who is the singer in the band, and “Daphne” is targetted by an aged playboy (Joe E. Brown).
Life gets really complicated when Joe adopts another male persona to seduce “Sugar”, and the Chicago mobs turn up for their convention at the hotel where our heroes are playing. Continue reading
“Perhaps the most fascinating component of the films directed by Orson Welles was the masterpiece he never lived to complete. Beginning in 1957 and continuing on-and-off for the next 15 years, Welles self-financed and directed an audacious film version of Cervantes’ “Don Quixote” which brought the legendary knight and his rotund aide Sancho Panza out of 16th century Andalusia and into the world of (then-) modern Spain. But despite his genius behind the camera, Welles was remarkably neglectful in maintaining and preserving the footage he created and much of his work was considered lost…and the footage that remained was not properly stored! However, throughout the 1980s and early 1990s the Spanish filmmakers Jess Franco (who served as Welles’ second unit director on Chimes at Midnight) and Patxi Irigoyen tracked down nearly all of the surviving footage, finished the incomplete soundtrack based on Welles’ notes, restored the footage where they could and offered a reconstructed Don Quixote de Orson Welles in 1992…” – Phil Hall, Filmthreat.com Continue reading
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country. Continue reading
Plot Synopsis [AMG]
st’s novel Humoresque is the lachrymose tale of a famed Jewish-American violinist who forgets all about his friends and family in his rise to fame. Screenwriters Clifford Odets and Zachary Gold refashioned this timeworn material into a first-class, big-budget soap opera, completely dominated by the high-octane talents of Joan Crawford and John Garfield. A gifted musician, Garfield rises from the slums to the upper echelons of society, thanks to the patronage of wealthy, alcoholic Crawford. Virtually ignored by her husband Paul Cavanaugh, Crawford adopts Garfield as her lover as well as her protégé. He is only mildly offended by the setup; she, on the other hand, becomes jealous and possessive. Continue reading
There are two versions of this film: the Italian theater version, and the extended version presented at Cannes 1960, both in Italian. This is the latter.
In keeping with his previous film Generale Della Rovere, filmmaker Robert Rossellini pursues a wartime theme in his “personal epic” Era Notte a Roma.
The story concerns three Allied POWS, who escape from their camp and hide out in Rome. The trio is given shelter by a beautiful young woman. With something tangible to fight over, the three prisoners’ national chauvinism (one is Russian, one English, one American) simmers to a boil.
For reasons which remain obscure, Era Notte a Roma was never given a widespread American release.
(Wikipedia) Continue reading