Nora Sator, a dynamic young thirty-year-old, began her career in high finance.
When she learns that her boss and wife have frequented her father in their youth, she discovers that a mysterious rivalry still opposes them.
Ambitious, Nora quickly gains the confidence of her superiors but maintains complicated relations with her colleague Xavier, unlike her sister Maya who quickly succumbs to her charms …
Between stories of family, heart and professional intrigues, destinies intermingle and the masks fall. Continue reading
“Das hässliche Mädchen” (The ugly girl) of the title is young Lotte (Dolly Haas), who is hired as a secretary by an insurance company precisely for her supposed ugliness, as the director (Otto Wallburg) hopes to avoid amorous affairs in his company this way. But as these things go, not only does one of his employees, Fritz (Max Hansen), fall for her, but unsurprisngly the ugly duckling soon transforms into a lovely lady. Fritz realises a little too late that he’s in love with Lotte, however, and meanwhile establishes an affair with the company director’s girlfriend. And obviously, this leads to all sorts of problems and funny situations… Continue reading
A sort of philosophical comedy written and directed by Marguerite Duras (with Jean Mascolo and Jean-Marc Turine), starring Axel Bogousslavsky, Daniel Gélin, Tatiana Moukhine, Martine Chevallier, André Dussollier and Pierre Arditi. Continue reading
Mr. and Mrs. Smith represented a change of pace for director Alfred Hitchcock. Out of his 50+ films, this one was his only comedy. Sure, The Master of Suspense usually added humorous touches to all of his films, but Mr. and Mrs. Smith was his only out and out farce.
The plot revolves around the Smiths, an otherwise happily married couple (Carole Lombard and Robert Montgomery) who have a shocking conversation over breakfast in which Mr. Smith reveals that if he had to do it all over again, he wouldn’t get married. This sends Mrs. Smith into a huff and she starts PMSing on him. Then the Smiths learn through some contrivance that their marriage isn’t legal and after Mr. Smith doesn’t propose right away, Mrs. Smith goes into a snit and starts seeing other people. From there, the couple vie for each other’s affections by making the other one jealous until they finally realize they’re still in love. Continue reading
Already in his childhood, Pablo Picasso shows talent for painting and is sent to the Academy of Arts in Madrid. He becomes a painter but has to live in Paris in poverty. But one day he is discovered by a rich American millionaire and starts to earn money. But he wastes his talent by painting plates. He meets the famous people of the 1920s; Gertrude Stein, Alice B. Toklas, Appolinaire, Hitler and Churchill. Continue reading
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV.
In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière’s play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Continue reading
Mimi is a Sicilian dockworker who loses his job when he votes against the Mafia candidate in what he thinks is a secret ballot. He leaves his wife behind and goes to Turin, where he meets and moves in with Fiore, a street vendor and Communist organizer. They have a child, he works non-union jobs, and again he comes to the Mafia’s attention. This time they’re impressed, promoting him to a supervisor’s job back in Sicily. He must keep Fiore and the child a secret, which is fine with Fiore, as long as he never makes love to his wife. He doesn’t, and when she becomes pregnant, he knows he’s a cuckold. His personal revenge and the Mafia’s tentacles then intertwine in tragicomic ways. (IMDb) Continue reading