Alain Guiraudie – Rester vertical AKA Staying vertical (2016)

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Synopsis wrote:
Filmmaker Leo is searching for the wolf in the south of France. During a scouting excursion he is seduced by Marie, a free-spirited and dynamic shepherdess. Nine months later she gives birth to their child. Suffering from post-natal depression and with no faith in Leo, who comes and goes without warning, Marie abandons both of them. Leo finds himself alone, with a baby to care for. Continue reading

Cristi Puiu – Sieranevada (2016)

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Plot:
Three days after the terrorist attack on the offices of Parisian weekly Charlie Hebdo and forty days after the death of his father, Lary, a doctor in his forties is about to spend the Saturday at a family gathering to commemorate the deceased. But the occasion does not go according to expectations. Forced to confront his fears and his past, to rethink the place he holds within the family, Lary finds himself constraint to tell his version of the truth. Continue reading

Maren Ade – Toni Erdmann (2016) (HD)

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Maren Ade’s third feature (after The Forest For The Trees and Everyone Else) is an exuberant exploration of the dynamics of relationships which mostly sustains its marathon running time. Under scrutiny is the relationship between a laid-back father and his estranged daughter working for a German company in Romania. He feels that corporate life is not making her happy and he decides to turn up on her doorstep in Bucharest… Continue reading

Bent Hamer – Eggs (1995)

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Quote:
Two brothers in their seventies, Pa and Moe, have lived together all their lives in a little house in the country, the only interruption being when Pa made a weekend trip to Småland on his moped during the second World War. The past returns when his adult son dating from his Swedish visit, Konrad, comes to live with them after his mother has fallen ill. Soon Moe is about to discover that three is indeed a crowd… Continue reading

Milos Forman – Lásky jedné plavovlásky AKA Loves of a Blonde (1965)

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Quote:
The flirtatious title of Milos Forman’s breakthrough comedy Loves of a Blonde says a lot about the film without even trying. Everybody in Forman’s bittersweet film thinks about sex constantly but only in terms of hypothetical scenarios that almost never come to pass. The funny thing about these daydreams of coitus is that they’re not strictly sexy. In fact, most of the time characters in Loves of a Blonde are wringing their hands about sex, even the trio of homely soldiers licking their lips at the thought of seducing a table of bored blondes at a local dance. First they send alcohol to the wrong table and are subsequently unsure of how long they should smile at the girls they plan on getting drunk and taking to the woods (they aren’t even sure if the idea of taking girls to the woods for sex is just a euphemism or not). Sex is comedy here because it breeds nothing but the kind of anxiety that the title of Forman’s film teems with. Continue reading