Sven lives with his mother Edeltraut, who is suffering from dementia. He shares his entire life, the apartment, even the bed with her. During the day he works at a bank. While he is at work, Daniel comes to the apartment to look after Edeltraut. He takes her to hairdresser’s, goes for walks, shopping, and tidies up the apartment. But one day while Daniel is cleaning the windows, Edeltraut locks him out on the balcony and takes off. The two men go out looking for her. But what they find is not just Edeltraut, but also a tender fondness for one another, one which turns both of their lives upside down. Production note: “HEAVY GIRLS” was completed in just three months, from the original idea to the finished film. The film was shot based on a treatment, which defined the order and content of the scenes, the dialogues were improvised. In order to attain the greatest amount of creative freedom and authenticity, we intentionally shot the film without a crew and film team and with a simple Mini DV camera. Continue reading
Mary and Peter fall in love with each other and are about to get married, when Peter is asked to re-join his regiment to go to war. Shortly thereafter, he is missing, believed to be dead, leaving behind a devastated Mary who subsequently gives birth to twins, and leaves them on the doorsteps of two Goan households, and becomes a nun. Twenty four years later, India is a free country, while Goa is under the rule of the Portugese, Mary is the Mother Superior; Peter, who is still alive, is the Deputy Superintendent of Police in Goa, who has been entrusted the task of apprehending two revolutionaries by the name of Ram and Rahim – none other than his very own sons. Watch what happens when duo unleash a series of attacks against the oppressive Portugese regime, including robbing the Bank of Portugal, disrobing an arrogant Superindent of Police, Alburqueue, then setting his house on fire, joining hands with dreaded bandit Daler Singh, and abducting the daughter of the Goa’s Hakim, Rita. Continue reading
A sad tale about a worker paired up with a man’s head in a bag. Like THE GRAPES OF WRATH, but dirtier.
A woman writes a best-selling book for women warning them about the “dangers” of men. A handsome photographer for a national magazine arrives in her town to do a feature story on her. Complications ensue.
The lady of the title is author Dorinda Hatch (Joan Caulfield), who writes a scathing best-seller in which she trashes all men. Photographer Bill Shelby (David Niven) vows to make Dorinda eat her words, thereby proving the superiority of the male of the species. Suffice to say that he doesn’t succeed–at least until the very, very end. The middle portion of The Lady Says No consists of a surrealistic dream sequence in which Dorinda realises that she loves Bill despite his rampant chauvinism. This film is not a likely candidate for screening at the next N.O.W. meeting. Lady Says No was produced and directed by Frank Ross, who at the time was married to star Joan Caulfield.
Frances lives in New York, but she doesn’t really have an apartment. Frances is an apprentice for a dance company, but she’s not really a dancer. Frances has a best friend named Sophie, but they aren’t really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness.
Le grand soir is a 2012 French drama film directed by Benoît Delépine and Gustave de Kervern. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival where it won the Special Jury Prize.
Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy household and, owing to their impeccable breeding and manners, excel in their new jobs. But once they are recognized for the royal couple they are, they must face new — and formidable — responsibilities. Continue reading