Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy household and, owing to their impeccable breeding and manners, excel in their new jobs. But once they are recognized for the royal couple they are, they must face new — and formidable — responsibilities. Continue reading
“Your hands are warm and I can feel what’s on your mind. You’ve got wild ideas.”—Connie Hoffman
Sexy air stewardesses – four naughty female flight attendants – become involved with a wealthy womanizer, with unsurprising results. They live out their wildest sexual softcore nude fantasies.
Impolex tells the story of Tyrone S., a United States soldier in Operation Paperclip, the mission to locate and retrieve German rockets and rocket science after the end of World War II. Tyrone is tasked with finding what he believes are the last V-2’s. Lost in the woods of an undefined European country, people from Tyrone’s past begin to appear in unusual ways, bearing strange tidings. A loved one he abandoned for the war is especially prominent in Tyrone’s journey, as is a fellow soldier and a mysterious man with tidings of the present and the future that are not yet known to Tyrone. Impolex is an unjustifiable blend of the bare bones realism of John Ford’s WWII documentaries and the glorious stupidity of Abbot and Costello.
Newcomer director Im Chansang’s debut “The President’s Barber” vividly depicts, sometimes comically and sometimes seriously, the sociopolitical vicissitudes from the perspectives of a barber and his cute son during the most turbulent period of modern Korea between the 1960s and the 1970s. During these two decades, any remark made by the President was often a law in and of itself. The difference is that the main hero here, who is narrow-minded and unsophisticated, lives near the President’s mansion – Cheong Wa Dae (formerly called Gyeong Mu Dae) in Hyoja-dong in central Seoul. Like his fellow citizens of those times, Seong Hanmo the barber (played by veteran actor Song Gangho) is far from the world of politics, yet he is deeply affected by them. Seong watches everything from illegal electioneering under President Syngman Rhee to the assassination of President Park Chung Hee in 1979. In his personal life, Seong wheedles his assistant Kim Minja (Mun Sori) to marry him. Minja delivers a baby, ironically, on April 19th of 1960, just when the historical students’ uprising for democracy breaks out. Seong’s barbershop, “Hyoja Ibal-gwan,” becomes prosperous after the May 16 military coup d’etat led by General Park Chung Hee. The reason is simple: the newly launched military government ordered every middle and high school student to have their hair cut short. Continue reading
Here’s the final film of Uwe Schrader’s proletarian trilogy, following White Trash AKA Kanakerbraut [Germany] and Sierra Leone [Germany] . Without a straight narrative, a couple of stories revolve around the last days of a stripclub called ‘Mau Mau’.
MAU MAU is located right in the middle of the red light district. When night falls on the city, the joint starts jumping in MAU MAU. Stripping, pimping, ripping off and grifting are the order of the day. Sometimes it’s all very agreeable and sometimes all hell breaks loose. Celebrations and snivelling go hand in hand here. In this world of the marooned, the stumbling and those who have gotten back on their feet, the film traces the lifelines of Inge and Heinz, of Rosa and Doris and of Ferdi and Ali on their search for love, happiness and life. “If I had the choice of filming in heaven or hell,” says Uwe Schrader, “then I’d choose hell”. Continue reading
Here is Dino Risi’s second feature film as a director. A film centered around the infatuation with the film industry at the time, and the story of three young women trying to find love and stardom in Cinecitta. Marcello Mastroianni is a cameraman and love interest on the lot.
Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.