Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his “friend” Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it’s obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife.– IMDb. Continue reading
“La Vida por Delante” is the second film of Fernan Gomez, one of the most complete Spanish Cinema artists. After his debut in “Manicomio” (1954) as co-director, the turbulent career as a filmmaker Fernan-Gomez has been little appreciated by the public, being more known for his acting career at the orders of other directors.
This has made possible in part, we lose some of the gems that this director has given throughout his career.
It is an interesting film but still far from the levels of talent would reach director years later with works like “El Mundo Sigue” (1963) and “El Extraño Viaje” (1964). Continue reading
From Busan International Film Festival:
High school student Kamogawa Yoshiro wakes up one day to discover that he has psychic superpowers. He also soon discovers that others in the city have the gift, only some of them are hellbent on causing trouble. He becomes embroiled in several strange incidents and eventually overcomes those seeking to do the city and its people harm, meeting the woman of his dreams along the way. A film that takes a different approach to the superhero genre by introducing a joyful young man who becomes a hero not by boasting of his superpowers but by overcoming temptation.
The Virgin Psychics is an adaptation of a serial comic strip that has been published in Weekly Young Magazine since 2009. It was later made into a TV show (also by SONO Sion) in 2013 and is the director’s fifth film. SONO is the same filmmaker who brought us Love & Peace, Shinjuku Swan, The Chasing World, and the independent film Whispering Star (scheduled to be released in theaters next year), which was shot in the area ravaged by the Fukushima nuclear power plant meltdown. (PARK Jin-hee) Continue reading
by Bill Gibron:
There was a time, a little less than four decades ago, when Neil Simon was the literary benchmark of both Broadway and the Silver Screen. After a successful stint as a TV scribe on Sid Caesar’s Your Show of Shows, the soon to be phenomenon went on to create such Great White Way staples as Barefoot in the Park, Sweet Charity, Plaza Suite, and The Prisoner of Second Avenue. In 1966, he had four shows running at once and it wasn’t long before Hollywood came calling.
After adapting his Come Blow Your Horn and Park for the big screen, Simon was given the complicated task of translating his mega-hit The Odd Couple as a movie. While the studios would accept Oscar- and Tony-winner Walter Matthau as Oscar, Art Carney’s cinematic clout as Felix was questioned. Luckily, director Gene Saks hired friend and Fortune Cookie co-star Jack Lemmon as the notorious neat freak. The rest, as they say, is motion picture history. Continue reading
With the help of Lévesque and Musidora, Feuillade creates a light-hearted meta-fiction, self-parodying his own work.
Perdue dans la lecture des « Vampires », le séduisante Mlle Musi rêve de forfaitures et de crimes. Mais la visite qu’elle reçoit dans son salon est celle du triste Honoré Lagourdette qu’elle compte congédier rapidement. Celui-ci est en effet laid et ennuyeux. Mais pour tenter de la séduire, Lagourdette prétend être un habile voleur. Elle le met au défi de le prouver. Il s’assure de la complicité de ses domestiques, qu’il envoie à l’Opéra, et les détrousse devant les yeux médusés de Musi. Pris en flagrant délit par le commissaire, il avoue sa manipulation. Continue reading
Nuns of the ‘Sisters of Mercy’ convent in the middle of the West Bank
wilderness have their daily routine of silence and prayer disrupted
when a family of religious Israeli settlers crash their car into the
The Sabbath is approaching and they need to get home urgently,
however, because of the Sabbath laws, the Israelis can’t operate a
phone to call for assistance, and the Nuns have taken a vow of
silence. Together they have to come up with an unorthodox plan to
help them get home. Continue reading
This acerbic biographical comedy subtitled “I Think You Should Calm Down, Ladies…!” is loosely inspired by the life of renowned photographer and celebrity Jan Saudek, outstandingly portrayed by Karel Roden. The film, appealing in its theme and treatment, focuses on the maestro’s relationships with women, specifically the devoted Líba, who enjoys subtle yet complete control over Jan (her character is undeniably inspired by his former partner Sára Saudková). In addition to numerous indelicate scenes, the brief flashbacks also reveal Jan’s ill-fated past (conflicts with the police and state security agents, a nightmare from his childhood), and there’s also room for staging Saudek’s famous photographic nudes, for which the models were usually morbidly obese. Pavlásková also exposes the artist’s quirky personality, where exhibitionism and vanity go hand in hand with Saudek’s fragility and male naivety, and his desire to extricate himself from his private solitude. Continue reading