Sandra Goldbacher – Me Without You (2001)

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This drama follows the lives of two very different girls (Holly and Marina) from their teenage years in the 1970s as they grow up, and how their relationship develops. Starring Anna Friel and Michelle Williams.

Plot:
One long, hot summer in seventies London, Holly and Marina make a childhood pact to be friends forever. For the troubled, unpredictable Marina, with her seemingly glamorous father and her Valium-addicted mother, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. Meanwhile, Holly buries herself in books out of feelings of frustration with her over-protective mother and a nagging insecurity around her beautiful and possessive best friend. She holds just one secret from Marina, her increasing passion for Marina’s brother Nat. Continue reading

Ken Russell – French Dressing (1964)

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Synopsis:
‘Gormleigh-by-the-Sea is a holiday community besotted with dullness. But things liven up when Jim, a young deck-chair attendant, convinces the local entertainment director and mayor into starting a film festival. The town convinces an ambitious French actress to be the star of the festival. What happens after that is a series of near disasters — including the failure of a Nudist Beach and a riot at a film premiere. It is left to Jim’s American journalist girlfriend to save the situation and the reputation of the town.’
– Paul Brenner Continue reading

Pedro Almodóvar – Mujeres al borde de un ataque de nervios AKA Women on the Verge of a Nervous Breakdown (1988)

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Quote:
Though the kinky characters and aberrant social behavior common to the works of Spanish director Pedro Almodovar are very evident in his Women on the Verge of a Nervous Breakdown, the film is at heart a door-slamming farce in the grand tradition. The tiny apartment of pregnant actress Carmen Maura is the “Grand Central Station” setpiece for this dizzying tale. Distraught over her recent breakup with her lover, Carmen prepares to overdose on sleeping pills, which she blends into a gazpacho so they’ll go down easier. She is diverted from her suicide by her best friend Maria Barranco, a fugitive from justice (her boy friend is a Shi’Ite terrorist) who needs a place to stay. Later, when Carmen’s apartment is empty, her ex-lover’s grown son (Antonio Banderas) comes to the apartment with his fiance (Rossy de Palma) in answer to Carmen’s “room to let” newspaper ad. The wife inadvertently ingests Carmen’s “pill sauce,” and as she blissfully snoozes, the husband inaugurates an affair with Carmen’s friend Barranco. Continue reading

Pedro Almodóvar – Átame! AKA Tie Me Up! Tie Me Down! (1989)

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Quote:
Just released from residential psychiatry, where he became an all-round handyman, gentle orphan Ricky pursues his sole pathological obsession. Penniless, hence without a chance to court her, he kidnaps porn actress Marina from the set of crippled director Maximo’s last movie. At first she hates her abductor. Once she realizes he risks and bares everything for her, she gets feeling for him to. But won’t she still escape and return to her family and career? Continue reading

Pedro Almodóvar – Kika (1993)

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Quote:
Harshly treated by the critics on release, of Pedro Almodovar’s work, Kika is perhaps the one that most benefits from re-viewing and re-assessment.

The story of Kika (an astonishing Veronica Forque), a Madrid makeup artist whose relationship with Ramon (Alex Cassanovas) leads to criminal schemes involving Kika’s maid Juana (Rossy DePalma), Jauan’s amorous, criminal brother Pablo (Santiago Lajusticia) and Ramon’s youth-obsessed father Nicholas (Peter Coyote). Overseeing it all is the muckraking, reality tabloid television show presided over by the formidable Andrea Scarface (a uniquely attired Victoria Abril).

Attracting controversy because of the scene in which Almodovar depicts Kika’s rape at the hands of Pablo with humorous detachment, the scene has since come to be more popularly viewed as further evidence of the director’s tribute to the power of women. Continue reading

Paul Sloane – Down to Their Last Yacht aka Hawaiian Nights (1934)

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Review by mark.waltz at IMDb:

Quote:
A campy shipboard musical

A family of bluebloods made destitute by the depression are scammed into leasing out their yacht and posing as crew to tacky “new money”, one of whom is their former cook. The scam turns out to be a plot by the gruff captain (Ned Sparks, the Walter Matthau of his day) to shipwreck them on a desert island run by a madcap queen (Mary Boland) and escape with their money. Of course, things go afoul as the queen has plans of her own. Continue reading