Lake is an unusual boy: he is a young man with an old soul who discovers he has an odd fixation on the elderly. Realizing that some day, if fate allows, he will be one himself, he is particularly fascinated by old men. He imagines their age to be a beautiful thing and recognizes how these men were once young and vibrant and attractive, as he is now. Although Lake has a girlfriend his own age, named Desiree, he wonders sometimes if his fixation on old men is unnatural and unhealthy – perhaps even sexual. When his mother, who is a nurse, takes on a management job at an old folks home, Lake jumps at her offer of a summer job as an orderly there. Gradually, Lake comes to discover that the old people in the institution are being given psychotropic drugs to keep them in a catatonic state. Lake befriends one old man in particular, Mr. Peabody, who still seems to have some fight left in him. They begin to form a strong bond. Mr. Peabody charms Lake with romantic stories of his youth and … Continue reading
Les Rendez-vous de Paris [Rendez-vous in Paris] is a 1995 portmanteau French film directed by Éric Rohmer.
Three loosely connected variations on the theme of the lover’s rendezvous in Paris. The three episodes are titled “Le Rendez-vous de 7 heures” (The Rendezvous of 7 hours), in which a student discovers her boyfriend is two-timing her, “Les Bancs de Paris” (The Benches of Paris), in which an unnamed woman has a series of meetings in parks with a handsome literature teacher from the suburbs, and “Mere et enfant 1907″ (Mother and Child 1907), which takes its title from a Picasso painting, and centres on an artist who is attracted by a stranger. The three stories of the film are linked by a girl singing in the streets to an accordion accompaniment – a homage to René Clair’s Sous les toits de Paris.
In the 1800s, a baron, who is the owner of a castle known as The Devil’s Castle and who is also an obsessed opera fan, keeps the body of his favorite diva preserved in a crypt in the castle. In order to keep away potentially nosy visitors, the baron’s mad-scientist assistant, invents all sorts of spooky phenomena in order to give the castle a creepy reputation. Continue reading
A cautionary tale about the dangers of unprotected promiscuity among heterosexuals, this story chronicles the exploits of three good friends. Pepe is the playboy of the bunch: despite having a lovely girlfriend, he finds a way to have sex with as many women as possible. His buddies from time to time exchange girlfriends with him. Though they are by no means the lothario he is, they do quite enough bed-hopping to get into trouble. When it becomes obvious that Pepe has gotten AIDS, his buddies, afraid for themselves, get mean. Continue reading
Reviewed by Tom Dawson
21 July 2005
Made nearly a decade ago when Rohmer was already in his mid-seventies, A Summer’s Tale is a beautiful and bittersweet romantic comedy from the evergreen French writer/director. Part of the filmmaker’s Tales Of The Four Seasons series, it unfolds over several weeks at the Brittany resort of Dinard, where the vacationing student Gaspard (Melvil Poupard) finds himself torn between three appealing young women: ethnologist Margot (Amanda Langlet), her forthright pal Solene (Gwenaelle Simon), and his supposed girlfriend Lena (Aurelia Nolin). Continue reading
Marion is about to divorce from her husband and takes her 15-year-old niece Pauline on a vacation to Granville. She meets an old love…
ERICH ROHMER, ‘PAULINE AT THE BEACH’
IT is late summer on the coast of Normandy where the beaches are broad and the weather unpredictable. As always, the North Atlantic is far too cold for anyone used to swimming in the soothing warmth of tropic seas, but the afternoon sun is bright and hot and the breezes are bracing.
This is the halcyon setting of ”Pauline at the Beach,” Eric Rohmer’s effortlessly witty, effervescent new French film that opens today at the Lincoln Plaza 1. ”Pauline at the Beach” is a comedy of romantic manners about six civilized people, each of whom works stubbornly, and at cross purposes, to enlighten someone else about the true nature of love. It’s a sunny month in the country. Continue reading
“Robert Cole, a film editor, is constantly breaking up with and reconciling with long-suffering girl friend Mary Harvard, who works at a bank. He is irrationally jealous and self-centered, while Mary has been too willing to let him get away with his disruptive antics. Can they learn to live with each other? Can they learn to live without each other? The movie also provides insight into film editing as Robert and co-worker Jay work on their current project, a cheesy sci-fi movie.” Continue reading