Adolf Hitler wakes up in present-day Berlin, with no memory of anything that happened after 1945, and interprets modern situations and things from a Nazi perspective. He is mistaken for a method actor or a comedian, and lands himself a career in television, to which he takes advantage of for a political comeback. Continue reading
“No water, no sex.” Whereas the women in Aristophanes’ classic Greek comedy Lysistrata withheld sex from their men to end a war, the women in the village of Absurdistan concoct a similar plan out of necessity in order to get their community’s water pipe fixed. However, unlike the women of Lysistrata, the results of their decision don’t end a war but rather begin one of epic proportions between the sexes complete with the usual devices of espionage, sabotage and tested loyalties. Continue reading
Jacques Tati’s award-winning feature début – a dazzling blend of satire and slapstick is early evidence of his unique talent. Acclaimed by international critics as an innovative comic masterpiece, Jour de fête is an hilarious exposé of the modern obsession with speed and efficiency, set amidst the rural surroundings of a tiny French village. Tati plays an appealingly self-deluded buffoon a postman who, impressed by the bristling efficiency of the American postal system, makes a wholly misguided attempt to introduce modern methods in the depths of rural France. Continue reading
Rick Todd uses the dreams of his roommate Eugene as the basis for a successful comic book.
Ignatiy Vishnevetsky wrote:
There’s a meaty essay to be written about the lengths to which modern-day Americans will go to distance themselves from Jerry Lewis. Lewis represents the unrefined tastes of some earlier era of moviegoing, explained away through pejorative references to “slapstick” and “the French.” (Never mind that Lewis was never as popular abroad as he was in the U.S.) The truth, of course, is that though Lewis produced his share of dross, the gold remains pretty damn funny, and the stuff that isn’t funny tends to be strange and formally audacious in a way Hollywood comedies rarely are. It’s possible to be turned off by Lewis’ mugging (which is fairly relentless) and still appreciate the command of style displayed by his best films, whether it’s the ones he directed himself, or his collaborations with cartoonist-turned-director Frank Tashlin. Continue reading
This drama follows the lives of two very different girls (Holly and Marina) from their teenage years in the 1970s as they grow up, and how their relationship develops. Starring Anna Friel and Michelle Williams.
One long, hot summer in seventies London, Holly and Marina make a childhood pact to be friends forever. For the troubled, unpredictable Marina, with her seemingly glamorous father and her Valium-addicted mother, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. Meanwhile, Holly buries herself in books out of feelings of frustration with her over-protective mother and a nagging insecurity around her beautiful and possessive best friend. She holds just one secret from Marina, her increasing passion for Marina’s brother Nat. Continue reading
‘Gormleigh-by-the-Sea is a holiday community besotted with dullness. But things liven up when Jim, a young deck-chair attendant, convinces the local entertainment director and mayor into starting a film festival. The town convinces an ambitious French actress to be the star of the festival. What happens after that is a series of near disasters — including the failure of a Nudist Beach and a riot at a film premiere. It is left to Jim’s American journalist girlfriend to save the situation and the reputation of the town.’
– Paul Brenner Continue reading
Though the kinky characters and aberrant social behavior common to the works of Spanish director Pedro Almodovar are very evident in his Women on the Verge of a Nervous Breakdown, the film is at heart a door-slamming farce in the grand tradition. The tiny apartment of pregnant actress Carmen Maura is the “Grand Central Station” setpiece for this dizzying tale. Distraught over her recent breakup with her lover, Carmen prepares to overdose on sleeping pills, which she blends into a gazpacho so they’ll go down easier. She is diverted from her suicide by her best friend Maria Barranco, a fugitive from justice (her boy friend is a Shi’Ite terrorist) who needs a place to stay. Later, when Carmen’s apartment is empty, her ex-lover’s grown son (Antonio Banderas) comes to the apartment with his fiance (Rossy de Palma) in answer to Carmen’s “room to let” newspaper ad. The wife inadvertently ingests Carmen’s “pill sauce,” and as she blissfully snoozes, the husband inaugurates an affair with Carmen’s friend Barranco. Continue reading