A brutal murder in Le Havre: 38 people must have noticed, but say they heard or saw nothing. A claustrophobic, moving, beautifully shot film with a strong cast including Yvan Attal, Sophie Quinton and Nicole Garcia. A clear picture of what fear and shame do to people.
Outside an apartment complex in the French port city of Le Havre, a female student is gruesomely murdered in the middle of the night. The complex’s 38 inhabitants say they heard or saw nothing. Until one of them, the introverted pilot Pierre (Yvan Attal), decides to break the silence. He admits to the police that he was awakened by a desperate, primeval cry. A cry that cannot have escaped his neighbours’ attention. Continue reading
Plot: Steve is just a heavy duty bartender when Edwin J. Bennett, known as the Professor, starts training him for the ring. While doing road work, he is almost killed by a speeding car which crashes into a ditch. In the car is Belle Mercer and her driver. Steve takes Belle to a farmhouse and is smitten by her, but she is Willie Ryan’s Girl. The fight is a breeze and later, Steve again meets Belle with Willie. That night, Steve and Belle disappear and return married, much to the disappointment of Ryan. Then Steve starts training in ernest and is 19 for 19 in the ring. However, he has an eye for the women and an expanding ego to match. Written by Tony Fontana Continue reading
The Internet’s Own Boy follows the story of programming prodigy and information activist Aaron Swartz. From Swartz’s help in the development of the basic internet protocol RSS to his co-founding of Reddit, his fingerprints are all over the internet. But it was Swartz’s groundbreaking work in social justice and political organizing combined with his aggressive approach to information access that ensnared him in a two-year legal nightmare. It was a battle that ended with the taking of his own life at the age of 26. Aaron’s story touched a nerve with people far beyond the online communities in which he was a celebrity. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to our civil liberties. Continue reading
The story concerns a couple of ex-servicemen who engineer a robbery, only to run afoul of professional criminals.
Dick et Tony, parachutistes rapatriés d’Indochine ont accepté de rendre un petit service au Maltais. Pour une commission de deux millions de francs, ils ont fait transiter 25 millions, mais au moment de rendre l’argent, le Maltais n’est pas là. Ils investissent alors cet argent dans une boîte de nuit.
The movie, based on a novel by Jim Thompson, the poet of circa-1950 pulp noir, has a stubborn, sullen truth to it, focusing on its handful of characters during the course of a particularly incompetent kidnapping. The story is so intimate that everything depends on the performances, and Jason Patric, Rachel Ward and Bruce Dern, and a character actor named George Dickerson, bring a grim, poetic sadness to the story. Film noir, we are reminded, is not about action and victory, but about incompetence and defeat. If it has a happy ending, something went wrong…
“After Dark, My Sweet” is the movie that eluded audiences; it grossed less than $3 million, has been almost forgotten, and remains one of the purest and most uncompromising of modern films noir. It captures above all the lonely, exhausted lives of its characters…
It begins with exhaustion and despair, stirs itself into half-hearted evil, and then in a final desperate sequence finds barely
enough heroism to bring itself to a stop again. I have seen “After Dark, My Sweet” four times, and it only deepens with the retelling.–Roger Ebert
‘A family of aristocrats have fallen on hard times. To pay for repairs to their crumbling country chateau they are forced to use their home as a hotel. The local garage mechanic, Charlie, provides a constant stream of guests for them by sabotaging any car that arrives in his garage. The latest arrival is an important-looking man, Cesar Maricorne, accompanied by his two aides. When she learns that he is a gangster who has just robbed a bank, the aging Marquise realises that her family’s financial worries may be at an end…’
– Films de France Continue reading
Plot Synopsis – by Hal Erickson
In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn’t tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad.