A movie from Morroco about street kids in casablanca.
Some voices from IMDB.
This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part Continue reading
Luigi is engaged to Cinzia, he has a good job and his life runs quietly. But unexpectedly his cousin Sonia knocks at his door. She lived in Venezuela with her parents but they have disappeared and she came back to Italy. She is very young and beautiful and once she loved Luigi. What is he to do?
Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client’s family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity. Continue reading
German plot description:
Polizeimeisteranwärterin Ariane Fink aus Dortmund verschlägt es ausgerechnet nach Starnberg: gesichtsloses Städtchen, Wahnsinnssee. Höchste Millionärsdichte Bayerns. Eine Idylle mit Reißzähnen.
Und eben hier wird Ariane gleich an ihrem ersten Arbeitstag mit dem bayerischsten aller Klischees konfrontiert: Der tote Kini, oder besser gesagt, ein Wiedergänger von ihm, liegt am Ufer des Starnberger Sees, und zwar genau da, wo Ludwig II. 1886 ins Wasser ging. Continue reading
form A to B coolness!, 16 June 2007
Author: jvanmaare from Netherlands
Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let’s you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one’s of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It’s great cinema and a prime example of Polliziotesschi madness. Not to be missed Continue reading
Based in part on a true story, Kiss of Death is given a veneer of reality by being filmed on location in New York, with a bare minimum of studio work. In one of his best performances, Victor Mature plays a cheap crook who is sent up the river for 20 years for robbery. District attorney Brian Donlevy, out of sympathy for Mature’s two young daughters, gives him a chance to go free—if Mature will blow the whistle on his accomplices. Stubbornly adhering to the “code” of thieves, Mature refuses to do so, until his wife kills herself and his kids are placed in an orphanage. Once paroled, Mature is prevailed upon to extract additional information from sadistic mob torpedo Richard Widmark (in his chilling screen debut). Continue reading
Luis Bunuel classic from 1950. It is a tale of savage acts committed by impoverished youths in Mexico City. It is a film that has been kept fresh by its spirit and its style. Far from being puppets in a sermon on poverty, the characters are vivid creatures whose fierce desires are the focus of Bunuel’s attention.
In his unique storytelling, he not only finds forceful images in the dramas reality, but adds a masterful dream sequence.
Genius. Continue reading