“This overlong documentary lacks something in structure and focus – and I wanted to know a little more about the exact provenance of all of its home‑movie footage. But it has an extraordinary true story to tell, with hints of the Happy Valley murders in Kenya, and Paul Theroux’s novel The Mosquito Coast. In the 1930s, the Galapagos Islands off the coast of Ecuador, famed for Darwin’s expedition, were thought of as the last great pristine territory, unspoiled by human habitation.
In Europe, some hardy souls – disenchanted by what the first world war had revealed about humanity – decided to settle there. A German doctor called Friedrich Ritter, who had a passion for Nietzsche, left his wife and went there with a married woman, Dore Strauch. A visiting American scientific party was fascinated by these modern-day Robinson Crusoes and effectively publicised their lives for the press back home, and Ritter was horrified when other would-be settlers turned up too. A stolid, bourgeois family, the Wittmers, arrived, and then a bizarre fantasist and adventuress who styled herself the “Baroness” Eloise von Wagner Bouquet. Continue reading
The Limits of Control is the new movie from filmmaker Jim Jarmusch (Broken Flowers, Down by Law).
The film is set in the striking and varied landscapes of contemporary Spain (both urban and otherwise).
The location shoot there united the writer/director with acclaimed cinematographer Christopher Doyle
(In the Mood for Love, Paranoid Park).
Isaach De Bankolé stars in the lead role for Mr.
Jarmusch; this marks the duos fourth collaboration over nearly two decades, following Night on Earth,
Ghost Dog: The Way of the Samurai, and Coffee and Cigarettes.
The Limits of Control also features several other actors with whom Mr.
Jarmusch has previously worked, including Alex Descas, John Hurt, Youki Kudoh, Bill Murray, and Tilda Swinton;
and actors new to his films, including Hiam Abbass, Gael García Bernal,
Paz De La Huerta, Jean-François Stévenin, and Luis Tosar.
The Limits of Control is the story of a mysterious loner (played by Mr. De Bankolé),
a stranger, whose activities remain meticulously outside the law. He is in the process of completing a job,
yet he trusts no one, and his objectives are not initially divulged.
His journey, paradoxically both intently focused and dreamlike,
takes him not only across Spain but also through his own consciousness.
The son of a jailed Wall Street broker turns to crime to pay for his father’s release.
Tyrone Power plays the college-grad son of jailed-embezzler Edward Arnold. Power tries to find work, only to be turned away because of his father’s reputation. When he decides to use a phony name, he is still fired, because his ex-convict boss feels that Power is being unfair to his imprisoned father. If you can’t win for losing in a 1940 film, you turn to crime. Power hires on as the right-hand man of personable but deadly gangster Lloyd Nolan. Arnold, who has become a model convict, is disgusted that his son has turned to crime. He even refuses to have anything to do with his son when Power lands in the slammer himself. Through the intervention of Nolan’s moll Dorothy Lamour, a nightclub singer who has grown to love Power, Arnold realizes that his son is still a good guy underneath. Power proves as much by preventing a climactic jailbreak engineered by the homicidal Nolan. Continue reading
By night, Stratos works in a bread factory but by day, he’s a professional hit man. He needs the cash to free Leonidas from prison because the latter once saved his life when he was behind bars. For Stratos, this is simply a question of honour. We’ve no idea how many people he’s already killed, but we do notice that he still has a conscience. He attentively looks after a neighbour’s child, eight-year-old Katharina, as well as her mother and an uncle. At last he has enough money for the prison break-out. But Leonidas is lured into a bloody trap, by his brother of all people, who disappears with the money. At the same time Stratos learns that little Katharina is in danger – both psychologically and physically. He must act, even if this means following one wrongdoing with another. Continue reading
A movie from Morroco about street kids in casablanca.
Some voices from IMDB.
This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part Continue reading
Luigi is engaged to Cinzia, he has a good job and his life runs quietly. But unexpectedly his cousin Sonia knocks at his door. She lived in Venezuela with her parents but they have disappeared and she came back to Italy. She is very young and beautiful and once she loved Luigi. What is he to do?
Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client’s family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity. Continue reading