Plot / Synopsis
Roger Brown is Norway’s most successful headhunter. The unscrupulous Brown leads a life of excess and finances his extravagance by way of dangerous art thefts. When he meets the Dutchman Clas Greve he sees the chance to become financially independent and starts planning his biggest hit ever. But soon he runs into trouble–and it’s not financial problems that are threatening to bring him down this time.
Basically a good murder mystery, ‘The Right Distance’ brings in contemporary issues like anti-foreign prejudices, marriages arranged with Eastern European women online, kids with computer smarts adults lack, and how these changes disrupt life in a little town. A beautiful young woman named Mara (Valentina Lodovini) comes to replace a schoolteacher in the Po Valley. Trouble ensues. One person in town doesn’t miss a trick: 18-year-old Giovanni (Giovanni Capovilla). He is highly motivated to become a journalist and has persuaded Bengivenga (Fabrizio Bentivoglio), an editor at a big city paper, to allow him to work as a low-profile stringer in the town. His job is to keep his eyes and ears peeled without anybody finding out that he’s a reporter. Naturally, he’s good with the Internet. He helps Mara set up her connection and in the course of dong so finds out her email password. Giovanni checks in on it from home and starts reading the accounts of day to day experiences she emails to her best girlfriend back home. Thus over time he finds out that she’s attracted to the local bus driver, Guido (Stefano Scandaletti), and that Hassan (Ahmed Hefiane), who runs the garage he himself works in, is attracted to her–and is stalking her outside her house in the dark. He also knows that Amos (Giuseppe Battiston), the tobacconist who’s making a fortune taking people fishing, went out in his boat with Mara and made some moves on her. It’s Amos who has the Romanian wife chosen from an online “catalog.” Hassan is an older (but handsome) Tunisian man. He has family members in the area but isn’t married. He has been in Italy a long time. Continue reading
Fandry is a 2013 Indian Marathi language film, written and directed by Nagraj Manjule in a directorial debut. It stars Somnath Avghade and Rajshree Kharat as the film leads. The story focuses on a romance amidst caste-based discrimination. The film set in Akolner, a village near Ahmednagar is about a teenager from a Dalit (lower caste) family, who lives at the village fringe, and falls in love with an upper caste girl.
Author: Lalit Rao from Paris, France
French cinema of nineteen eighties was known for its numerous popular films which gave a new dimension to box office collections.”Pour La Peau D’Un Flic” is one such film which is not so much known by ordinary film viewers both in France and elsewhere.This might have something to do with the manner in which this film was distributed. It is sure that loyal Alain Delon fans would be aware that this film marked the beginning of his directorial career in 1981.Alain Delon gives one of his career’s finest performances as a detective who would go to any length in order to bring cold blooded criminals to justice.As a film director he has not fought shy of portraying what ails police forces in France.In “Pour La Peau D’Un Flic”,policemen are shown as real human beings with their fair share of weaknesses.Alain Delon’s acting performance has too many shades of similarities with American actor Al Pacino although it would be politically incorrect to suggest such a comparison.This is a good film for all those people who would like to see Alain Delon both as an actor as well as a director in a same film. Continue reading
Isabelle is an ex-nun waiting for her special mission from God. In the meantime, she is making a living writing pornography. She meets Thomas, a sweet, confused amnesiac who cannot remember that he used to be a vicious pornographer, responsible for turning his young wife, Sofia, into the world’s most notorious porn queen. Sofia’s on the run, convinced she’s killed him. Together, Isabelle and Thomas set out to discover his past, a past waiting to catch up with him.
Hal Hartley fans, rejoice! For his forth feature, Amateur, the non-mainstream director of The Unbelievable Truth, Trust, and Simple Men has once again stayed far from the embrace of Hollywood. Those unfamiliar with Hartley’s style might mistakenly tag this movie with a “bad” label, but, really, all the overblown elements are entirely intentional. If nothing else, the director — referred to as America’s closest thing to a “European auteur” — is known for being quirky and inventive in both dialogue and character presentation. Like many independent film makers, Hartley will not compromise to pander to a larger audience. Continue reading
“A hootchy-kootchy whodunit set at a small seedy carnival where a reporter tries to discover who killed his boss while his girlfriend inexplicably joins the burlesque show! Pure carny-noir. And see if you can spot a young Steve McQueen as one of the carnival’s customers.” – from the dvd packaging
Richard Coogan, our hero, was TVs “Captain Video.” “Little person” Charles Bolender was later a regular on the Jackie Gleason Show and performed on Broadway as well. Director Arthur J. Beckhard wrote Shirley Temple’s classic vehicle, Curly Top eighteen years before this film was made.
Nan, a racketeer’s daughter, is in love with The Kid, a shooting gallery showman. Despite Nan’s prodding, The Kid has no ambitions about joining the rackets and making enough money to support Nan in the lifestyle she’s accustomed to. Her attitude changes after her father implicates her in a murder and she’s sent to prison. During her incarceration, her father convinces The Kid to join the gang in order to help free Nan. When Nan is released, she wants nothing more to do with the mob and tries to get The Kid to quit, but she may be too late.