Francis Veber directs this hilarious comedy about François (Pierre Richard), a desperate, novice, bumbling bank robber who takes an ex-con hostage during his attempted hold-up. They are both chased by the police. Jean (Gérard Depardieu) plays the convicted bank robber just released from jail and forced to escape with François. Anaïs Bret portrays François’ 6-year-old autistic daughter, and is the reason why he needed money so badly that he would steal for it. An inventive series of farcical situations and witty dialogue keeps the two men moving one step and several missteps ahead of the police. This comedy was so successful that Veber repeated it in 1989 for English-speaking audiences as Three Fugitives, starring Nick Nolte and Martin Short.
— Eleanor Mannikka, All Movie Guide Continue reading Francis Veber – Les fugitifs AKA The Fugitives (1986)
Plot: Fishing boat captain Harry Morgan charters his boat. Due to strained finances, he is none too careful as to whom he does business with. Real trouble erupts when Harry hires out his boat to transport four men who turn out to be criminals on the lam from a racetrack heist. Written by Jim Beaver Continue reading Michael Curtiz – The Breaking Point (1950)
Starring: Lionel Barrymore, Madge Evans, Kay Francis, C. Aubrey Smith, Polly Moran, Alan Mowbry
Richard Grant (Barrymore) is a successful lawyer who believes that his many years of dealing with crime has taught him how to commit the perfect murder. He’s working for shady cad Gordon Rich (Mowbry) who informs Grant before a dinner party that he intends to marry his daughter, Barbara (Evans). Grant seethes with anger and, after dinner, kills Rich. It’s almost the perfect crime, but Rich’s troubled mistress Marjorie (Francis), becomes suspicious of Grant. Continue reading W.S. Van Dyke – Guilty Hands (1931)
By now, Myrna Loy’s enduring portrayal of Nora Charles in the Thin Man series has pushed the fact that she was hardly an overnight success into the recesses of movie history. Loy served one of the lengthier movie star apprenticeships, appearing in over 70 films before she caught on with the public (for a more recent example of eventual-star stamina, check out Jack Nicholson’s pre-Easy Rider  resume.) Given Loy’s immense gifts as a comic actress, and her obvious sex appeal, it’s surprising it took her so long. However, until she appeared in the mob comedy-melodrama, Penthouse (1933), she was typecast either as a “bad girl” or as a multi-cultural exotic with a non-specific accent. Some producers even tried to pass her off as Asian! Continue reading W.S. Van Dyke – Penthouse (1933)
In this detective drama, a prosecutor investigates a murder and finds that it is connected to a recent mugging. In the end, he is led to convict a high-ranking crime lord. Continue reading Harvey Hart – Street Killing (1976)
It’s summer on the Danube river. The music is loud, the cars are fancy, the girls are tanned. Beautiful and exuberant Veli runs away from home. Handsome Luca falls in love with her. This is no fairytale romance. Luca, a 20-year-old boy from a Romanian village, makes girls fall in love with him in order to lure them into prostitution networks in a town nearby. In the language of the police he is a loverboy. Continue reading Catalin Mitulescu – Loverboy (2011)