The story takes place in a country about which we know nothing: a country of snow and dense forests somewhere in the North. A family lives in an isolated house near a lake. Alexi, the brother, is a young man with pure heart. A woodcutter. An ecstatic, prey to epileptic fits, he is entirely opened to the nature that surrounds him. Alexi is terribly close to his younger sister, Hege. Their blind mother, their father and their little brother are the silent witnesses to their overwhelming love. A stranger arrives, a young man barely older that Alexi Continue reading
Secvente(Sequences, reffering to film sequences) is Alexandru Tatos’ quintessential film and one of the stepping stones of Romanian cinematography. Sadly, although being a critics and directors favorite ever since it’s release, Secvente never managed to find a wide audience, mostly due to the limited distribution the film received during it’s initial run in the communist years. This huge injustice was disappointingly never corrected and unless word doesn’t spread over this uniquely original gem of Romanian Cinema, Secvente will most surely never reach the following it deserves. Continue reading
The final film released under the Andy Warhol moniker (which Warhol executive produced) is a much more polished affair than Flesh, Trash or Heat, but preserves the oddball wit and eccentric flair that made those films so memorable. Directed by Warhol film editor Jed Johnson, Andy Warhol’s Bad focuses on Hazel Aiken, a New York housewife who has to support a houseful of relatives on her own. She pays the bills by operating an electrolysis service out of her home and also by running a murder-for-hire service staffed exclusively by women that specializes in unsavory jobs like killing children and house pets. As a result of her latter job, she has to deal with unwanted attention from Detective Hughes, a corrupt cop who wants her to surrender one of her employees so he can make an arrest. Hazel’s complex life grows even more difficult with the arrival of her nephew J.T. (Perry King), a sleazy layabout who wants to join her hit squad. As the bodies pile up around her, Hazel discovers that her cold-blooded take on capitalism and family values comes with a price she didn’t imagine. Continue reading
Why you MUST give Krull a second look….
Author: Nathan castle
‘Fantasy’, in the traditional ‘Dungeons & Dragons’ sense, in the movies is often seen by the general public as a warning sign (and often rightly so). On the surface, Krull does seem like standard fantasy cliche. Prince must rescue princess from monster. Not very promising so far, is it? Already starting to lose interest? YOU FOOLS! Consider these additional elements: An orchestral soundtrack by the mighty James Horner (Titanic), which is possibly the best score he has ever written, possibly even THE best score ever written; A brilliant mostly-British cast, including Liam Neeson, Robbie Coltrane, Tucker Jenkins and a host of other distinguished actors; A script which is so corny that it cannot fail to be fantastic when delivered with such hammed-up enthusiasm by the actors; and finally a few brilliant touches such as the boyhood-dream-weapon the Glave – a giant mind-controlled shuriken. This film falls in to the same category as Flash Gordon which was released a few years before – epic, brit-centric, totally entertaining masterpieces of camp grandeur. Don’t write it off until you’ve seen it enough to appreciate its subtleties. Continue reading
This is Almodóvar’s first feature film. The plot follows the wild adventures of three friends: Pepi, an independent modern woman; Luci, a mousy, masochistic housewife; and Bom, a lesbian punk rock singer. The central theme of the film – female resilience, independence and solidarity – would be a constant throughout Almodóvar’s career. (Wikipedia) Continue reading
On a midnight clear 2,000 years ago, three wise men enter a manger where a babe is wrapped in swaddling clothes. It is an infant called Brian…and the three wise men are in the wrong manger. For the rest of his life, Brian (Graham Chapman) finds himself regarded as something of a messiah — yet he’s always in the shadow of this other guy from Galilee. Brian is witness to the Sermon of the Mount, but his seat is in such a bad location that he can’t hear any of it (“Blessed are the cheesemakers?”). Ultimately, he is brought before Pontius Pilate and sentenced to crucifixion, which takes place at that crowded, nonexclusive execution site a few blocks shy of Calvary. Rather than utter the Last Six Words, Brian leads his fellow crucifixees in a spirited rendition of a British music-hall cheer-up song “Always Look on the Bright Side of Life.” The whole Monty Python gang (Chapman, John Cleese, Michael Palin, Eric Idle, and Terry Gilliam) are on hand in multiple roles, playing such sacred characters as Stan Called Loretta, Biggus Dickus, Deadly Dirk, Casts the First Stone, and Intensely Dull Youth; also showing up are Goon Show veteran Spike Milligan and a Liverpool musician named George Harrison. Continue reading
Touted as having been based on a hitherto lost manuscript by Robert Louis Stevenson, writer/director Walerian Borowczyk’s take on the Strange Tale of Dr Jekyll and Mr Hyde reworks the material as a heady brew of sex, violence, philosophy and surrealistic drawing room farce.
Following a blue tinted title card showing that bastion of respectability and hypocrisy the Houses of Parliament, we emerge into the sort of shadowy, foggy street that you imagine Jack the Ripper must have stalked and a terrified girl. Someone is after her…
She tries to hide, but to no avail and the mysterious figure attacks, then flees in the direction of Henry Jekyll’s town house… Continue reading