Ulli Lommel – Cocaine Cowboys (1979)

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Dustin (Tom Sullivan) is the leader of a rock band on the brink of super-stardom. Until now they have juggled their music career with cocaine smuggling. The musicians, and their manager Raf (Jack Palance), wish to sever ties with organized-crime, leave the drug world behind and concentrate on music. However they are coerced into doing one last job for the Mob. They lose the $2 million of cocaine, and find themselves marked men unless they can fulfill their obligations. Continue reading

Doris Wishman – Bad Girls Go to Hell (1965)

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After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman’s son turns out to be a detective, which threatens her newly found identity and peace of mind. Continue reading

Bruce Robinson – Withnail & I [+Extras] (1987)

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Plot Synopsis
Screenwriter Bruce Robinson made his directorial debut with this British comedy. Withnail (Richard E. Grant) is an unsuccessful, pill-popping actor; “I”, or Marwood (Paul McGann), is Withnail’s roommate and another equally underemployed actor. The time is 1969: Withnail is fast becoming a burned-out relic of the sixties, while Marwood is trying to reassimilate into society. The two take a trip to the country in hopes of rejuvenating themselves, but things go from worse to even worse. Given the intimacy and insight of the screenplay and dialogue, one shouldn’t be surprised that Bruce Robinson (who adapted the film from his own novel) based Withnail and I on his own experiences.
The film proves that certain “Age of Aquarius” types were just as bollixed-up in Britain as they were in America.
All Movie Guide Continue reading

Jonathan Kaplan – Over the Edge (1979)

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New Grenada is a planned community set in the desert where there is nothing for the kids to do, save for a rec center – which closes at 6 PM. The parents, in their zeal to attract industry to their town, have all but neglected their children. As a result, the kids begin to create their own entertainment, which involves vandalism, theft, and general hooliganism. During an incident when one of the kids brandishes an unloaded gun at town cop Ed Doberman, he is shot and killed. When the parents gather the next night to discuss the killing and the level of lawlessness among the youth, they soon find out that their kids have had all they can take. Continue reading

Klaus Lemke – Rocker (1972)

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Synopsis

The most authentic movie about Hamburg in 1970’s – Rock’n’roll, sex, drugs, 1970’s lifestyle, 1970’s hairstyle, murder, prostitution, Santana, bikers, Reeperbahn, and St. Pauli provide the basis for the story featuring Gerd and Modschiedler, the ill-assorted couple (if at all amateur actors, who act themselves) of this fantastic movie.

The most outstanding characteristic is the idiom of the 1970’s – as a German native speaker you will have lots of fun watching this movie. From my perspective the funny but very authentic dialogs are the key highlights – not only of the movie but also of the 1970’s. Continue reading

Philippe Grandrieux – Un lac (2008)

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Plot:
The story takes place in a country about which we know nothing: a country of snow and dense forests somewhere in the North. A family lives in an isolated house near a lake. Alexi, the brother, is a young man with pure heart. A woodcutter. An ecstatic, prey to epileptic fits, he is entirely opened to the nature that surrounds him. Alexi is terribly close to his younger sister, Hege. Their blind mother, their father and their little brother are the silent witnesses to their overwhelming love. A stranger arrives, a young man barely older that Alexi Continue reading

Alexandru Tatos – Secvente AKA Sequences (1982)

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Review
Secvente(Sequences, reffering to film sequences) is Alexandru Tatos’ quintessential film and one of the stepping stones of Romanian cinematography. Sadly, although being a critics and directors favorite ever since it’s release, Secvente never managed to find a wide audience, mostly due to the limited distribution the film received during it’s initial run in the communist years. This huge injustice was disappointingly never corrected and unless word doesn’t spread over this uniquely original gem of Romanian Cinema, Secvente will most surely never reach the following it deserves. Continue reading