The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life. Rock legend David Bowie completely embodies the title role, while Candy Clark, Buck Henry, and Rip Torn turn in pitch-perfect supporting performances. The film’s hallucinatory vision was obscured in the American theatrical release, which deleted nearly twenty minutes of crucial scenes and details. Continue reading
Plot: This picks right up where KILINK VS. THE FLYING MAN ends with Kilink dead after a fall off a building. But, as a narrator cautiously tells us, this is not the end of Kilink’s story. Sure enough, he is alive a few minutes later and planning his next scheme. This entry has Kilink getting involved in a war between two rival gangs over some microfilms that has pictures of Turkey’s bases and missiles on it. This one plays like a EuroSpy film. and has quite a bit more action than the first two with Kilink getting chased all around Istanbul.
DVDRip, B&W. Continue reading
Have you ever suffered from a bout of insomnia, and ended up channel hopping into the small hours of the morning as a result? And having done so, have you ever came across a film that you’ve never heard of, yet it exerts a near hypnotic pull over you, digging itself under your skin ensuring that you’ll be thinking about it for days afterwards? If so, then you’ll recognise the kind of film that Seconds is.
The opening credits are stark black and white close-ups of various facial parts, pulled into weird and twisted shapes by the camera focus, while Jerry Goldsmith’s harsh and brooding score booms out over the top. Even from the credits, it is clear that Seconds is going to be a hallucinatory and powerful experience. Continue reading
An IMDB hater wrote:
This movie is a total piece of junk. It was shot on what looks like 8 millimeter film(not sure though). It looks like it was somebody’s student film. I think that this is the worst movie I’ve ever seen, and I’ve seen some pretty bad movies. I can’t believe that this movie is out on DVD, it’s so bad. The plot has something to do with a giant rabbit or something, I don’t know. I pretty much fast forwarded through the movie because it was so unbelievably bad. This movie has to be one of the worst ever made. I believe that the sound quality is bad and messed up too. The movie also had bad edits, I believe and poor special effects. I guess that the movie would be decent for a student film. They say that Ed Wood’s movies are bad. This movie makes Wood’s movies look like “Casablanca”. It’s a no-budget movie. I would recommend this movie to people only for them to see the world’s worst film. It should have remained buried. Take care. Continue reading
Assis 2005: a troubadour walks the streets of St. Francis of Assisi hometown, singing and playing the Song of Brother Sun or Song of the Creatures, written by St. Francis back in the winter of 1224. Woods of Umbria, 1212: during one preaching to the birds, St. Francis suddenly faints. Reanimated by St. Clare, the saint looks strange and absent and he doesn’t remember anything. When the night falls, the animals in the forest sing and praise Francis. But this love sung by the animals leads to a feeling of possession, a desire of exclusivity usually known as jealousy. Continue reading
Oingo Boingo fans and midnight movie mavens will love this bizarre black-and-white feature packed with music, madness, and members of the Elfman clan. The story revolves around the Hercules family, who live in a house that just happens to hide a secret entrance to the Sixth Dimension in the basement. When daughter Frenchy (Marie-Pascale Elfman) skips school one afternoon, she finds herself irresistibly drawn to the forbidden door, and winds up a prisoner in this alternate world. King Fausto (Herve Villechaize), the diminutive leader of the Sixth Dimension, is enamored with the beautiful young Frenchy and keeps her in the same cell as his favorite concubines, despite the disapproval of Queen Doris (Susan Tyrrell). Continue reading
A rather incoherent post-breakup Sex Pistols “documentary”, told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make “a million pounds.” Silly and hard to follow at times, but worth seeing for some excellent Pistols concert footage, some wickedly amusing animated sequences, and Sid Vicious’ eerily prophetic performance of “My Way.” Continue reading