João Vladimiro – Lacrau (2013)

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Quote:
If the scorpion could see and the viper could hear, there would be no escape”. The viper is deaf and the scorpion can’t see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return “to the curve where man got lost” in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not. (João Vladimiro) Continue reading

Fernando Lopes – Uma Abelha na Chuva AKA A Bee in the Rain (1972)

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This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own. “Starting off from a fine novel by Carlos de Oliveira, Fernando Lopes doesn’t so mush reconstitute a story, but rather defines an atmosphere parallel to that which exists in the literary work. The erosion of time, the crumbling of an epoch, the decline of a stately home, the disintegration of emotions: the film version of A Bee in the Rain talks about all these things, using a language that is sparse and unpolished, fascinating and at the same time repulsive in its disturbing silence” (Lauro Antonio). Continue reading

Miguel Gomes – Cántico das criaturas AKA Canticle of all Creatures (2006) (HD)

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Synopsis
Assis 2005: a troubadour walks the streets of St. Francis of Assisi hometown, singing and playing the Song of Brother Sun or Song of the Creatures, written by St. Francis back in the winter of 1224. Woods of Umbria, 1212: during one preaching to the birds, St. Francis suddenly faints. Reanimated by St. Clare, the saint looks strange and absent and he doesn’t remember anything. When the night falls, the animals in the forest sing and praise Francis. But this love sung by the animals leads to a feeling of possession, a desire of exclusivity usually known as jealousy. Continue reading

Manoel de Oliveira – A Caça AKA The Hunt (1964)

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Quote:
“A caça” is one Oliveira’s most distressing and mysterious films. Two boys, Roberto and José, enter a hunting ground, flooded with marshes. José falls into a quagmire and Roberto runs to the village looking for help. The locals form a human chain to save the victim…

“I conceived ‘A caça’ after reading in a newspaper that a boy was sucked down into a pit of quicksand and the other, due to fear, fled without helping him. The movie is based on this event.” In this laconic way, Oliveira summarizes his purpose. His first intention was to make a feature film about such an anguishing event. Continue reading

Patricio Guzmán – El Botón de Nácar AKA The Pearl Button (2015)

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Synopsis
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice. Continue reading

João Botelho – Tempos Difíceis AKA Hard Times (1988)

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Quote:
Even if adapted from Dickens’ Hard Times, the writer’s world fits perfectly in the Portuguese reality of these times. In a hamlet, that functions as a social microcosms, great wealth & extreme poverty mingle, so do culture, ignorance, perversion & ignorance. Griffith’s channelled via Júlia Britton. Continue reading

Manoel de Oliveira – O Velho do Restelo AKA The Old Man of Belem (2014)

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Quote:
Glory is often met with opposition, and whether victorious or defeated, we always hold fate responsible. Don Quixote de La Mancha came along sixteen years after the defeat of the Invincible Fleet and has erred the Earth ever since. Today he will join a meeting between old friends in the garden of eternity, in which the glories of the past and the uncertainty of the future will be thoroughly discussed. Continue reading