Cult

Manuel Toledano – Shampoo Horns (1998)

IMDB:
Sensationalistic group portrait of New York City ”club kids,” makes you long for those good old days when Andy Warhol’s self-appointed superstars brought a certain humor and bohemian sense of style to his semi-improvised films. Read More »

Marie Losier – Cassandro, the Exotico! (2018)

ACID Cannes 2018

After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself… Read More »

Sompote Sands & Shohei Tôjô – Urutora 6-kyodai tai kaijû gundan AKA Hanuman vs. 7 Ultramen (1974)

The Hindu god Hanuman teams up with Ultraman and his brethren against familiar Ultra-foes in this rare Ultraman movie co-produced in Thailand. Read More »

Claude Faraldo – Deux lions au soleil AKA Two Lions in the Sun (1980)

here are the two IMDB comments :

“Themroc ” ,what a colossal demagogy! a monumental spate of clichés of the post-68 era.

Deux lions au soleil ” is a different matter ,because there are two actors whose chemistry is perfect.Jean-François Stevenin ( he was a Truffaut’s favorite :”day for night” and mainly the wonderful schoolteacher in “l’argent de poche” ) and Jean-Pierre Sentier ( whom I did not really know) give wonderful performances.Forget the class struggle (as Faraldo finally forgets it during the story) and you have two human beings .Faraldo jettisoned all his post 68 clichés (Why do we work? Why are there wealthy people? Why are we working for peanuts?) which were present at the beginning of the movie but slowly disappear as the story progresses. Read More »

Alain Jessua – Jeu de massacre AKA The Killing Game (1967)

Two cartoonists meet a playboy who lives out the fantasies created in their cartoons. He hires them to create a new comic strip. As they work on the new strip, the playboy begins to live it out. Unfortunately, the new strip deals with murder. Read More »

Paulo Rocha – Se Eu Fosse Ladrão… Roubava AKA If I Were a Thief… I’d Steal (2013)

Quote:
1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years. Read More »

Forugh Farrokhzad – Khaneh siah ast AKA The House Is Black (1963) (DVD)

From Village Voice: In 1962, beloved and controversial poetess Forugh Farrokhzad went to Azerbaijan and made this short film on the grounds of a leper colony, presaging in 22 minutes the entirety of the Iranian new wave and the international quasi-genre of “poetic nonfiction.” It’s a blackjack of a movie, soberly documenting the village of lost ones with an astringently ethical eye, freely orchestrating scenes and simply capturing others, while on the soundtrack Farrokhzad reads her own poetry in a plaintive murmur—this in the same year as Vivre sa Vie and La Jetée. (Chris Marker has long been a passionate fan, as has Abbas Kiarostami, whose The Wind Will Carry Us owes its title and climactic verse to Farrokhzad.) It was the only substantial piece of cinema Farrokhzad ever made. Five years later, having already attained near legendary status in Iran for her writing, she was killed in a car crash at the age of 32, guaranteeing her posthumous fame as a feminist touchstone for generations of angry Persian women. Read More »