Vera Chytilová – Sedmikrásky AKA Daisies (1966) (HD)

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Description:

Two teenage girls, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly they embark on a series of destructive pranks in which they consume and destroy the world about them. This freewheeling, madcap feminist farce was immediately banned by the government. Continue reading

Zdenek Viktora – Raluca (2014)

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Former cop Filip Marold (Jan Dolanský) doesn’t want to be reminded of some things from his past. But others remind him… He works as a private detective, sleeps with his secretary and spies on people for money. All up to the moment when he meets seductive Raluca (Malvína Pachlová) and his life turns upside down. Is it just a coincidence? Fate? Or has someone set a trap? Even in his wildest dreams he wouldn’t imagine the things that were about to happen. Things that involve sex, murder, the big reveal and a harsh reminder of that damn past… Continue reading

Frantisek Vlácil – Dým bramborové nate AKA Smoke on the Potato Fields [+extras] (1977)

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Synopsis:

In this 1976 character study by Czech director Frantisek Vlacil, a stout middle-aged physician whose marriage has come apart (Rudolf Hrusinsky) establishes a practice in a small town. Gradually he’s drawn into the lives of his patients—a childless couple, a pregnant girl with a stern mother, the son of a duck farmer—and each relationship reveals a bit more about him and the idyllic but insular community. Vlacil is hardly known for his light touch, but the film’s austere look and elegiac chamber music, at times Bressonian in their severity, convey the doctor’s quest for fulfillment and peace of mind. Hrusinsky, who was blacklisted in Czechoslovakia for his anticommunist stance, ennobles his role by underplaying it. Continue reading

Miroslav Krobot – Díra u Hanusovic (2014)

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When she’s not serving regulars in a pub in a sleepy northern Moravian village, thirtysomething Maruna spends time with indecisive mayor Jura, soft-hearted outsider Olin and philandering roofer Kódl. Or she fights with her domineering mother, who is more inclined towards sister Jaruna, the one who gets the chance to leave this godforsaken place. Lightened with a touch of black humor, Krobot’s laconic village drama develops from a superb script, whose authors drew on their familiarity with the people and the region that made their protagonists who they are. Particularly today, when the word “waiting” is perceived entirely negatively, Krobot’s heroes, quite happy to continue living a fairly humdrum existence, might appear to have come from another planet. A powerful element of the film, gradually and carefully built into the plot, is the human respect which Krobot, aided by leading Czech actors, is able to convey to his audience. Somewhere in Moravia betrays a certain affinity with the work of the Czech literary classics, the Mrštík brothers, and with the absurd dramas of the 1960s. Continue reading