A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form. Continue reading
A three-part depiction of various forms of communication. ‘Factual Discussion’ depicts three heads (made up of fruit, kitchen utensils and writing implements respectively) endlessly devouring and regurgitating each other. ‘Passionate Discourse’ shows two clay figures romantically intertwined, and the problems with dealing with the end product of their passion, while ‘Exhaustive Discussion’ shows two animated heads playing a bizarre variant of the old scissors-paper-stone game. Continue reading
The first colour film by Czech master director František Vlácil ADELHEID is an emotional tale of two lovers trapped in the march of history.
In the aftermath of WWII, a Czech airman returns home from his tour of duty with the British RAF, intending to claim a German factory located in the Sudetenland along the Czech-German border. There he meets the beautiful Adelheid, the former owner’s daughter who once lived in the estate but is now reduced to servitude. The Czech airman falls in love with Adelheid, but lingering resentment and bitter political strife stand in the way of their happiness. (-Second Run) Continue reading
Marek is a 16-year-old from a provicial village who runs away to Prague when he begins to fail at school. He mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter that his collegues and teams up with a friend, David, in order to go after bigger scores–to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city. Continue reading
I, Justice (Czech: Já, spravedlnost; German: Als Hitler den Krieg überlebte [If Hitler Would Have Survived the War]) is a 1968 Czechoslovak psychological thriller, directed by Zbyněk Brynych.
At 1946, during the Nuremberg Trials, the Czecholsovak physician Doctor Heřman is abducted by a mysterious organization. To his horror, Heřman discovers that he is to treat Adolf Hitler, whose suicide in 1945 was faked. Hitler now lives in an isolated sanatorium in Germany, surrounded by his ostensibly loyal followers, a group of former high-ranking Nazis. But those men blame him for Germany’s defeat and destruction, and have decided that a single death is not satisfactory punishment for Hitler. Rather, he is made to believe that the Second World War is still being fought.. Continue reading
Burning Bush is a three-part mini-series created for HBO by world-renowned Polish director Agnieszka Holland. Based on real characters and events, this haunting drama focuses on the personal sacrifice of a Prague history student, Jan Palach, who set himself on fire in protest against the Soviet occupation of Czechoslovakia in 1969. Dagmar Buresová, a young female lawyer, became part of his legacy by defending Jan’s family in a trial against the communist government, a regime which tried to dishonour Palach’s sacrifice, a heroic action for the freedom of Czechoslovakia.
( HBO Europe)
Marital fidelity can wear you down, and Ondra (Hynek Čermák) and Vitek (Jiří Langmajer) are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives — only they don’t exactly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity. The new film from Jan Hřebejk, director of the Academy Award®–nominated Divided We Fall, is an observant and audacious look at the measures some couples will take to revive desire. Ondra and Vitek’s irrepressible joie de vivre makes it impossible to pass judgment, even when the two couples break their own rules by fooling around behind each other’s backs. Parents to two sets of hormonally charged teenagers who endlessly circle each other in a clumsy pre-coital ritual — Vitek has two girls, Ondra two boys — the adults soon put their kids to shame by secretly straddling the fence that divides their communal front yard. Continue reading