A story about love deception, the return of the past, a tragedy, or even the violence contained in an everyday detail, appear themselves to push them towards the abyss, into the undeniable pleasure of losing control.
The first ten minutes of Argentina’s Wild Tales, nominated for Best Foreign Language Film at this year’s Oscars, perfectly set you up for the experience you are about to have. A woman boards an airplane, then strikes up a conversation with the man across the aisle from her. It turns out he knows her ex-boyfriend. So does the woman seated in front of him. So does everyone else on the plane. It’s too much to be a coincidence, and it’s not. The guy they all know is the pilot; his passengers are people who have done him wrong. The scene ends with a stunning Twilight Zone-esque twist, then segues into an opening credits sequence set against photos of wild, often predatory animals. Writer/director Damian Szifron grabs you by the throat from the get-go, then proceeds to deliver a dazzling ride. Continue reading