Lars von Trier – Direktoren for det hele AKA The Boss of it All (2006)

 Lars von Trier   Direktoren for det hele AKA The Boss of it All (2006)

logoimdbb Lars von Trier   Direktoren for det hele AKA The Boss of it All (2006)

Film Description
Danish auteur Lars von Trier takes a break from his usual brand of idiosyncratic melodrama to deliver a light comedy of errors involving an actor hired to pose as the president of a company in order to perpetrate a large-scale fraud.
Probably best known for fatalistic tales of martyrdom like Dancer in the Dark and Breaking the Waves, von Trier this time delivers a simple and hilarious morality parable. Shot on a shoestring budget, The Boss of It All tells the story of Kristoffer, a down-on-his-luck actor who lands a bizarre job at an IT firm. Ravn, the second-in-charge, has hired Kristoffer to pose as the company head, a mysterious man named Svend E., who none of the employees have ever met. Quickly it becomes clear to Kristoffer that Ravn’s goal is to sell off the company to a racist Icelander while leaving the fallout in his own hands. But things get complicated when false relationships develop between Kristoffer, or “Svend E.,” and his other employees, whose farcical reactions to the appearance of the long-absent boss include everything from screaming matches to sexual favors. Though the goofy, off-the-cuff approach may seem to be a departure for von Trier, this uproarious romp of moral ambiguity will have you rolling in the aisles. Continue reading

Bille August – Honning måne AKA In My Life (1978)

honungsmane78 Bille August   Honning måne AKA In My Life (1978)

logoimdbb Bille August   Honning måne AKA In My Life (1978)

A young man, Jens, gets a job in a Copenhagen factory. He lives with his mother and has been without a job for a while. One day he meets Kirsten, who works at the library, and asks her out. He meets her parents, and soon they are married. They move into a house, Kirsten stops working, and they prepare their lives together. But Kirsten soon starts to feel a discontent that turns into depression and detachment. Jens fights to stay close to her, but eventually he must decide if he is suited for the respectable life he has built for himself. (IMDb) Continue reading

Jacob Thuesen – Anklaget AKA Accused (2005)

 Jacob Thuesen   Anklaget AKA Accused (2005)

logoimdbb Jacob Thuesen   Anklaget AKA Accused (2005)

Jacob Thuesen, a former editor for Danish directors Susanne Bier and Lars von Trier, had a very simple premise for his first film as a director: “Imagine if you got picked up by the police one day…” The film is called Angklaget (Accused) and tells the story of Henrik (Troels Lyby), a swimming instructor whose professional-, social- and family life is turned upside down when his difficult teenage daughter Stine (Kirstine Rosenkrands Mikkelsen) accuses him of having sexually abused her when she was younger. Stine’s mother Nina (Sofie Gråbøl) is shocked that her own daughter would do something so horrible; she knows her daughter has a history of lying about her parents, but never have their been such grave consequences. Stine is no longer allowed to stay at her parents house and is asked to press charges against her father, while Henrik has to wait in prison until his trial begins. Continue reading

Jørgen Roos – Carl Th. Dreyer (1966)

730df3e264e055c4b164df1 Jørgen Roos   Carl Th. Dreyer (1966)

logoimdbb Jørgen Roos   Carl Th. Dreyer (1966)

At the world premiere of “Gertrud” in Paris, December 1964, Dreyer is greeted by many celebrities of the French cinema: Clouzot, Langlois, Truffaut, Godard, Anna Karina. Afterwards Dreyer delivers short comments on the style of each of his films. Already in his first film, from 1920, he strove for simplicity, especially in the set design. He started from the idea that each apartment gives an impression of the owner’s personality. By removing all superfluous details of the furnishing, the remaining, simplified scenery gives a heightened sense of authenticity. An authentic setting creates, according to Dreyer, a genuine style. To find this authenticity he often studies paintings from the period in which the story takes place. In his later films he brings this simplification process even further. He removes everything from the film that is not related to the story. He also simplifies the dialogue to find a more concise form, whereby he comes closer to the style of tragedy. (imdb) Continue reading

pixel Jørgen Roos   Carl Th. Dreyer (1966)