Summary: A beautiful fugitive, Grace (Nicole Kidman), arrives in the isolated township of Dogville on the run from gangsters. With some encouragement from Tom (Paul Bettany), the self-appointed town spokesman, the little community agrees to hide her and in return, Grace agrees to work for them. However, when a search sets in, the people of Dogville demand a better deal in exchange for the risk of harboring poor Grace…
Nominally set in an American Town in the Rocky Mountains in the 1930s, DOGVILLE is shot exclusively in studio with a minimum of props.
Lars von Trier´s direction makes this film a shocking look into the disturbed mind of a woman who has been scorned and left. Medea´s revenge is horrible but never unbelievable. She does what every sane person would do, when deprived of all that she loves. The film burns itself into your mind and leaves you with a lasting impression of what human misery can be like. Continue reading
Café Paradis (English Title: Paradise Cafe) is an award-winning Danish film made in 1950, directed by Bodil Ipsen and Lau Lauritzen Jr., and written by Johannes Allen. The film received the Bodil Award for Film of the Year, and Ib Schønberg, for what is regarded his finest performance, received the Bodil Award for Best Supporting Actor.
The story illuminates the problems of alcoholism as it follows the lives of two people: one is a common workman (played by Poul Reichhardt) who drinks too much beer, and the other is a company director (played by Ib Schønberg), who believes he just needs “a little one every now and then.” They both come to face the consequences of their addictions. Continue reading
“Danish filmmaker Benjamin Christensen’s obsession with bizarre lighting effects reached its apotheosis with his 1920 masterpiece Witchcraft Through the Ages. Beginning in a deceptively sedate fashion with a series of woodcuts and engravings (a technique later adopted by RKO producer Val Lewton), the film then shifts into gear with a progression of dramatic vignettes, illustrating the awesome power of witchcraft in the Middle Ages. So powerful are some of these images that even some modern viewers will avert their eyes from the screen. Though obviously a work of pure imagination, the film occasionally takes on the dimensions of a documentary, a byproduct of the extensive research done by Christensen before embarking on the project (incidentally, the director himself can be seen in the film in a dual role as Satan and the Doctor) Also known as Haxan, Witchcraft Through the Ages marked a parting of the ways for Christensen and the Danish film industry; thereafter, he confined his activities to the German cinema, before answering Hollywood’s call in 1928.” — Hal Erickson (allmovieguide) Continue reading
A Danish documentary about Greenland. Filmed by Janus Sørensen for Elfelt Film. Peter Elfelt takes an important place in the history of Danish cinema as being probbly the first documentarist in Denmark and a great deal of his films are about Greenland.
Hard to find much info on this one. Janus Sørensen has filmed several greenlanders, hunters, ships, lots of nature, settlements, dogsleds, kayaks, camps etc.
No intertitles, no audio. Just a series of beautiful locations. The black/white looks amazing in the Greenlandic context.
A young queen, who is married to an insane king, falls secretly in love with her physician -
and together they start a revolution that changes a nation forever. Continue reading
Danish auteur Lars von Trier takes a break from his usual brand of idiosyncratic melodrama to deliver a light comedy of errors involving an actor hired to pose as the president of a company in order to perpetrate a large-scale fraud.
Probably best known for fatalistic tales of martyrdom like Dancer in the Dark and Breaking the Waves, von Trier this time delivers a simple and hilarious morality parable. Shot on a shoestring budget, The Boss of It All tells the story of Kristoffer, a down-on-his-luck actor who lands a bizarre job at an IT firm. Ravn, the second-in-charge, has hired Kristoffer to pose as the company head, a mysterious man named Svend E., who none of the employees have ever met. Quickly it becomes clear to Kristoffer that Ravn’s goal is to sell off the company to a racist Icelander while leaving the fallout in his own hands. But things get complicated when false relationships develop between Kristoffer, or “Svend E.,” and his other employees, whose farcical reactions to the appearance of the long-absent boss include everything from screaming matches to sexual favors. Though the goofy, off-the-cuff approach may seem to be a departure for von Trier, this uproarious romp of moral ambiguity will have you rolling in the aisles. Continue reading