The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. Read More »
‘Sabotage of a Nazi factory is carried out by the husband of the lover of a resistance leader.’
– BFI Read More »
A good natured soldier with a killer right hand, falls in love with a beautiful girl who has a troubled past. Read More »
Summary: “The politics of slavery and the follies of nation-building highlight Danish director Lars von Trier’s thought-provoking follow-up to the director’s 2003 drama Dogville, featuring The Village’s Bryce Dallas Howard in the role originally played by Nicole Kidman, and shot in the same stage-bound style as its predecessor. Shortly after leaving Dogville, Grace (Howard) and her father (Willem Dafoe) wander into a gated Alabama community still operating under the tenants of slavery. Appalled to stumble across a brutal scene in which a white master is viciously lashing his slave (Isaach de Bankolé), Grace hastily intercedes and pleads with the abusive man to treat his workers with respect and dignity. When merciless matriarchal plantation owner Mam (Lauren Bacall) dies shortly thereafter, the remaining slaves, who have never tasted freedom and only known life under “Mam’s Law,” implore the sympathetic Grace to help ease their turbulent transition toward democratic rule, with disastrous results.” (All Movie Guide) Read More »
Shortly after his 1970 success with the film Stille Dage i Clichy (Quiet Days in Clichy), director Jens-Jorgen Thorsen started trying to get Jesus Vender Tilbage (The Return) made. For the next twenty years, he kept at it when the money was available but had to cope not only with shortages of money, but an legal ban on the film in his native country of Denmark which was not revoked until 1990. In the face of these obstacles, he has put together a smoothly professional-looking film which seems to be intended to offend the religious sensibilities of a great many people. This satirical drama follows Jesus’ career after he returns to earth to save it from environmental pollution. Read More »
A Danish documentary about Greenland. Filmed by Janus Sørensen for Elfelt Film. Peter Elfelt takes an important place in the history of Danish cinema as being probbly the first documentarist in Denmark and a great deal of his films are about Greenland.
Hard to find much info on this one. Janus Sørensen has filmed several greenlanders, hunters, ships, lots of nature, settlements, dogsleds, kayaks, camps etc.
No intertitles, no audio. Just a series of beautiful locations. The black/white looks amazing in the Greenlandic context. Read More »
Like a bulletin board that has all kinds of notices next to each other, Jenoe Farkas’ documentary on the various inhabitants of Copenhagen, filmed over a several-year period, has all sorts of people and events on display, but not one unifying theme or any cinematic artifice to link them together. Read More »