An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights “The Perfect Human,” a model of the modern Dane created by our wishful thinking. Read More »
A father returns to his old hometown with his young family. Events force him to face the small town’s xenophobia.
Lars and Johannes are brothers with very little in common. Johannes is a high-powered lawyer with a beautiful wife and two children; Lars is a truck driver and a drunken brute who beats his girlfriend. Having returned to his hometown in the country, Johannes hopes for a less hectic, more genuine lifestyle. But trouble is underfoot when Lars runs over a woman with his truck. He sees only one way out: put the blame on Alain, a Bosnian refugee with impaired mental functions. But when Lars, the God-fearing husband of the victim, and his friends close in on the Bosnian, Johannes stands up for the man and shelters him. Read More »
Evening Land presents fictitious events in the Europe of those days. It opens in a Copenhagen shipyard with a strike due to the construction of four submarines, potential carriers of nuclear weapons for the French Navy, beside the salary freeze that the deal has entailed, and as an anti-nuclear protest. In parallel with this, a group of radical demonstrators kidnaps the Danish minister of the EC during a summit, as a token of support with the strikers. The Danish police brutally repress the demo and crush the “terrorists”. Evening Land was released to both a hostile left and right wing, and the few film critics who valued it pointed out that it strayed from the style that Watkins had developed in his previous films. Danmarks Radio refused to broadcast it, and Watkins decided it was high time to leave Scandinavia and start what would be a new period of voluntary exile. Read More »
A modern fable about an invisible man who gets the chance to become a real human being. He has to learn to be brave, honest and conscientious. ‘P’ is a fantasy figure, living behind the wallpaper in seven year-old Lisa’s bedroom. Due to the destruction of the building in which Lisa lives, P leaves Lisa and her fantasy world. He ends up at a refugee center, where he learns Danish and becomes an integrated member of society. An apartment is assigned to P and he gets a job in a shoe store. P’s naiveté and good will makes him an easy prey. Without being guilty, he becomes under suspicion of being a wanted child molester. This is the story of P’s dramatic journey through the Fall of Man in an attempt to become a good citizen. Read More »
Torben Skjødt Jensen’s elegant documentary is a collage of memories and reflections on one of cinema’s greatest directors. Visually rich and densely layered, Carl Th. Dreyer—My Métier illuminates an artist too little understood and too important to overlook. Through interviews, historical writings, and rare archival footage, a portrait of Dreyer emerges—an austere perfectionist, yes, but also a passionate man possessing a genuine sense of humor. Read More »
Café Paradis (English Title: Paradise Cafe) is an award-winning Danish film made in 1950, directed by Bodil Ipsen and Lau Lauritzen Jr., and written by Johannes Allen. The film received the Bodil Award for Film of the Year, and Ib Schønberg, for what is regarded his finest performance, received the Bodil Award for Best Supporting Actor.
The story illuminates the problems of alcoholism as it follows the lives of two people: one is a common workman (played by Poul Reichhardt) who drinks too much beer, and the other is a company director (played by Ib Schønberg), who believes he just needs “a little one every now and then.” They both come to face the consequences of their addictions. Read More »
Plot Summary for Brødre (2004)
Michael (Ulrich Thomsen) has everything under control: a successful military career, a beautiful wife (Connie Nielsen) and two daughters. His younger brother Jannik (Nikolaj Lie Kaas) is a drifter, living on the edge of the law. When Michael is sent to Afghanistan on a UN mission the balance between the two brothers changes forever. Michael is missing in action – presumed dead – and Sarah is comforted by Jannik, who against all odds shows himself capable of taking responsibility for both himself and the family. It soon becomes clear that their feelings have developed beyond mutual sympathy. When Michael comes home, traumatized by being held prisoner in the mountains of Afghanistan, nothing is the same. Read More »