Zeynep Kececiler – Uzak Renk Ahenk AKA Harmony of Color in Far (2004) (DVD)

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Programme which aims to inform people on Kars and Ardahan region that has always played a role as a bridge in history between Anatolia and Caucasia, is composed of two serials each of them last 28 minutes. Programme has been prepared after a year long.
It aims to inform audience the different mosaic of these two cities that take place on the extremity points of Turkey. The rich structure of these mysterious cities of East, still protect their multicolor configuration in a kind of harmony pecular to them. Continue reading

Katherine Gilday – The Famine Within (1990)

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Katherine Gilday’s impressive documentary debut The Famine Within focuses on the debilitating and unattainable ideal of a woman, and its devastating effects on the health and morale of women, particularly, young North American women.

The film suggests that consumerism (fuelled by the gazillion-dollar diet, fitness and fashion industries) and mass media are largely responsible for creating and spreading this image. In one example, the film documents a model search. Of the 40,000 women (mostly teenagers) who felt qualified to respond in the first place, only four met the agency’s physical requirements. Even these four girls aren’t “ready” until they are polished, primped, posed and airbrushed for popular consumption. In today’s body-centered, youth-oriented culture, this image becomes a dangerous catalyst for the ever-increasing number of young North American women developing harmful eating disorders. In their obsessive pursuit of the perfect body, many women become anorexic, bulimic or, ironically, diet their way to obesity. Continue reading

Bing Wang – Caiyou riji (pt. 2b) (2008)

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In the film-festival catalogues of Rotterdam and Hong Kong, it says that Wang Bing was filming on a plateau in the Gobi Desert, but in reality he had to move to a different mountainous region about 500 kilometers away, a journey on unmade snow-covered roads. The terrain that now plays the leading role in the film is in the province of Qinghai, a similar landscape to that of the neighboring province of Tibet (which of course is not regarded by everyone as a province). A high, empty, rough, windy, and desolate landscape. Yes, making films can still be adventurous. The filmmaker found that out at first hand. He started to have altitude sickness at the high oil installation. Continue reading

Bing Wang – Caiyou riji (pt. 2a) (2008)

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Quote:
In the film-festival catalogues of Rotterdam and Hong Kong, it says that Wang Bing was filming on a plateau in the Gobi Desert, but in reality he had to move to a different mountainous region about 500 kilometers away, a journey on unmade snow-covered roads. The terrain that now plays the leading role in the film is in the province of Qinghai, a similar landscape to that of the neighboring province of Tibet (which of course is not regarded by everyone as a province). A high, empty, rough, windy, and desolate landscape. Yes, making films can still be adventurous. The filmmaker found that out at first hand. He started to have altitude sickness at the high oil installation. Continue reading

Bing Wang – Caiyou riji (pt. 1b) AKA Crude Oil (pt. 1b) (2008)

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“In the film-festival catalogues of Rotterdam and Hong Kong, it says that Wang Bing was filming on a plateau in the Gobi Desert, but in reality he had to move to a different mountainous region about 500 kilometers away, a journey on unmade snow-covered roads. The terrain that now plays the leading role in the film is in the province of Qinghai, a similar landscape to that of the neighboring province of Tibet (which of course is not regarded by everyone as a province). A high, empty, rough, windy, and desolate landscape. Yes, making films can still be adventurous. The filmmaker found that out at first hand. He started to have altitude sickness at the high oil installation. Continue reading

Bing Wang – Caiyou riji (pt. 1a) AKA Crude Oil (pt. 1a) (2008)

29f7c043f76a2bde437fd0d52a185152

Quote:
In the film-festival catalogues of Rotterdam and Hong Kong, it says that Wang Bing was filming on a plateau in the Gobi Desert, but in reality he had to move to a different mountainous region about 500 kilometers away, a journey on unmade snow-covered roads. The terrain that now plays the leading role in the film is in the province of Qinghai, a similar landscape to that of the neighboring province of Tibet (which of course is not regarded by everyone as a province). A high, empty, rough, windy, and desolate landscape. Yes, making films can still be adventurous. The filmmaker found that out at first hand. He started to have altitude sickness at the high oil installation. Continue reading