Portrait of a small south German village and its residents in the early sixties.
Rural culture is undergoing a transformation caused by the intrusion of the industrial world. Gestures at work and words of its inhabitants.
From the start, Nestler’s films attest how an observational description of reality can become an authentic art form. He consistently refuses to comply with the insistence of television editors and directors to provide explanatory comments of the pictures through neutral narration. Nestler insists on leaving things and testimonies of people standing side by side before the camera. But one who violates the unwritten policy conditions that come along as formal laws of the medium (motto: “people will not understand it…”) will be placed on the index. So he never became a TV reporter. In March 2007 he was dedicated a retrospective at the Paris Cinéma du réel documentary film festival at the Centre Pompidou for this. “My first films in the early 60s (that weren’t ‘political’) contained something that was irritating, disturbing the peace, especially in the films Mülheim (Ruhr), Ödenwaldstetten (both 1964) and Von Griechenland (1965). I was cut off the money supply, and so I moved to Sweden”, thus Nestler 1998 laconically. from ray Filmmagazin Continue reading
German-language documentary on the actor. Numerous excerpts.
(A conventional companion piece to Herzog’s My Best Enemy).
42 min 40 sek Continue reading
“What is the fate of the world?” With breathtaking Technicolor® photography and thrilling up-close encounters with the undersea world, The Sea Around Us gave audiences early warning about the environmental dangers threatening our planet. Based on Rachel Carson’s acclaimed book and written, directed and produced by Irwin Allen (The Poseidon Adventure, The Towering Inferno) with the visual power of a master storyteller, this dazzling odyssey takes us from the Great Barrier Reef to Arctic waters, from shark walking to crab herding, from titanic seismic sea waves to rainbow-hued Edens alive with flashing tropical fish. It’s an incredible, imperiled realm – and its future depends upon us. From Warner Brothers! Continue reading
Korean filmmaker Kim Ki-duk bares his tortured, inebriated soul in “Arirang,” and it’s not a pretty sight. An experience that can be likened only to being stuck next to a drunk in a bar who keeps reminding you he used to be famous, all his friends are bastards and he now understands the meaning of life, pic might have proved therapeutic to make, but it’s a grind to watch, even for fans of the maverick writer-director’s work. Kim’s rep will inevitably ensure further fest bookings for what is essentially one long whine, but theatrical distribution anywhere looks highly unlikely. Continue reading
Celebrated documentary director Frederick Wiseman spent ten weeks with his camera exploring one of the most mythic places dedicated to women, ‘CRAZY HORSE’. This legendary Parisian cabaret club, founded in 1951 by Alain Bernardin, has become, over the years the Parisian nightlife ‘must’ for any visitors, ranking alongside the Eiffel tower and the Louvre.
Wiseman’s impeccable eye allows us to enter into this intriguing international temple of the Parisian club world and to discover what makes the CRAZY HORSE tick: elegance, perfectionism and a grueling schedule (with 2 shows a night and 3 on Saturdays, 7 days a week). The film takes us to the final curtain up, and the unveiling of the brand new show. DESIR is created by the greatest French choreographer Philippe DECOUFFLE and is an artistic, modern, humorous and colorful outburst that is the pinnacle of ‘NUDE CHIC’. Continue reading
The Black Power Mixtape 1967-1975
“You’re either part of the solution or part of the problem,” Eldridge Cleaver is often quoted: as documentaries go, “The Black Power Mixtape 1967-1975″ solves a few common production problems with its origins, drawing on a splendid cache of black-and-white and color 16mm interviews, shot in the United States by Swedish journalists with a seemingly radical bent, and unearthed in 2005. (To paraphrase another figure, this potential revolution was televised, even if only in Scandinavia.) Göran Hugo Olsson’s documentary of fierce, open exchanges with Black Power Movement figures captures the moment’s intensity (and intermittent naiveté) from its subjects, including Stokely Carmichael, Bobby Seale, Angela Davis, Cleaver and William Kunstler. (The crispness of the long-unseen footage is startling.) Earnest activism and protest meet setbacks, as the historical record already shows. Yet these curious Swedes, gaining the trust of their subjects, captured invaluable, contemporary reflections of a turbulent time, after the early days of the civil rights movement, when filling the streets was thought a way to prompt societal change. Continue reading
A promise, an old, destroyed horse head violin and a song believed lost lead the singer Urna back to Outer Mongolia. Her grandmother was forced to destroy her once loved violin in the tumult of the Chinese Cultural Revolution. The ancient song of the Mongols, “The Two Horses of Genghis Khan”, was engraved on the violin’s neck. Only the violin’s neck and head survived the cultural storm. Now it is time to fulfill the promise that Urna made to her grandmother. Arrived in Ulan Bator, Urna brings the still intact parts of the violin – head and neck – to Hicheengui, a renowned maker of horse head violins, who will build a new body for the old instrument in the coming weeks. Then, Urna leaves for the interior to look there for the song’s missing verses. But she will be disappointed. None of the people whom she meets on the way appears to still know the old melody of the Mongols. Written by silke Continue reading