History Channel – Sex in ’69: The Sexual Revolution in America (2009)

zi6q History Channel   Sex in 69: The Sexual Revolution in America  (2009)

29f7c043f76a2bde437fd0d52a185152 History Channel   Sex in 69: The Sexual Revolution in America  (2009)

Travel back to 1969 and uncover fascinating trends, people and events that forever changed the way Americans think about and have sex. Viewers will travel from the Playboy Penthouse in Los Angeles to San Francisco’s Hippie crash pads, the boardwalk in Atlantic City, a court room in Miami, and other spots across America to meet some of the women and men who found themselves caught between old values and new desires in 1969, and decided to do something about it. Some of them, like Playboy publisher Hugh Hefner, actor Jim Brown, and Ray Manzarek of The Doors, will be famous. Others will be average Americans whose lives were transformed by the sexual tides coursing through the nation as the Sixties came to a close. But they will all have one thing in common—they will all have fascinating stories to tell. Continue reading

Néjib Belkadhi – VHS – Kahloucha (2006)

b0e5 Néjib Belkadhi   VHS   Kahloucha (2006)

29f7c043f76a2bde437fd0d52a185152 Néjib Belkadhi   VHS   Kahloucha (2006)

Moncef Kahloucha is a fan of ’70s genre movies, especially those with Bruce Lee, Jim Kelly and Clint Eastwood. Apart from working as a house painter in Kazmet, a poor Tunician locality, Kahloucha is a tenacious director, actor, screenwriter and prop master in his own zero-budget productions. At the limits of communal, visceral cinema captured on a VHS camera, it literally costs Kahloucha blood, sweat and tears to shoot his next film: Tarzan of the Arabs, opening at a bar TV set. With an amplified eye, Néjib Belkhadi not only records a ferocious making-of, but also manages to come out with a crystal-clear map of Kazmet’s social ills, including the Arabs who must survive in their Italian exile to the tune of the anthological “Tunisino” by Neshez. The savage primitiveness of the shooting, the struggle for a place in the ads of the neighbors-actors and Kahloucha’s displays of tinsel used in previous films are some gripping, all but likely moments of an incendiary passion for cinema.

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José Padilha & Felipe Lacerda – Ônibus 174 AKA Bus 174 [+Extras] (2002)

qiok José Padilha & Felipe Lacerda   Ônibus 174 AKA Bus 174 [+Extras] (2002)

29f7c043f76a2bde437fd0d52a185152 José Padilha & Felipe Lacerda   Ônibus 174 AKA Bus 174 [+Extras] (2002)

Review (by Jamie Russell,) :

Life is cheap in this searing Brazilian documentary about the real-life hijacking of a bus in Rio de Janeiro in June 2000 by a homeless, drug-addicted street kid named Sandro do Nascimento. Broadcast live on Brazilian television, the four-hour stand-off let the nation watch as its incompetent, poorly trained police force struggled to contain the explosive situation. A stunning indictment of Brazil’s social meltdown, this startling documentary plays like City Of God – except this time the bullets are real.

The hijacking itself is a catalogue of errors: the police failed to seal off the bus, letting camera crews and Joe Public wander within inches of its windows while Sandro stalked around inside with a .38 revolver. As a result, SWAT team snipers were told not to shoot because the event was being broadcast live on national television.
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Hellmuth Costard – Fußball wie noch nie AKA Soccer As Never Before (1971)

hmjy Hellmuth Costard   Fußball wie noch nie AKA Soccer As Never Before (1971)

29f7c043f76a2bde437fd0d52a185152 Hellmuth Costard   Fußball wie noch nie AKA Soccer As Never Before (1971)

The sun shone on Old Trafford on 12th September 1970 as Manchester United beat Coventry 2:0 in a league match. It was not an important victory; that season Man Utd would only be also-rans in the race for the championship. But a record was preserved of the match that is probably unique in the history of film and television. Using eight 16mm cameras, Hellmuth Costard, one of the most important experimental filmmakers in German cinema of the 60s and 70s, followed every move over the 90 minutes of the man in the red jersey with the number 11 – traditionally associated with the conventional outside left, but here worn by the mercurial George Best. Continue reading

Alan Parker – Pink Floyd: The Wall [Extras] (1982)

pinkfloydthewallduvar19 Alan Parker – Pink Floyd: The Wall [Extras] (1982)

29f7c043f76a2bde437fd0d52a185152 Alan Parker – Pink Floyd: The Wall [Extras] (1982)

The movie tells the story of rock singer “Pink” who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album “The Wall” by Pink Floyd, the film begins in Pink’s youth where he is crushed by the love of his mother. Several years later he is punished by the teachers in school because he is starting to write poems. Slowly he begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Continue reading

pixel Alan Parker – Pink Floyd: The Wall [Extras] (1982)