The art film by Luciano Emmer: the camera explores the figurative worlds of Giotto, Bosch, Carpaccio, Leonardo, Michelangelo, Picasso. First edition on DVD of a valuable asset for art history and Italian cinema.
This two-DVD boxset presents, collected for the first time, a wide selection of art films made by Luciano Emmer (1918-2009). Emmer, screenwriter and director, is the author of films that told with delicacy and humor about Italy in the Fifties (Domenica d’agosto, Terza liceo) and one of the inventors of TV commercials; especially personal and meaningful is his work on art documentaries, awarded all over the world. Continue reading
Description: Soviet documentary “defending the Chinese people from their enemies, the Maoists”. NB: The film clearly documents the activities of the Red Guards although it never mentions them by name. This has been reflected in the cataloguing. Also, ‘Peking’ has been used instead of ‘Beijing’, again to reflect the content of the film. Continue reading
The people in Izbuc, a village in the Romanian Carpathian mountains, think thast their fellow villager Gratian Florea is a werewolf. According to an old custom, when a child is born, the midwifes call upon the spirits, to make the child hard working, beautiful, loveable or wise. It is said that when Gratian was born, the umbilical cord broke only after the midwife called forth the werewolf. This crucial moment was to influence his whole life. His family and the whole village rejected him. At 73, Gratian lives in a shack outside the village, without water of heating.
Every Saturday Gratian goes into the village to beg for the food he needs for the following week. The saying goes that those who refused to give him something will have their sheep eaten by wolves after a few days. In his solitude, Gratian works with astronomical numbers. He says that his thoughts about belief, moral values, and eternal life will help him discover infinity. He sees himself as a traveler into the universe, who at a certain time will surpass the worldly existence and the essence of his soul will become equal to God. Continue reading
One critic described this film as an “immensely appealing and articulate exploration of the world of the drop-out, which makes almost everything else in the recent spate of films about hippydom seem adolescent.” Prologue concerns a young Montrealer who edits an underground newspaper. He and his female companion are joined by a young draft dodger from the United States. In the choices they make, the two rival philosophies of dissenting youth become evident: militant protest or communal retreat.
The film includes some of the bloody rioting in Chicago during the 1968 Democratic Convention. Also seen and heard in the film is anti-war and civil rights spokesman Abbie Hoffman.
Robin Spry was one of the brightest talents of the late sixties and early seventies and a pioneer of the emerging English-Canadian film scene of that era. Equally adept at documentary and fiction and gifted with a keen eye for social analysis, his films often dealt with contemporary social issues and were continually concerned with the politics of power. Continue reading
Documentary discovering the various ideas Japanese artists find to introduce erotica and rape fantasy in their comics and animations, together with sociological commentary and critique. Continue reading
Movie detailing ABBA’s mega-successful tour of Australia during mid-1977. While it mostly contains back-stage footage and as well as ABBA’s famous songssuch as Dancing Queen, Tiger, Name Of The Game and Eagle among others sung filmed during their concerts in Sydney, Melbourne, Perth and Adelaide, it has the sub-plot of young country and western radio disc-jockey, Ashley, whose boss orders him to have a deep interview with ABBA and the problems he has trying to reach them as he forgets his press pass and ABBA’s main bodyguard, (Tom Oliver) is determined to stop him… Written by Lee Horton Continue reading
In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who’s telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the …
Written by The National Film Board of Canada Continue reading