Jodorowsky’s Dune is a 2013 American documentary film directed by Frank Pavich. The film explores Chilean-French director Alejandro Jodorowsky’s unsuccessful attempt to adapt and film Frank Herbert’s 1965 science fiction novel Dune in the mid-1970s.
To Baltimore locals, the 12 O’Clock Boys are hooligans – a group of urban dirt-bikers that perform death-defying stunts at excessive speeds through traffic and impressively evade the hamstrung police, who must adhere to a no-chase policy to maintain public safety. Yet they are heroes to Pug, a bright, young adolescent living in the city’s dangerous Westside neighborhood with his charismatic mother Coco, extended family, and a menagerie of animals to which he tends in his long-standing hope to be a veterinarian. Yet as his obsession with the 12 O’Clock Boys grows, his desire to join the bikers begins eclipsing everything else in his life, much to Coco’s dismay. Filled with stunningly kinetic footage that puts the viewer on up-close ride-alongs with the bikers, 12 O’CLOCK BOYS provides a compelling and personal story of a young boy and his dangerous, thrilling dream. (c) Oscilloscope Continue reading
A film that starts like an odd documentary on ski resorts suddenly declares its subject to be aluminum. And it’s all downhill from there, evoking in chapters the history of capitalism in the 20th century, the death of the God Progress in the valleys of the Alps and the question of the relationship between State and Industry. All’s fair in love and snow.
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. Sans Soleil is his mind-bending free-form travelogue that journeys from Africa to Japan.
Vive le tour is director Louis Malle’s affectionate homage to one of France’s most treasured institutions, the Tour de France cycle race. In this short documentary film, Malle and his camera team marvellously capture the ambience of the Tour: the unbridled enthusiasm of the crowds of spectators, the beauty of the French countryside setting, and the gruelling ordeal of the participants.
We see how the cyclists refresh themselves during their marathon races, the sorry effects of dope-taking, the pain and disappointment of injured cyclists and, finally, the indescribable delight of the victors on the podium. With its eloquent and evocative photography, accompanied by Georges Delerue’s enchanting music, this is less a documentary and more a visual poem which says almost all there needs to be said on the greatest cycle race in the world. James Travers (filmsdefrance) Continue reading
Pacho Velez and Stephanie Spray’s art-house documentary features footage of various people as they travel by cable car to a temple high in the mountains of Nepal.
Travel back to 1969 and uncover fascinating trends, people and events that forever changed the way Americans think about and have sex. Viewers will travel from the Playboy Penthouse in Los Angeles to San Francisco’s Hippie crash pads, the boardwalk in Atlantic City, a court room in Miami, and other spots across America to meet some of the women and men who found themselves caught between old values and new desires in 1969, and decided to do something about it. Some of them, like Playboy publisher Hugh Hefner, actor Jim Brown, and Ray Manzarek of The Doors, will be famous. Others will be average Americans whose lives were transformed by the sexual tides coursing through the nation as the Sixties came to a close. But they will all have one thing in common—they will all have fascinating stories to tell. Continue reading