Dominik Graf

Dominik Graf – Bittere Unschuld AKA Bitter Innocence (1999)

Bittere Unschuld AKA Bitter Innocence
Andreas Brandt is the head of the research department in a pharmaceutical company. He earns enough to build a future with his wife Monica and his daughter Eva. But a merger puts his position in jeopardy. Brandt randomly observes Larssen, who’s responsible for the merger, raping the waitress Vanessa. Instead of helping her, he takes a file which has previously been stolen by Larssen. It contains incriminating evidence against Larssen. Brandt tries to blackmail Larssen, but Larssen is capable to shift the buck back to Brandt. Slowly Brandt’s family becomes involved… Read More »

Dominik Graf – Die Katze AKA The Cat (1988)


Quote:
One of the highlights of this year’s Edinburgh International Film Festival, it’s already apparent, is a retrospective of the work of Dominik Graf, a genre specialist mostly unknown outside his natve Germany, who has worked in both film and TV, specialising mainly in crime dramas. The program also includes other German crime TV shows selected by Graf to contextualise his work (including Sam Fuller’s Dead Pigeon on Beethoven Street and uber-rare work by Czech emigre Zbynek Brynych, best known otherwise for The Fifth Horseman is Fear). Read More »

Dominik Graf – Am Abend aller Tage (2017)

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On behalf of anonymous business clients, Philipp Keyser is trying to track down a missing painting. This is his chance to get back on his feet professionally. As a result, he has no qualms about using the young painter Alma in order to get closer to the painting’s owner. His search for the painting and the closeness to Alma, however, draw him into a vortex in which love and guilt are dangerously intermingled and at the center of which a picture shimmers – which might not even exist … Read More »

Dominik Graf – Die Freunde der Freunde AKA The Friend of Friends (2002)

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Synopsis:
Set in the boarding school milieu, the film depicts the meeting of shy Gregor and mysterious Billie. Billie has a son, her husband is in jail. Arthur, Gregor’s friend, is a serial Lothario, forever unfaithful to his girlfriend Pia. Both Arthur and Billie have had a similar mystical experience related to someone’s death. While Gregor believes that an elective affinity between two people preordains their lives, Arthur does not even subscribe to any possibility of romantic feelings between the sexes.
Arthur is a failure at school and becomes mixed up with criminal elements, Gregor goes on to attend university, and remains in pursuit of Billie who passes in and out of his life on several occasions. Read More »

Dominik Graf – Die geliebten Schwestern AKA Beloved Sisters (2014)

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Friedrich Schiller was Germany’s William Shakespeare, a poet and playwright who espoused Romanticism and was for a time forced into exile because of his political writings. Alongside Goethe, he is considered the premier figure of German letters.
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Dominik Graf – Dreileben – Komm mir nicht nach AKA Don’t Follow Me Around (2011)

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In the trilogy’s second chapter, Jo (Jeanette Hain), a big-city police psychologist, arrives in Dreileben to aid in the ongoing investigation, whereupon she finds herself greeted cooly by the local authorities but welcomed with open arms by Vera (Susanne Wolff), a college friend who lives nearby with her husband, a pretentious author. As the girlfriends reminisce about bygone days and discover they were both once in love with the same man, director Dominik Graf deftly juxtaposes their personal drama against the search for a killer, a police corruption scandal, and a possible case of interspecies transmutation—all underlining the trilogy’s recurring themes of false appearances and deeply hidden truths. Read More »

Dominik Graf – Die reichen Leichen. Ein Starnbergkrimi (2014)

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German plot description:

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Polizeimeisteranwärterin Ariane Fink aus Dortmund verschlägt es ausgerechnet nach Starnberg: gesichtsloses Städtchen, Wahnsinnssee. Höchste Millionärsdichte Bayerns. Eine Idylle mit Reißzähnen.

Und eben hier wird Ariane gleich an ihrem ersten Arbeitstag mit dem bayerischsten aller Klischees konfrontiert: Der tote Kini, oder besser gesagt, ein Wiedergänger von ihm, liegt am Ufer des Starnberger Sees, und zwar genau da, wo Ludwig II. 1886 ins Wasser ging. Read More »