Manuel Pradal – A Crime (2006)

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The devastated life of a man haunted by the unsolved murder of his beloved wife is strangely complicated by the mysterious neighbor who loves him from afar in a dark noir thriller directed by Manuel Pradal and starring Norman Reedus, Emmanuelle Béart and Harvey Keitel. Vincent (Reedus)’ wife has suffered a most brutal fate, and these days the once happy New Yorker is but a frozen shell of his former self. Vincent is not a man unloved, however, because although he may currently be unaware of her feelings for him, his neighbor Alice (Béart) knows in her heart that she and Vincent were meant to be together. All that needs to happen to make Vincent recognize her love is for the grieving widower to finally be liberated from his tragic past; and Alice is willing to go to any lengths necessary in order to make this happen. If Vincent was finally to find the man responsible for his wife’s death, he could finally be free to open his heart to Alice. When Alice hails a cab driven by lonely New York soul Roger (Keitel), the gears of the scheming woman’s elaborate plan are slowly set into motion despite the ignorance of both the naïve cabbie, and the somber object of her delusional affections. Continue reading

Yermek Shinarbayev – Mest AKA Revenge (1989)

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A child is raised in Korea to avenge the death of his father’s first child in this decades-spanning tale of obsession and violence, the third collaboration between director Ermek Shinarbaev and writer Anatoli Kim. A study of everyday evil infused with philosophy and poetry, this haunting allegory was the first Soviet film to look at the Korean diaspora in central Asia, and a founding work of the Kazakh New Wave. Rigorous and complex, Revenge weaves luminous imagery with inventive narrative elements in an unforgettable meditation on the way trauma is passed down through generations. Continue reading

Aleksandr Mitta & Kenji Yoshida – Moskva, lyubov moya AKA Moscow, My Love (1974)

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A Japanese girl came to Moscow to learn the art of dance. The love of a Moscow sculptor, the victory in the final-year students competition brought a lot of happiness to Yuriko. However a sudden disease of blood, result of an atomic bombardment of her town, bursts into her life. Continue reading

Ingmar Bergman – Larmar och gör sig till AKA In the Presence of a Clown (1997)

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Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert – and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, “The Joy of the Joyous Girl”… (IMDB) Continue reading

Mario Peixoto – Limite AKA Limit (1931)

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An astonishing creation, Limite is the only feature by the Brazilian director and author Mário Peixoto, made when he was just twenty-two years old. Inspired by a haunting André Kertész photograph on the cover of a French magazine, this avant-garde silent master­piece centers on a man and two women lost at sea, their pasts unfolding through flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. An early work of independent Latin American filmmaking, Limite was famously difficult to see for most of the twentieth century. It is a pioneering achievement that continues to captivate with its timeless visual poetry. Continue reading

Lewis Seiler – You Can’t Get Away with Murder (1939)

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Synopsis:
Humphrey Bogart plays mobster Frank Wilson, the heavy headlining this crime thriller that sprung from the pen of Sing-Sing’s warden himself! Based on the play “Chalked Out” by Warden Lewis E. Lawes and Jonathan Finn, You Can’t Get Away With Murder tells the grim tale of a young punk taken in by the glamorous gangster life, only to find himself sent away to the federal pen with a man’s fate resting in his hands and a murderer dogging his every step. Young Johnnie Stone (original “Dead End Kid” Billy Halop) hooks up with hoodlum Wilson only to help Wilson frame his sister’s (Gale Page) straight and narrow fiancé Fred (Harvey Stephens) for Murder One. All three men soon find themselves sent to the “Big House” – two serving a stretch for robbery, the third for Death Row. Can Johnnie come clean in time to save Fred, with Frank watching his every move? Continue reading

Lütfi Akad – Hudutlarin Kanunu AKA The Law of the Border (1966)

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Set along the Turkish-Syrian frontier, this terse, elemental tale of smugglers contending with a changing social landscape brought together two giants of Turkish cinema. Director Lütfi Ö. Akad had already made some of his country’s most notable films when he was approached by Yılmaz Güney—a rising action star who would become Turkey’s most important and controversial filmmaker—to collaborate on this neo-western about a quiet man who finds himself pitted against his fellow outlaws. Combining documentary authenticity with a tough, lean poetry, Law of the Border transformed the nation’s cinema forever—even though it was virtually impossible to see for many years. Continue reading