Pablo Larraín – No (2012) (HD)

29f7c043f76a2bde437fd0d52a185152

A 2012 Chilean drama film directed by Pablo Larraín. The film is based on the unpublished play El Plebiscito, written by Antonio Skármeta. Mexican actor Gael García Bernal plays René, an in-demand advertising man working in Chile in the late 1980s. The historical moment the film captures is when advertising tactics came to be widely used in political campaigns. The campaign in question was the historic 1988 plebiscite of the Chilean citizenry over whether general Augusto Pinochet should have another 8-year term as President.
At the 85th Academy Awards the film was nominated for the Best Foreign Language Film Oscar. Continue reading

Youssef Chahine – Hadduta misrija AKA An Egyptian Story (1982)

29f7c043f76a2bde437fd0d52a185152

Boldly blending personal and political histories, intercutting its fast-moving fictional scenes with documentary footage, this sort of sequel to Alexandria – Why? follows the fortunes of Chahine’s charismatic film-maker hero and alter ego, forced to review his past and learn to love himself by a critical open-heart operation. The occasionally clumsy central conceit – Yehia/Chahine standing trial for his life during surgery – is amply offset by the energy and style of this indulgent, exuberant, and immensely likeable self-portrait. Continue reading

Srdjan Dragojevic – Lepa sela lepo gore AKA Pretty Village, Pretty Flame (1996)

29f7c043f76a2bde437fd0d52a185152

Plot:

At the Belgrade army hospital, casualties of Bosnian civil war are treated. In the hospital they remember their youth and the war. Two young boys, Halil, a Muslim, and Milan, a Serb, have grown up together near a deserted tunnel linking the Yugoslav cities of Belgrade and Zagreb. They never dare go inside, as they believe an ogre resides there. Twelve years later, during the Bosnian civil war, Milan, who is trapped in the tunnel with his troop, and Halil, find themselves on opposing sides, fatefully heading toward confrontation. Continue reading

Agnès Varda – Jane B. par Agnès V. AKA Jane B. for Agnes V. (1988)

29f7c043f76a2bde437fd0d52a185152

Quote:
There is a good theory that explains why Agnes Varda’s Jane B. for Agnes V. was never officially distributed in the United States. Apparently, the few distributors that saw it after Varda completed it in 1988 concluded that it was too abstract and therefore too risky to sign. So until recently, it had been screened only a few times at festivals and retrospectives.

Having just viewed Jane B. for Agnes V. for the first time ever, I can agree that it is different. It is a fluid experimental project that matches the audacity of Jean-Luc Godard’s early films and the quiet elegance of Eric Rohmer’s best films, but feels distinctively modern. There is a side of it that easily could have been envisioned by the late Chantal Akerman as well. There was a script for it, but once Varda started shooting the film evolved and actually expanded in different directions. (Le Petit Amout aka Kung-Fu Master! emerged as a natural continuation of this expansion). Continue reading

Alex Anwandter – Nunca vas a estar solo AKA You’ll Never Be Alone (2016)

29f7c043f76a2bde437fd0d52a185152

Quote:
First feature film directed by Alex Anwandter and based on a true story.

You’ll never be alone tells the story of Juan, a withdrawn manager at a mannequin factory who after his teenage gay son suffers a violent attack, struggles between paying his son’s exorbitant medical bills and his last attempt at becoming partners with his boss. As he runs into dead-ends and unexpected betrayals, he’ll discover the world he knew was already waiting to be violent with him too.

Teddy special jury prize ensures “Alone” has embraced by the queer film circuit to critical acclaim. Continue reading