Dennis Christopher stars as a recent high school graduate in Bloomington, Indiana, who is caught with his friends — Dennis Quaid, Daniel Stern, Jackie Earle Haley — coasting between high school and deciding what to do with the rest of their lives. The four friends are snobbishly looked down upon by the college students of the town as “cutters,” since they were born in Bloomington and their parents worked in the local limestone quarries that built the university. Dennis Christopher’s character Dave wants to be a champion bicycle racer and he idolizes the Italian racing team — so much so that he speaks, thinks, and acts Italian, all to his father’s (Paul Dooley) forlorn exasperation. Dave falls for a college girl (Robyn Douglass), but is ashamed to admit he is a cutter and poses as an Italian exchange student to impress her. Dave is particularly excited when his heroes — the Italian racers — come to town for a race. But they are even more snobbish than the college students and rely on dirty tricks to keep Dave from winning a race against them. After that ordeal, Dave throws away his false identity and convinces his friends to enter the university’s “Little 500″ bicycle race against the college students. This light-hearted and heartwarming tale was a surprising word-of-mouth success at the box-office and won several awards, including an Academy Award for “Best Screenplay.”
Synopsis: Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home.
Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks.
In the midst of carnival madness, four duets are staking their claim on their own personal Paradise… Continue reading
Two young people, Hidenori and Sunako, are on the run from the law following Hidenori’s killing of his mother. The two manage to hitch a ride in a passing ice-cream van, but Sunako is assaulted by its driver while bathing in a stream in a forest. They escape through the trees, eventually ending up in a secluded wooden cottage where they hide out, eking out a feral existence by raiding neighbouring gardens. With Hidenori still in a state of shock, Sunako eventually breaks the communication barrier using her body, seducing him in a bathtub full of floating ripe tomatoes. It is a turning point in their relationship, and Hidenori then becomes the sexually dominant partner in this strange relationship. One day, Hidenori plunges a knife into his stomach, forcing the pair to leave their makeshift haven and seek help in the big city. Continue reading
Sidney Lumet directed this romantic melodrama involving deceit and marital secrets. The film takes place in Rome where lawyer Federico Fendi (Omar Sharif) falls in love with his colleague Renzo’s (Fausto Tozzi) fiancee Carla (Anouk Aimee). Renzo warns Federico that Carla is actually a high-priced call girl, but Federico refuses to believe it. Instead, Carla and Federico marry. After the wedding however, Federico notices that Carla has been making curious disappearances from her domestic home. Recalling Renzo’s warning, Federico begins the secretly follow her to find out the truth. Continue reading
Two minutes in which Carax attempts to reach the essence of Art : sculpture, Cinema, actress, music, gallery, myth…
a delicious mixture;
Godard influence is still here and will always be with Carax;
The short seems like the continuity of the movie Holy Motors, with always the small frontier between reality and Art. Continue reading
J. M. COETZEE’S ”In the Heart of the Country” (published here as ”From the Heart of the Country”) is written as a diary, in the fierce, scathing, half-mad voice of a woman living in near-isolation on a South African sheep farm. With its startling clarity and its paradoxically hallucinatory style, this brief 1977 novel would seem to be well out of any film maker’s reach.
But Marion Hansel, a Belgian director, has attempted to adapt it anyhow, and has done a job that is creditable if in some ways incomplete. The remote, barren setting for the story, on the veldt in Cape Province, has been hauntingly evoked (though the film was shot in Spain). And the characters, played by well-chosen, visually striking actors, are given life and stature.
Miss Hansel’s ”Dust,” which opens today at Film Forum 2, has a handsome look that manages, in the manner of the great American westerns, to be both classical and wild. If it lacks the surprise and complexity of Mr. Coetzee’s vision, and if its stillness sometimes borders on the becalmed, it nonetheless has a stark, streamlined manner and an underlying urgency. Continue reading
A German doctor tries to prove his theory that people are evolving to be taller by making a “superwoman” of his daughter thru diet, exercise, and conditioning to run in the Olympics. Unfortunately she doesnt turn into a homicidal monster like Barbara Carrera in “Embryo,” although she does get cranky. Continue reading