Gust Van den Berghe – Lucifer (2014)

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On his downfall from Heaven to Hell, Lucifer passes through the earthly paradise, a village in Mexico, where elderly Lupita and her granddaughter Maria live. Lupita’s brother Emanuel pretends he’s paralyzed so he can drink and gamble while the two women tend to the sheep. Lucifer senses an opportunity and plays the miraculous healer. He forces Emanuel to walk again, seduces Maria and makes Lupita doubt about her faith. He didn’t bring bad luck, he only illuminated the line between good and evil, where it didn’t exist before. Continue reading

Mauro Herce – Dead Slow Ahead (2015)

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Quote:
For over two months, Mauro Herce and his crew travelled aboard the freighter My Fair Lady, shooting 14-16 hours a day as it made it laborious journey from Ukraine to New Orleans. Blurring the lines between documentary and fiction, Dead Slow Ahead detaches itself from reality in favour of setting a science fiction, dystopian tone. Welding disparate images and foreboding sounds from deep within the labyrinthine corridors of the ship, Herce has transformed what could have been a dull documentation of life aboard the ship and imbued it with an otherworldly sense of wonder. Continue reading

Lino Brocka – Insiang (1976)

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Quote:
Jealousy and violence take center stage in this claustrophobic melo­drama, a tautly constructed character study set in the slums of Manila. Lino Brocka crafts an eviscerating portrait of an innocent daughter and her bitter mother as women scorned. Insiang leads a quiet life dominated by household duties, but after she is raped by her mother’s lover and abandoned by the young man who claims to care for her, she exacts vicious revenge. A savage commentary on the degradations of urban poverty, especially for women, Insiang was the first Philippine film ever to play at Cannes. Continue reading

Edward Yang – Qing mei zhu ma AKA Taipei Story (1985)

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Quote:
Lung, a former member of the national Little League team and now operator of an old-style fabric business, is never able to shake a longing for his past glory. One day, he runs into a forme teammate who is now a struggling cab driver. The two talk about old times and they are struck by a sense of loss. Lung is living with his old childhood sweetheart Ah-chin, a westernized professional woman who grew up in a traditional family. Although they live together, Ah-chin is always weary of Lung’s past liason with another girl. After an argument, Ah-chin tris to find solace by hanging out with her sister’s friends, a group of westernized, hedonistic youths. Continue reading