Interlocking episodes and a bemused, deadpan vision shape the Chinese film ”Rain Clouds Over Wushan,” which is directed with quirky promise and dry precision by Zhang Ming. Mr. Zhang echoes Jim Jarmusch with his bare, quotidian settings and with characters whose quiet desperation can give way to surprising flashes of tenderness and sly, tacit wit. The film’s manner is impressively measured, but its progress can be very desultory. Events progress slowly, accompanied by pointedly mundane detail. The actors are often in the grip of stylized anomie. Continue reading
An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption. Continue reading
Les Rendez-vous de Paris [Rendez-vous in Paris] is a 1995 portmanteau French film directed by Éric Rohmer.
Three loosely connected variations on the theme of the lover’s rendezvous in Paris. The three episodes are titled “Le Rendez-vous de 7 heures” (The Rendezvous of 7 hours), in which a student discovers her boyfriend is two-timing her, “Les Bancs de Paris” (The Benches of Paris), in which an unnamed woman has a series of meetings in parks with a handsome literature teacher from the suburbs, and “Mere et enfant 1907″ (Mother and Child 1907), which takes its title from a Picasso painting, and centres on an artist who is attracted by a stranger. The three stories of the film are linked by a girl singing in the streets to an accordion accompaniment – a homage to René Clair’s Sous les toits de Paris.
A cautionary tale about the dangers of unprotected promiscuity among heterosexuals, this story chronicles the exploits of three good friends. Pepe is the playboy of the bunch: despite having a lovely girlfriend, he finds a way to have sex with as many women as possible. His buddies from time to time exchange girlfriends with him. Though they are by no means the lothario he is, they do quite enough bed-hopping to get into trouble. When it becomes obvious that Pepe has gotten AIDS, his buddies, afraid for themselves, get mean. Continue reading
Plot Outline: A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. “Paprika” is the name given to her by the madam. Continue reading
As the Allies march toward Paris in the summer of 1944, Hitler gives orders that the French capital should not fall into enemy hands, or if it does, then ‘only as a field of rubble’. The person assigned to carry out this barbaric act is Wehrmacht commander of Greater Paris, General Dietrich von Choltitz, who already has mines planted on the Eiffel Tower, in the Louvre and Notre Dame and on the bridges over the Seine. Nothing should be left as a reminder of the city’s former glory. However, at dawn on 25 August, Swedish Consul General Raoul Nordling steals into German headquarters through a secret underground tunnel and there starts a tension-filled game of cat and mouse as Nordling tries to persuade Choltitz to abandon his plan. Continue reading
Though set in the French colony of St Pierre and Miquelon, the movie was filmed on Cape Breton Island, Nova Scotia. The French title La Veuve de Saint-Pierre contains wordplay. “Veuve” translates to “Widow”. In the 1800s the word was also slang for a guillotine.
The Widow of Saint-Pierre (French: La veuve de Saint-Pierre) is a 2000 film by Patrice Leconte with Juliette Binoche, Daniel Auteuil and Emir Kusturica. The film made its North American debut at the 2000 Toronto Film Festival where it won the Audience Award. It was nominated for a Golden Globe Award in 2001 for Best Foreign Language Film. The film was also nominated in 2001 for two César Awards.
In 1879, on the small French island of Saint-Pierre off the coast of Newfoundland, Neel Auguste (Emir Kusturica) and his friend carry a joke too far while they are drunk and murder a man. The friend dies in an accident on the way to prison. Neel is put into the custody of the Captain (Daniel Auteuil), a military officer whose wife Madame La (Juliette Binoche) is the most beautiful woman on the island. Kind-hearted and compassionate, she takes Neel on as her protégé, teaching him to read, work in the garden with her, and perform odd jobs for widows in the community. Continue reading