Rainer Werner Fassbinder – Acht Stunden sind kein Tag AKA Eight Hours Don’t Make a Day (1972)


Starring: Gottfried John, Hanna Schygulla, Luise Ullrich
Directed by: Rainer Werner Fassbinder

Rainer Werner Fassbinder had been making feature films for three years – and already amassed a filmography that would satisfy most careers – when he decided to take on a bigger challenge. Teaming up with West German television channel WDR, he conceived of Eight Hours Don’t Make a Day, a series that would extend to five feature-length episodes to be broadcast at monthly intervals. Continue reading

Kaige Chen – Sacrifice (2010)



Sacrifice (Orphan of Zhao Family): To save the only child of the Zhao Family, whose whole clan is massacred at the hands of a nefarious minister, a doctor sacrifices his own son, and later becomes intent on seeking vengeance against the minister after the child grows up. For generations, the Zhao family has wielded power, even extending over the king. In a well-planned coup, their mortal enemy TU’AN GU (Wang Xue Qi) slaughters the entire clan, determined to wipe out their influence forever. However, a solitary Zhao baby survives the massacre, and is hidden and taken home by CHENG YING (Ge You), the doctor who delivered him, to live with his WIFE (Hai Qing) and their own newborn baby. Set on revenge, and raising the Zhao child as his own, Cheng Ying bides his time, enrolling himself and the Zhao orphan (whom he calls Cheng Bo) into the service of the Tu’an Gu household. Tu’ an Gu grows very fond of Cheng Bo and makes Cheng Bo his godson… Written by BronzeKeilani26 Continue reading

Lisandro Alonso – Liverpool (2008)


Plot :
A boat worker, Farrel (Juan Fernandez), spends his shore leave traveling from the port city to a rural community in the mountains build around an old saw mill. Ostensibly traveling to see his mother, Farrel takes his time and drinks enough alcohol along the way to suggest a significant confrontation is brewing. But the result couldn’t be further from the suggestion. Alonso’s single-shot observational style records only dry action—Farrel getting dressed for a night shift, packing his bags, waiting for a ride to the mountains, or pulling yet another swig from his seemingly bottomless bottle of vodka. The result is that the confrontation between Farrel, his mother, and the daughter he left in the logging camp has the same anti-dramatic weight as a shot of Farrel zipping up his handbag or eating a meal.
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Zhangke Jia – Tian zhu ding AKA A Touch of Sin (2013)


An angry miner revolts against the corruption of his village leaders. A migrant worker at home for the New Year discovers the infinite possibilities a firearm can offer. A pretty receptionist at a sauna is pushed to the limit when a rich client assaults her. A young factory worker goes from job to job trying to improve his lot in life. Four people, four different provinces.

Jia’s world has its own geography. It (re)organized China into a personal map, where almost everything starts and ends in the filmmaker’s native province of Shanxi. It is the starting point and the ultimate “home.” This is where Xiao Wu the pickpocket operated, where the itinerant performers of Zhantai (Platform, 2000) roamed, where the sad heroes of Ren xiao yao (Unknown Pleasures, 2002) burnt their lives out, where the migrant worker of San Xia hao ren (Still Life 2006) and Shijie (The World, 2004) came from. This is where Tian zhu ding starts and finishes at the end of a tragic “tour.” The cities of Fenyang or Datong, the countryside and the murderous privatized coal mines have long been a compass to Jia’s filmic China.
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Vittorio Gassman & Francesco Rosi – Kean aka Kean, Genio e Sregolatezza aka Kean, Genius and Recklessness (1956)


Edmund Kean is a popular and flamboyant British actor of the nineteenth century, addicted however to vices and in debt. He argues with the Prince of Wales, his companion in intemperance, the wife of the Danish ambassador, but eventually falls in love with Anna, a young but promising beginning actress. Continue reading

Haile Gerima – Mirt Sost Shi Amit aka Harvest: 3,000 Years (1975)


From IMDb:
“This film is set in Ethiopia. A family works on a wealthy,cruel landowner’s farm. The landowner accuses them of being lazy and trying to get his money without earning it. The only person who will stand up to the landowner is the local “madman”. I liked this film, the music & songs are very uplifting. The wealthy landowner and the “madman” both give terrific performances. The camera work is very unique. There is symbolism in this film. The wealthy landowner symbolizes the more developed countries of the world.(U.S. & western Europe) The family of farmers symbolizes the poor countries.(Ethiopia & other countries) The “madman” symbolizes what the more developed countries do to the poor countries and vice versa.(We drive each other NUTS) Not your normal film. It is in the Amharic language with very small English subtitles.(the only real flaw in the movie) I have only seen 10 or 12 African films. This is easily is the best. I hope distributors find more films from Africa like this and put them on video & stop wondering if Americans can understand them. I feel the message is loud & clear.” Continue reading