Nicolae Margineanu – Flacari pe comori aka Flames Over Treasures [+Extras] (1988)

29f7c043f76a2bde437fd0d52a185152

Description
Deep in the Transylvanian Alps, the Archangels gold mine is the stage for an epic battle of characters. The arrogant owner is struggling with perceptions of ghosts in the mind of the miners. A maverick free-lance miner is helping him to find the source of terrifying noises that frightened his workers. A story of love, greed and betrayal having the rugged landscape of central Transylvania as a background. With few notable exceptions, everyone seems to have forgotten the biblical “For where your treasure is, there will your heart be also (Matthew 6:21)” Continue reading

Ozan Aciktan – Silsile AKA Consequences (2014)

29f7c043f76a2bde437fd0d52a185152

Cenk has just arrived back to Istanbul from the United States. Suppressed love slowly begins to resurface after he encounters Ece, a woman whom he had a romantic relationship with in the past. Suddenly, there is a robbery attempt in a quiet and gloomy house, which results in a crime being committed. Ece flees the scene of the crime and in comes Faruk, Cenk’s best friend and Ece’s fiancé. The two best friends struggle to keep their secrets hidden from one another. Intertwining chain of events follow as these three urban lives are put to the ultimate test; their sufferings and disappointments being exposed to the surface for all to see. Continue reading

Celso Ad. Castillo – Virgin People (1984)

29f7c043f76a2bde437fd0d52a185152

IMDB:
Three sisters live in a paradise where men are metaphorically and literally serpents of temptation. Their father takes his three daughters deep into the woods, far from the nearest town. He dies, leaving the girls educated enough to read from the Bible, ignorant enough to allow men to take advantage of them. Continue reading

Jerzy Skolimowski – Moonlighting (1982)

29f7c043f76a2bde437fd0d52a185152

Quote:
Nowak (Irons) leads a small team of Polish building contractors, hired by a wealthy Pole to illegally refurbish his London home. They slip into England under false pretenses and squat in the house as they work on it–but shortly after they arrive, the military take over Poland and declare martial law (this real event happened in December of 1981). Only Nowak speaks English, so only he knows this has happened; fearing that if the others find out, they’ll stop working, he decides not to tell them. As he starts stealing and scamming to stretch their rapidly vanishing money, Nowak grows increasingly paranoid and mentally fragile. Moonlighting is a political allegory and a psychological portrait, but thanks to Irons’ sympathetic performance, the movie is also rivetingly suspenseful. Continue reading

Luchino Visconti – Le notti bianche AKA White Nights [+extras] (1957)

29f7c043f76a2bde437fd0d52a185152

Synopsis:

A chance encounter on a canal bridge results in a series of twilight rendezvous between a lonely city transplant (Marcello Mastroianni) and a sheltered woman (Maria Schell) haunted by a lover’s promise. Their hesitant courtship soon entangles both of them in a web of longing and self-delusion. Adapted from the Fyodor Dostoyevsky short story, director Luchino Visconti’s Le notti bianche—shot in ravishing black and white—is a romantic, shattering tale of the restlessness of dreamers. Continue reading

Edgar Reitz – Die andere Heimat – Chronik einer Sehnsucht AKA Home from Home: Chronicle of a Vision (2013)

29f7c043f76a2bde437fd0d52a185152

Quote:
When Edgar Reitz made the Heimat film series in 1984 he created an incredible chronicle of German rural life in the 20th century. He went on to release another couple of mini-series, bringing events up to the modern era. At over 53 hours they were beautifully made and together are an epic saga of the Simon family and the village of Schabbach. He returns to familiar ground for this prequel, charting the fortunes of the same clan between 1840-1844, in Home From Home: Chronicle of a Vision.

Jacob (Jan Dieter Schneider) dreams of escaping the hard, oppressive and poor life in Schabbach by emigrating to the tropics. His father (Rüdiger Kriese), the local blacksmith, despairs that his son is stuck with his nose in a book whilst there so much work to do. His mother (Marita Breuer) on the other hand, is happy to indulge his daydreaming. He falls for Jettchen (Antonia Bill), the daughter of a mill owner, but they are fated not to be together. When his brother Gustav (Maximilian Scheidt) returns from war, a drunken night with Jettchen leads to her getting pregnant, whilst Jacob is arrested after his first brush with rebellion. Continue reading