Paul, a high-flying engineer, is proud to have been born in a Swiss town the locals refer to as the Centre of the World. He is running for a local election when he meets Adriana, a young Italian waitress in a café. Although he is married, Paul starts to have a passionate love affair with Adriana, and is soon prepared to give up everything for her. However, the young waitress realises that it is not she that Paul loves but a self-made fantasy… Continue reading
Charles, Dead or Alive, Alain Tanner’s first feature film, which won the Grand Prix at the Locarno Festival in 1969, is the kind of manifesto that, with other films, put Switzerland on the world cinema map at the end of the 1960s.
That the critics baptized the wave which emerged at this time as the “new Swiss cinema” simply reflects the fact that the “old” Swiss cinema was unknown to the cinema-going public. Today, the appeal and energy of this first film remain undiminished, magnified by the exceptional stature and presence of François Simon and the sublimely uncluttered camera work of Renato Berta. Tanner drew his subject matter from what he saw of the events of May ’68 in Paris, which he covered for Swiss television. Unimpressed by the ideological pronouncements of the young demonstrators (Tanner was nearly 40 and mistrustful of the siren songs of militancy), he was more struck by the elderly people marching alongside them. Continue reading
An ageing writer Paul is determined to make a film but he cannot decide on the subject or location. Instead, he chooses to concentrate his efforts on finding the actress who will star in the film, believing that she will define the lead character and content of the film. He recruits a young man, Jean, to try to find an Italian actress, Dara, whom he has lost sight of. Jean finds Dara in a small Italian town, serving in a modest restaurant, but she refuses to return to acting… Continue reading
The terrifyingly destructive power of a woman’s sexual obsession provides the compelling subject for this psychological study of a woman’s descent into madness from French filmmaker Alain Tanner. It is the tale of Parisian actress Mercedes who is first seen attempting to break up with the obsessive Arab Johnny, who stalks her until she meets handsome newspaper writer Pierre on the subway and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. Pierre is flattered and encourages her desperate devotion, but soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mercedes alone with her demons. Though preparing for a new play, she is unable to concentrate and barely able to function without Pierre. She quits the production, locks herself in Pierre’s apartment and quietly begins falling apart until he returns. Continue reading
Description: “The third collaboration between the Swiss director Tanner and the English writer John Berger follows a group of young people in Geneva who are searching for new directions in their lives after the failure of the revolutionary hopes of the 1960s. A former labor activist takes a job as a gardener and handyman with some free-spirited farmers, setting up a school in a greenhouse for the neighborhood kids, while his wife continues to work in a factory. A disillusioned radical turns to gambling, while having interesting conversations with his girlfriend, an adventurous student of Tantrism. A history teacher uses radical methods in the classroom to foster socialist ideas in his students. He hooks up with a grocery store cashier who undercharges poor people and steals food from the store to help her aging friend, a veteran of the Resistance. Continue reading
Paul (Dominic Guard) is a journalist who is up to date on the latest horrors of the modern world and is heartsick about them. He has a wife (Valeria Bruni-Tedeschi) and a steady job but leaves both of them suddenly for parts unknown. His wife is worried about him, and she is angry that he left without a word. She is sufficiently concerned to seek out one of Paul’s former flames (Angela Molina) for information about where he might have gone. Soon, this girl has joined her in a quest to find Paul. They finally discover him in a Spanish resort town on the coast, moodily riding his motorcycle over the countryside and sharing philosophical musings with Antonio (Francisco Rabal), a magnetic older man who fought against Franco in the Spanish Civil War. Romantic and sexual complexities brought on by the rivalry between these two attractive women add to Paul’s malaise. ~ Clarke Fountain, All Movie Guide Continue reading
On Capri, an Italian crew makes a German film of Homer’s Odyssey; Fritz Lang directs with American money. Prokosch, the producer, with his sneer and red Alfa, holds art films in contempt and hires writer Javal to help Lang commercialize the picture. Against this backdrop, we watch the breakup of Javal’s marriage to Camille, a young former typist. It opens with the couple talking in bed, she asking assurance that he finds her attractive. Later that day he introduces her to Prokosch, and, unawares, blunders unforgivably. The rest of the film portrays her, in their apartment and in public, expressing her hurt and change of heart and his slow grasp of the source of her contempt. Continue reading