Grigoriy Aleksandrov & Sergei M. Eisenstein – Staroye i novoye aka The Old and the New aka The General Line (1929)

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The horseless Marfa Lapkina, together with the local agronomist and other poor peasants, organizes a dairy farm in the village. However, local kulaks are actively resisting the project and any success it could provide. Old poor people also resists, not understanding the meaning of camaraderie and what their unification could bring to them… Continue reading Grigoriy Aleksandrov & Sergei M. Eisenstein – Staroye i novoye aka The Old and the New aka The General Line (1929)

Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

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An intimate
made with uncompromising and austere seriousness, Lav Diaz’s “Evolution of a Filipino Family” patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987. Ten-hour running time, radically slow pace and hyperminimalist mise en scene will excite international cinephiles at the most daring fests and showcases, which are the only conceivable venues outside of homevid. Continue reading Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

Gabriel Axel – Den røde kappe AKA Hagbard and Signe AKA The Red Mantle (1967)

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Hagbard and Signe / The Red Mantle

By Roger Ebert / October 30, 1968
Prentoulis films presents an ASA Film Movie Art Europe co-production, directed by Gabriel Axel from a screenplay by himself and dialog by Frank Jaeger. Produced by Bent Christensen and Johan Bonnier. Photographer in color by Henning Bendtsen.

“Hagbard and Signe” is a beautiful, lean, spare film, which reaches back into the legends of the past to find its strength. I think it must be reckoned the sleeper of the year; I had not heard of it previously, either under the present title or as “The Red Mantle” (its title as the Danish entry at Cannes). Continue reading Gabriel Axel – Den røde kappe AKA Hagbard and Signe AKA The Red Mantle (1967)

Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

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An intimate epic made with uncompromising and austere seriousness, Lav Diaz’s “Evolution of a Filipino Family” patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987. Ten-hour running time, radically slow pace and hyperminimalist mise en scene will excite international cinephiles at the most daring fests and showcases, which are the only conceivable venues outside of homevid. Continue reading Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

Amanzhol Aituarov – Prikosnoveniye (1989)

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MDB: Nice and sad Fairytale

I was pretty surprised to see this rare Kazach film. First of all it touches upon great Asian folk atmosphere and has wonderful music, partly composed by master of soviet electronic music Edward Artemeyev. The director shows great visionary in the film. Some parts of the film are made in colour-the rest are black and white. The story is also something new for me: a blind bagger-girl meets a steppen killer, who decides to protect her on her hard life way. They meet a lot of dangers and wise old men and stayed alive after really creepy moments. Finally they reached the girl’s motherland. Here the ways of them two separate really dramatically. One can see some gore moments in this philosophic tale. Continue reading Amanzhol Aituarov – Prikosnoveniye (1989)

Youssef Chahine – Al-mohager AKA The Emigrant (1994)

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The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family’s backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram’s drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun. Continue reading Youssef Chahine – Al-mohager AKA The Emigrant (1994)

Giovanni Pastrone – Cabiria (1914)

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Standing out from all the stumbling efforts toward a new expression of cinema, Giovanni Pastrone’s story of the Second Punic War, Cabiria , demands special attention. Compared to the other colossal Italian spectacles of its time, it had an integrity and sense of purpose. From the beginning it was regarded as something special, and its premiere at the Teatro Vittorio Emmanuele, Turin, on 18 April 1914 was a great occasion. The film’s accompanying score by Ildebrando Pizzetti, performed by an orchestra of 80 and a choir of 70, added to the excitement. Viewed today, the film has lost little of its epic poetry to the zeitgeist, though the acting performances may seem dated. Continue reading Giovanni Pastrone – Cabiria (1914)