Eric Rohmer – La femme de l’aviateur (1981) (HD)

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Quote:
François (Philippe Merlaud) loves Anne (Marie Rivière), but he has doubts whether she loves him in return. His job, working nights at the post office, means he can’t see her as often as he’d like. One day, Anne is visited by her ex, airline pilot Christian (Matthieu Carrière), who tells her he is returning to his wife. Seeing Anne and Christian leave her apartment together, François becomes jealous and thinks that Anne is cheating on him. Then he sees Christian with a blonde woman and he begins to follow them… Continue reading

Eric Rohmer – Ma nuit chez Maud AKA My Night at Maud’s (1969)

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Synopsis:
The “my” in My Night At Maud’s belongs to the protagonist played by Jean-Louis Trintignant, a Catholic engineer whose struggle with his faith is renewed when he falls instantly in love with a woman he’s never met (Marie-Christine Barrault) while attending mass. A chance meeting with an amoral old friend (Antoine Vitez) the same night places him in a potentially compromising situation when he’s forced to spend the night with Vitez’s alluring acquaintance Maude (Françoise Fabian), a sophisticated woman who challenges Trintignant’s belief through intellectual and fleshly means. Continue reading

Eric Rohmer – La collectionneuse aka The Collector[+Extra] (1967)

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Synopsis
A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Rohmer’s first color film, La collectionneuse pushes the Moral Tales into new, darker realms. Yet it is also a grand showcase for the clever and delectably ironic battle-of-the-sexes repartee (in a witty script written by Rohmer and the three main actors) and luscious, effortless Néstor Almendros photography that would define the remainder of the series. Continue reading

Eric Rohmer – Le rayon vert (1986)

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From Notebook Reviews:

Crystallizing various facets of his Comédies et Proverbes cycle while radically departing from others, the diaristic 1986 beauty Le rayon vert is one of Éric Rohmer’s greatest studies of light, voices, and mercurial human sensation. Delphine (Marie Rivière) has the look of a doleful sylph and the torturous task of searching for enjoyment after plans for her summer holiday are abruptly cancelled. Cherbourg, the Alps, and Biarritz are some of the spots the Parisian secretary passes through, but she’s no innate adventurer: She literally runs away from potential suitors and gets woozy easily (no meat, no sailing, no swings), friends compare her to a plant and to the Capricorn goat alone on the mountain, “sort of in transit” is her own description. The protagonist’s comic sidekick in anybody else’s film, here she’s an achingly demanding woman as determined to have love on her own terms as Dreyer’s Gertrud. Continue reading