Take a deep breath, meditate for a few moments to cleanse the mind, make sure there are no sharp objects in the room, strap on a seat belt, and carefully enter the world of Too Much Too Often, yet another slice of unintentional surrealism from The First Lady of Sexploitation, director/producer DORIS WISHMAN (here billed under the name of her then-husband, Louis Silverman). But beware: your mind may never be the same… Continue reading
La suite jubilatoire du film Le Sexe qui Parle. La contagion est rapide et atteint toutes les couches de la societe… Interprete par la ravissante et fascinante JENNY FEELING ce film hors normes delirant, excitant, lubrique, et genial de FREDERIC LANSAC a rencontre l’immense succes qu’il meritait. Continue reading
Brigitte Lahaie runs a whorehouse that is raided by the cops again. The raid interrupts hooker Marilyn Jess’s session with a transvestite politician. When he is led away she returns to her magazine with a perfect bored pout on her face. The policeman in charge suggests, ironically, that Brigitte runs a school. So she opens a school for sex for young ladies, teaching the lessons herself and employing Alban Ceray and Dominique Aveline as tutors/demonstrators. Four girls enroll. She sells tickets for the graduation cermeony where the students demonstrate their newly acquired skills in a series of hard core mini-plays on stage. Brigitte performs too, with the winner of a raffle among the audience. Then the establishment is raided yet again. Continue reading
The phrase “Graphic Sexual Horror” actually derives from the all-caps warning that would greet visitors at the threshold to the “Insex.Com” Web site during its heyday roughly a decade ago. But one can’t be blamed for thinking that the title pairs well with the somewhat sensationalistic marketing. The fact that this is a documentary is never concealed, but that doesn’t really diminish the lurid appeal – in fact, the promise that everything is real only adds to the titillation.
Of course that’s the same lure of realism that attracted some 35,000 subscribers to Brent “PD” Scott’s unique BDSM online community and interactive gallery. Shooting on stark sets sporting a rundown, industrial look and featuring a grim, deadpan aesthetic that gave some the impression that PD “really had captured the girls,” the Insex team specialized in creative live feed sessions that allowed customers to provide real-time input and feedback. The young models would frequently plead for mercy from all sorts of gnarly acts of sadism, but per S/M protocol there was always a “safe word” in reserve that they could invoke if things became too unbearable. Continue reading
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.
Director Nina Bader wants to shoot a film about love and sex and invites her actor-friends Hans and Marie for screen tests for a couple of days. For Nina love is not necessarily a matter of emotion – she is rather looking for an authentic depiction of sex. The intimate collaboration turns into experiments with film, love and bodies and finally has an impact on the private relationships between the three of them. It seems that the boundaries between acting and reality begin to disappear. Continue reading
This is an intense, romantic, deeply human, dramatic, realistic and surprising film about the japanese AV industry, and about the feelings of a very young couple.
[Source: Japan times]
“You oughta be in show business, baby!” That’s been a pickup line of “producers” since the days of D.W. Griffith, though in Japan today the pick-up artists are likely to be young men with stylishly coiffed, tea-colored hair, tanned pretty-boy faces and dressed in dark designer mufti. They prowl places like Shibuya, Harajuku and Ikebukuro, hitting on one woman after another with a coaxing, teasing, wheedling urgency.
The men are usually selling, not themselves, but an arubaito in the AV industry, with “AV” standing for “audiovisual,” but meaning porn. Called “scout men,” they are the subject of “Pain,” an excellent new film by Masato Ishioka, a veteran porn director himself, who spent two years researching his subjects. Though weathering serial rejections that would wither the average male ego to the size of a quark, the scout men at first shied away from Ishioka. “They didn’t take me seriously,” he told me after a screening. “It took a long time to win their confidence.” Continue reading
A mysterious visitor (Kentucker Audley) spends the night at an apartment belonging to a young engaged couple (Sophia Takal and Lawrence Michael Levine) and their friend (Kate Lyn Sheil.) Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.
Starring: Sophia Takal, Lawrence Michael Levine, Kate Lyn Sheil, Kentucker Audley, Joe Swanberg Continue reading