Ryuichi Hiroki – Futei no kisetsu AKA I Am an S+M Writer (2000)

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Synopsis:
A writer draws inspiration for his erotic stories from vivid bondage scenes performed right in front of his writing desk. Still, he prefers to novelize his fascination rather than participate actively. As a consequence, the already ambivalent relation with his wife turns into an intriguing reflection of himself. HIROKI’s growth as a director is evident when he subordinates apparent obscenities to mildly humorous romance, employing his background as a pinku director to create a highly dramatic effect. Continue reading

Toshiharu Ikeda – Kagi AKA The Key (1997)

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Ikuko is a mature, reserved Kyoto woman married for many years to a respectable, now-middle-aged man. The only problem in their relationship has been that her husband is dissatisfied with her lack of passion during lovemaking. All this changes after they meet the young Mr. Kimura. After the three spend the evening drinking together and Kimura has gone home, Ikuko’s husband discovers that his wife, in her alcohol-induced haze, has become far more passionate than she ever was before. The one drawback, however, is that her ardor is clearly fueled by Kimura, and not by him. Though he decides that his wife’s new- found passion is worth this unusual price, the long-term consequences may be more than he bargained for. Continue reading

Tatsumi Kumashiro – Akasen tamanoi: Nukeraremasu AKA Street of Joy (1974)

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It’s the evening before the day all brothels must be shut-down, according to the new law, in 1958. At the Kofukuya’s (literally, the house that sells happiness), five prostitutes decide to celebrate the day. Erotism, drama, and comedy mix as each hour, and a different event passes, in which all the women’s stories come to the surface. (IMDb)

With humor and tenderness, this film explores the lives of four Japanese prostitutes in the time just before that lifestyle was outlawed in 1958. All four take some pride in their work, though one of them responds to aging with a suicide gesture. ~ Clarke Fountain, Rovi Continue reading

Joseph W. Sarno – Vampire Ecstasy [+Extra] (1973)

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In the mountains of Germany stands a grim and secluded castle – the haunted legacy of the beautiful medieval vampire Baroness Varga. Put to death for her ravenous hunger for female blood, the Baroness uttered a curse that she would one day return to forever satisfy her unnatural lust and that day has finally come. Four women have gathered at the castle unaware that its darkly seductive housekeeper is a satanic high priestess presiding over a coven of delectable servants who each night perform sensual rituals and profane acts to keep the Baroness’ spirit alive. As the women are drawn deeper into the ultra erotic nightmare, it will be the most uninhibited among them who shall serve as the vessel into which the Baroness passes to continue her unholy reign of terror.
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Jean Rollin – Les démoniaques aka Demoniacs aka Curse of the Living Dead (1974)

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Quote:
Jean Rollin’s surreal pirate film takes place on land amidst the skeletons of beached and plundered ships, the legacy of a cutthroat band of “wreckers” who lure ships into the shallows. When a pair of survivors, young girls glowing in white nightgowns, wander through the shallows seeking help from the merry quartet, they are summarily molested, beaten, and left for dead. Like in many of Rollin’s films, the story doesn’t make much narrative sense–the girls escape to the haunted ruins where a woman in clown makeup cares for them and a mysterious magician gives them the power to take their revenge in return for sex–but the logic takes on a dreamlike quality appropriate to the gorgeous and bizarre imagery. In a strange tavern adorned with skeletons (and a man playing with a Dracula doll!), the Captain is haunted by visions of the girls as white-faced specters. A search for the girls amidst the rotting hulls of old ships culminates in a fiery inferno that burns spectacularly against the night sky. Meanwhile well-endowed costar Joëlle Coeur strips at the slightest suggestion, frolics and bounces on a bed, and runs around the beach topless while hunting the girls. Rollin’s strange little film, a ghost story without ghosts, rambles on a little too long before it culminates in a self-destructive frenzy and ends on a sad, serene note. Continue reading

Joseph W. Sarno – Abigail Lesley Is Back in Town (1975)

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A seductive woman, who left her small fishing town long ago after being caught with another woman’s husband, returns to shake up the place by seducing everyone, including the woman and her girlfriends.

Starring: Rebecca Brooke, Jennifer Welles, Jennifer Jordan, Eric Edwards, Jamie Gillis, Chris Jordan, Julia Sorel & Susan Sloan. Continue reading