Located deep in the forested hills of the Siang valley of Arunachal Pradesh, at the north-eastern extremity of India, Damro village gathers to build a 1000 foot long suspension bridge, the elegant structures of cane and bamboo, that are the distinctive mark of the Adi tribe. Their only tool is the dao, a blade length of tempered steel, the size of a machete.
Ethnological documentary on the Adis of Arunachal Pradesh as they build one of their cane-and-bamboo bridges against the imminent arrival of “development” as backdrop.Read More »
From the Pole to the Equator (1987) By JANET MASLIN April 6, 1988 New York Times
LEAD: To watch ”From the Pole to the Equator” is to feel that one has seen a ghost – many ghosts, human and animal, from places all over the globe. The spectral quality of this documentary is overwhelming. Two Italian film makers, Yervant Gianikian and Angela Ricci Lucchi, have drawn upon turn-of-the-century film from regions that were then fabulously exotic – the Arctic, India, Africa and less remote but equally striking settings in the Dolomites and the Caucasus – and assembled it at a sleepwalker’s pace, with changeable color tints and a humming electronic score.Read More »
Vietnamese-born Trinh T. Minh-ha’s profoundly personal documentary explores the role of Vietnamese women historically and in contemporary society. Using dance, printed texts, folk poetry and the words and experiences of Vietnamese women in Vietnam—from both North and South—and the United States, Trinh’s film challenges official culture with the voices of women. A theoretically and formally complex work, Surname Viet Given Name Nam explores the difficulty of translation, and themes of dislocation and exile, critiquing both traditional society and life since the war.Read More »
Reflecting on Mao’s famous saying “Let a hundred flowers blossom and a hundred schools of thought contend,” Trinh T. Minh-ha’s SHOOT FOR THE CONTENTS—a title that alludes to a Chinese guessing game—is a unique excursion into the maze of allegorical naming and storytelling in China. The film ponders questions of power and change, politics and culture, as refracted by the Tiananmen Square massacre. It offers at the same time an inquiry into the creative process of filmmaking, intricately layering Chinese popular songs and classical music, the sayings of Mao and Confucius, women’s voices, and the words of artists, philosophers, and other cultural workers. The result is a meditative documentary that captures major shifts of interpretation in modern Chinese culture and politics.Read More »
A masterpiece of observational ethnographic cinema style. An Australian feature length documentary about a poverty stricken family living in a squatter’s dwelling in Manila, Phillipines. Doc is set during a three month period and tells the story of two parents with two little children who must sell cigarettes to survive. Ethnographic and anthropological film shows the crises the impoverished family must face and is the winner of a number of awards.Read More »
Eami’s homeland is invaded by settlers. Embodying Asojá, the bird-god-woman, she falls into trance in which she walks slowly and stunned through her beloved forest as she prepares to leave it forever.Read More »
Ivan Golovnev (filmmaker) was born in 1978 in Omsk, a city in Siberia. His father is a scholar of history, ethnography, and anthropology who teaches at universities around the world, including the United States. His mother is a history teacher. As a child, he took part in ethnographic and anthropological expeditions in North-Western Siberia. He graduated from music school with a degree in piano performance. In 2000, Golovnev graduated from the History Department of the Omsk State University, where he majored in Ethnography. In 2002, Golovnev entered a Graduate Program for Screenwriters and Directors in Moscow. He directed a documentary television series “The Time of Myths” about the traditional culture of two indigenous peoples of Russia’s North-West Siberia– the Khanty and Mansi. Ivan is currently working on a documentary on the lives of representatives of different denominations in Siberia.Read More »
Quote: This three-part documentary on Indian peasant life in the Catamarca region of Argentina is an emotionally moving examination of the generational cycle of poverty in underdeveloped countries. Beautifully told through the eyes and voices of the people, this story of one family becomes the story of all the inhabitants of the valley of Hualfin. In Part I, Temistocles Figueroa, an 84-year-old former cane-cutter, recounts his life in the cane fields through words and song. Part 2 focuses on Justina, his sister-in-law, who is a potter. Her narrative on poverty and pottery mingles with questions, such as, “I’ve heard that in other places women don’t work. How can that be,” she says, “I don’t believe it.” Part 3 profiles Antonia, Justina’s daughter, and her own daughter, Elinda. Antonia toils day and night weaving blankets for sale or barter at the general store. Elinda is her mother’s hope because perhaps her daughter can become a school teacher and break out of the cycle of poverty, but it soon becomes clear that the little girl, too, is trapped, and the cycle will go on.Read More »
Synopsis An experimental documentary about resistance, balance and fame, Kings of the Sky follows tightrope artist Adil Hoxur as he and his troupe tour China’s Taklamakan desert amongst the Uyghurs, a Turkic Muslim people seeking religious and political autonomy. The film gracefully hovers between travelogue, ethnographic visual poetry, and an advocacy video for preserving a traditional art form.Read More »