Rita Azevedo Gomes – Frágil Como o Mundo (2002)

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Quote:
An impossible love. Two young people in love. Vera and John can’t find a space nor time, nor identity in this life that can solve this love. Apparently everything is beneficial to them, their families, friends and the land where they live. The issue is time. The time they don’t actually have (studies, families, distant houses) and the time of their own life – being so young they are subject to what that life brought upon them, that’s when the “story” of the film begins, therefore linked to a life that until then was not chosen by them. This is one reason, which leads to a runaway process. Escape in the possible return to this world. Continue reading

Gábor Bódy – Kutya éji dala AKA The Dog’s Night Song (1983)

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In a story that hops around a little, a priest arrives in a village to go from person to person offering his own form of consolation or advice. On his list of “clients” is a former Communist Party official who is now wheelchair-bound because of a sniper’s bullet during the 1956 uprising; a woman dying of tuberculosis; an astronomer who sings with a punk rock group; a woman who leaves her soldier-husband to work in a nightclub; and their son. As these people suffer through personal travails, a surprise is in store for everyone — the priest is not exactly who he seems to be. Continue reading

Quentin Dupieux – Rubber (2010)

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RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of “no reason.” Continue reading

Jean-Luc Godard, Jean-Pierre Gorin – Le vent d’est AKA Wind From the East (1970) (HD)

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“Wind From the East” (“Le Vent D’Est”) is a very deep and highly political discussion about communism, capitalism, art, revolution, intellectualism, Maoism, USSR, tradition, paradigms, poetry… It’s hard to put it in terms of “it’s about…”, since the sequence of images is not based in any form of traditional narrative. In fact, it’s the very opposite of it, its essence sprouting from the need of subversion, a need directly connected to the social/historical/political/artistic context of the 60’s and 70’s: to show things in a different way leads the viewer to see differently, therefore to think differently. A experimental cut, poetic even, given the metaphorical quality of the images. The frontiers of film language fades and encounters those of other art forms, not to weaken the film unity nor its message, but to strengthen them both. Continue reading

José Luis Guerín – Tren de sombras AKA Train of Shadows (1997)

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Quote:
Ostensibly framed as a restoration of a degraded found film recovered some 70 years after the sudden and unexplained death of its creator, a Parisian attorney and amateur filmmaker named Gérard Fleury at a lake in the village of Le Thuit in Normandy, Tren de sombras (Train of Shadows) is a dense, sensual, and richly textured exposition of José Luis Guerín’s recurring preoccupations: the nature and subjectivity of the image-gaze, the permeable borders between truth and fiction, the role of architecture (and landscape) as palimpsest of hidden histories. By placing the discovery of Fleury’s last shot footage of his home and family within the context of the ambiguity surrounding the circumstances of his death after a seemingly innocuous scouting trip early one morning to find suitable lighting conditions to incorporate into his home movie, the found film becomes both a curious artifact of the early days of cinema in its informally staged performances that suggest the whimsical, created illusions of Georges Méliès (in a performance of dancing ties and magic tricks), and also a non-fiction, historical record that can be deconstructed, reconstituted, and re-analyzed to glean further information into the real-life mystery. Continue reading

Francesco Dongiovanni – Anapeson (2015)

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The Casino del Duca is an ancient palazzo, a cross between a palace and a manor farm, located in San Basilio, near Taranto. For two thousand years it was the beating heart of an entire region, as well as the focal point of the most important estate in Apulia. And today it’s nothing: marred, destroyed, and forgotten. But above all, this film looks at time, at its legacies and ruins. The story of the Swiss traveler from the 18TH century evinces the contrast between its past splendor and current decay, deriving from a distracted modernity dominated by ugliness. History as a vestige and as death. Continue reading

Jean-Luc Godard – Grandeur et décadence d’un petit commerce de cinéma (1986)

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Synopsis
The director Gaspard Bazin is preparing a new feature film. For now, he is still in the casting and financing stages. He’s asking the help of Jean Almereyda, a producer once fashionable but now at low ebb, who has more and more difficulties to raise cash for his company. His wife, Eurydice, dreams of being a movie star. Between the two men, a perverse game is starting, Almereyda wishing to please his wife, but the unrepentant seducer reputation of Bazin holds him to require a part for Eurydice… Continue reading