FROM THE GUARDIAN:
It’s extraordinary how potent cheap videotape is. That’s one of the lessons borne out by Standby for Tape Back-Up, a witty, resourceful and emotionally intense show by the 35-year-old performance poet Ross Sutherland. The stage is bare but for a chair, a TV and a wheezing VCR machine. Looking like a lone Reservoir Dog in his black tie and white shirt, Sutherland paces the stage brandishing a remote control, zipping back and forth through the images projected on the wall behind him. Continue reading
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses, help them to hide. They just have to wait for the night to cross the distance that separates them. Continue reading
When Jorge, a Chilean filmmaker living in New York, decides to seek a statue of a Portuguese neurologist in a park in Chile, a curious investigation begins in the streets of Santiago, Brooklyn and Lisbon, but also through the history of his native country and his own family memory – for which he tries to fi ll in the gaps. And what if the statue were really a bust? Or just a plaque? What if, instead of being in Chile, it were in Lisbon? And what if the film were really about something else? Because, from this starting point in anecdotal appearance, Jeronimo Rodriguez creates a refl ection on memory and disappearance – of people, places and things. Far from being a theoretical object, his character and alter ego is subjected to a real memorial piece of work, an investigation of the nether regions of his brain – which is lucky because his father was a neurosurgeon – which takes him to Patagonia, to see football matches dating back to the dictatorship, and leads to thoughts about Raoul Ruiz. The correspondences are forged, from anecdote to anecdote and from place to place, while throughout all the comings and goings, digressions, coincidences, reminiscences and false-tracks, one can measure the void left by the person who has died or soon will. (CG)
Synopsis taken from FIDMarseille. Continue reading
A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie electronic waste ground in Accra and illegal gold mines of Ghana. The video constructs a mise-en-abyme as critique in order to dispel the capitalist myth of the immateriality of new technology — thus revealing the mineral weight with which the Cloud is grounded to its earthly origins. Continue reading
A hesitant female voice reads a poem by Henri Michaux, recounting a life lived in a distant land, full of faltering and mistakes. Island imagery of active volcanoes, underwater WW2 debris, children playing, and wrecked boats transform into intangible digital recollections of the island, made on the opposite side of the world. Images of the eroded land merge with eroding film, a lone figure on a boat drifts at sea. Continue reading
Smallpox was always present, filling the churchyard with corpses, tormenting with constant fear all whom it had not yet stricken, leaving on those whose lives it spared the hideous traces of its power, turning the babe into a changeling at which the mother shuddered, and making the eyes and cheeks of the betrothed maiden objects of horror to the lover. (1848)
— Lord Thomas Macaulay, History of England. Continue reading
Things is a travelogue in which the filmmaker leads himself and the viewer through a tour of the four seasons, without ever once setting foot across his doorstep – focusing on unexplored things inside his own four walls. A year-long journey through domestic surroundings that at the same time is a trip into imagination and collective memory – revealed in the collected fragments of images, film, objects and sounds, a bed, books and, observed through a window pane, a squirrel in the garden.
As the seasons change, parallels and associations are made with things previously seen; an intricate web of clues to a life, there for the viewer to unpick.
Commissioned by Film and Video Umbrella and Gareth Evans. Continue reading