Samuel M. Delgado, Helena Girón – Sin Dios ni Santa María AKA Neither God Nor Santa Maria (2015)

“Part ethnography, part mystic cinematic mirage, this beautiful and evocative portrait of Yé, a remote village on the island of Lanzarote, is a paradoxically opaque work of tactile pleasures. Shot on expired 16mm celluloid, the film makes a virtue of its degraded textures, granting its images of flora and fauna, coastal vistas and mountainous contours, the look of an excavated travelogue, with scratches and imperfections resonating on the soundtrack as ambient accompaniment to the vast topographical phenomena peering through the fog-shrouded atmosphere. Meanwhile, audio recordings made in the late-sixties by the ethnographer Luis Diego Cuscoy act as ominous narration, the voices relating stories of witchcraft and the occult that, over centuries, have taken on local legend. With an acute eye and ear for natural detail and speculative history, directors Samuel M. Delgado and Helena Girón have constructed both an oral diary and an archaeological account of a far-off land, all the more vivid for never quite coming into focus.” — Jordan Cronk, Fandor Continue reading

Cecile B. Evans – Hyperlinks or it didn’t happen (2014)

Hyperlinks or it Didn’t Happen questions the identity of the mediated subject. “PHIL,” a “bad copy” of recently deceased actor Philip Seymour Hoffman, narrates a procession of bodies generated or augmented by computers. The most alluring among them is the Invisible Woman, who—like the anti-hero of Ralph Ellison’s 1952 novel Invisible Man—is invisible not because of magic but because she is unseen. She is a metaphor for all the women in the film: Yowane Haku, the synthesized, holographic pop star developed in Japan; AGNES, the bot that Evans was recently commissioned to embed in the Serpentine Galleries’ website; the Computer Girls, programmers in the 1960s; and Evans herself—all of them under-recognized workers who maintain the system that oppresses them. Continue reading

João Vladimiro – Lacrau (2013)

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Quote:
If the scorpion could see and the viper could hear, there would be no escape”. The viper is deaf and the scorpion can’t see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return “to the curve where man got lost” in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not. (João Vladimiro) Continue reading

Ross Sutherland – Stand by for Tape Back-up (2015)

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FROM THE GUARDIAN:

It’s extraordinary how potent cheap videotape is. That’s one of the lessons borne out by Standby for Tape Back-Up, a witty, resourceful and emotionally intense show by the 35-year-old performance poet Ross Sutherland. The stage is bare but for a chair, a TV and a wheezing VCR machine. Looking like a lone Reservoir Dog in his black tie and white shirt, Sutherland paces the stage brandishing a remote control, zipping back and forth through the images projected on the wall behind him. Continue reading

Lois Patiño – Noite Sem Distância AKA Night Without Distance (2015)

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Synopsis:
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses, help them to hide. They just have to wait for the night to cross the distance that separates them. Continue reading