Werner Nekes – Diwan (1974)

bazz6 Werner Nekes   Diwan (1974)

29f7c043f76a2bde437fd0d52a185152 Werner Nekes   Diwan (1974)

Quote:
“Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.” Continue reading

Ben Rivers – Two Years at Sea (2011)

Aguig4 Ben Rivers   Two Years at Sea (2011)

29f7c043f76a2bde437fd0d52a185152 Ben Rivers   Two Years at Sea (2011)

Two Years at Sea (88min, 16mm anamorphic , b/w, blown-up to 35mm, 2011)

A man called Jake lives in the middle of the forest. He goes for walks in whatever the weather, and takes naps in the misty fields and woods. He builds a raft to spend time sitting in a loch. Drives a beat-up jeep to pick up wood supplies. He is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise. Continue reading

Dominique Dubosc – Palestine in Fragments (2007)

0gLRKY Dominique Dubosc   Palestine in Fragments (2007)

Dominique Dubosc’s documentary film is a unique and unforgettable meditation which disrupts any separation between art and documentary filmmaking from the first frame and continues to surprise throughout.Using images (stills, video, landscapes, interviews, architectures) shot between 2001 and 2007, the director assembles a series of distinct chapters which move between impressionistic studies of unusual spaces and structures observed in the occupied Palestinian territories, to informal interviews in which the narratives of Palestinians in the West Bank are presented unadorned.
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Ayreen Anastas – Pasolini Pa* Palestine (2005) (DVD)

VJOFi0 Ayreen Anastas   Pasolini Pa* Palestine (2005) (DVD)

“Pasolini Pa* Palestine is an attempt to repeat Pasolini’s trip to Palestine in his film, Seeking Locations in Palestine for The Gospel According to Matthew (1963). It adapts his script into a route map superimposed on the current landscape, creating contradictions and breaks between the visual and the audible, the expected and the real. The video explores the question of repetition. For Heidegger Wiederholung ‘repetition, retrieval’ is one of the terms he uses for the appropriate attitude toward the past. “By the repetition of a basic problem we understand the disclosure of its original, so far hidden possibilities.” The project ventures a conversation and a dialogue with Pasolini, especially his ‘Poem for the Third World’. Discutere ‘to smash to pieces’ is the Latin source of dialogue, discussion. The piece does not criticize Pasolini, but reveals unnoticed possibilities in his thought and works back to the ‘experiences’ that inspired it.” (Ayreen Anastas) Continue reading

Jeanne Balibar & Pierre Léon – Par exemple, Electre (2013)

5de3c4 Jeanne Balibar & Pierre Léon   Par exemple, Electre (2013)

29f7c043f76a2bde437fd0d52a185152 Jeanne Balibar & Pierre Léon   Par exemple, Electre (2013)

Synopsis:

Balibar, well-known as an actress and singer, left none of her talents unused in her directing debut. In this eclectic homage to Greek tragedy, Balibar and Léon are free of any convention. With a cameo by Barbet Schroeder.

Jeanne Balibar and Pierre Léon roam in tourist outfits through Paris and prepare a play with a producer who keeps changing her clothes. In a parallel world, another layer if you wish, actors rehearse their texts for a Greek tragedy on the beach at Deauville and at prominent Parisian locations. It is the story of Electra, probably a rather inefficient character, one who perseveres and refuses to give up the battle against injustice.
This absurd, slightly surrealist and occasionally humorous film looks like a theatre performance with its solemn dialogues and mise-en-scène issues. The makers, the actress Balibar and filmmaker Léon, however also use the medium by inserting screenshots of business e-mails – reflections on their plans. In addition, Balibar is a singer and she sings the texts as if the e-mails were edifying lieder. Electra, for Instance is, as one of the characters puts it, a true ‘culture souq’.
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Bill Morrison – Decasia (2002)

dris Bill Morrison   Decasia (2002)

29f7c043f76a2bde437fd0d52a185152 Bill Morrison   Decasia (2002)

synopsis

Experimental filmmaker Bill Morrison created this non-narrative feature, which derives a large portion of its visual beauty from the physical nature of the film medium itself. Decasia is primarily compiled from a wealth of old and damaged footage, in which the scratches, scraped emulsion, bubbles, streaks, and decaying nitrate add an extra dimension of texture to a patchwork of images both extraordinary and mundane. Originally created as part of a multimedia environmental performance piece, with the film screened in tandem with a performance by a 55-piece ensemble, Decasia has also been screened in a version with recorded score, composed by avant garde percussionist Michael Gordon. Decasia was screened at the 2002 Sundance Film Festival.—-by Mark Deming
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Nicolas Rey – Schuss! (2005)

172be2 Nicolas Rey   Schuss! (2005)

Synopsis:
A film that starts like an odd documentary on ski resorts suddenly declares its subject to be aluminum. And it’s all downhill from there, evoking in chapters the history of capitalism in the 20th century, the death of the God Progress in the valleys of the Alps and the question of the relationship between State and Industry. All’s fair in love and snow.
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pixel Nicolas Rey   Schuss! (2005)