from Imdb, written by Su Friederich herself
Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life. Together, they create a formally complex and emotionally intense film. Written by Su Friedrich
By Fred Camper
Another brilliant outing from Czech New Wave master Jan Nemec, director of Diamonds of the Night and The Party and the Guests.
Martyrs of Love is in 3 distinct sections, separated by title cards, connected thematically and formally rather than concretely. Music is probably the most important connection, as all three sections have prominent musical events. Continue reading
DVD box wrote:
Tell Us The Truth Josephine is an experimental drama about a Maltese immigrant woman walking across Canada on stilts in search for home. Her journey, however, is haunted by stories of her past. It is only once she accepts these stories, and the truth, that she can land and truly find home. Continue reading
Drawing Restraint 9, a film by Matthew Barney with a soundtrack composed by Björk, represents the first creative collaboration of two of the most protean, dynamic forces in music and fine art.
It is an apt pairing. Refusing to choose between pop pleasure and restless experimentation, Björk’s musical vision weds technology and emotion, countering gut-level expression with an insistence upon formal modernity and innovation.
Similarly poised, and celebrated, within the world of contemporary art as Björk is within her own field, Matthew Barney is a visual artist whose ambitious, rigorous multimedia work encodes esoteric meanings while providing lushly immediate aesthetic rewards. Best known for The Cremaster Cycle, the sprawling sequence of five films made over ten years which was the subject of a recent Guggenheim retrospective, Matthew Barney’s work is multimedia in execution but singularly focused in conception: tightly unified fusions of sculpture, performance, architecture, set design, music, computer generated effects and prosthetics, Barney’s films deploy the full range of cinematic resources in the service of a hermetic vision rich with densely layered networks of meaning drawn from mythology, history, sports, music, and biology. Continue reading
Glitterbug consists of film strips shot by Jarman with his Super-8 between 1971 and 1986, a format he was constantly experimenting with and made use of in the film collage In the Shadow of the Sun (1981) for example, it is an endless montage of loosely connected Super-8 sequences put together alternatively into an impressionistic shimmer of beauty, alternatively with an aggressive, rhetorical edge. The Last of England (1987), similar in a technical way, became even more famous. It was a devastating criticism of Thatcherism and of what Jarman per-ceived to be the decline of Britain. Jarman’s most distinct feature was his constant role as a man against the tide his attacks against anything considered to be part of the Establishment, whether it concerned sexual preferences or political power structures. The boldness re-appears in Glitterbug, where images from Jarman’s own everyday life in London in the early 70’s, with rooms filled with anti-cultural fetishes from the Swinging London era, are mixed with various documentaries from the making of some of Jarman’s notorious successes: the gay film Sebastiane (1975) and the punk protest Jubilee (1977). Continue reading
“Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.” Continue reading
Two Years at Sea (88min, 16mm anamorphic , b/w, blown-up to 35mm, 2011)
A man called Jake lives in the middle of the forest. He goes for walks in whatever the weather, and takes naps in the misty fields and woods. He builds a raft to spend time sitting in a loch. Drives a beat-up jeep to pick up wood supplies. He is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise. Continue reading