A hard-working young man meets and falls in love with his sister’s bridesmaid. He soon finds out how disturbed she really is.
the bridesmaid (First Run) Going to a new Chabrol film these days is like sitting down with an old friend who will tell you another one of his stories. Chabrol has been making films since 1958: the latest of his more than fifty features is The Bridesmaid, and another one has already been finished. He has co-written or co-adapted many of his pictures, and he has also played bit parts in some of them (as well as in the films of others). I have seen a lot of Chabrol’s films, and many others must share my sense that much of my filmgoing life is threaded throughout with his work. He has always been a director who felt that moving ahead was at least as important as polishing a single work. Continue reading
A peaceful architect becomes a one-man vigilante squad after his wife and sister are raped and murdered by street punks. He goes out and randomly exterminates all kinds of criminals on the mean streets after dark.
This obscure Turkish Death Wish version easily rivals the original one in brutality and mayhem. The last surviving print was found in relatively good condition and released on dvd by Onar Films in only 500 copies.
With Serdar Gökhan, Emel Özden, Melek Ayberk, Reha Yurdakul & Oktar Durukan. Continue reading
A young man goes to work for a sleazy Hollywood PR firm and becomes disillusioned with the exploitation and incompetence he finds there. When his assignations with a female client are discovered, trouble erupts. Continue reading
“A tortured and raped young girl mutates into a penis-headed demon and mutilates her captors” Continue reading
To die is hell, but to live is also hell.
Japanese cult movie guru Teruo Ishii (HORROR OF MALFORMED MEN; BLIND WOMAN’S CURSE) directs this deranged, over-the-top adaptation from the original manga by Kazuo Koike (creator of LONE WOLF AND CUB, LADY SNOWBLOOD and RAZOR HANZO) about a privileged samurai gang in charge of recruiting women for prostitution in old Edo’s pleasure quarter. It’s a perfect match for unapologetically decadent, phantasmagorical, softcore sex and bloody, sword-swinging sadism. Fascinating, brilliant and amoral, a tour through an ancient subculture obsessed with cruel, violent death and cruel, violent sex. Tetsuro Tanba (ZERO WOMAN: RED HANDCUFFS, YOU ONLY LIVE TWICE) is a standout as the hardboiled mercenary swordsman caught in the middle between the sex slave business, the corrupt Shogunate and rival gangs. When he goes into action, blood sprays, and heads and limbs fly! Continue reading
by Ian Jane
I don’t know what it is with Japanese cinema and it’s affinity for violence and cruelty, but man, when they pull out all the stops they sure do a damn good job of grossing me out. This movie, Shogun’s Sadism (Ushiaki No Kei), is one of those times.
Essentially what we have are two stories, totally unrelated to each other, that exist for the soul reason of piecing together assorted scenes of torture. You see, back in the sixties there was a very popular series of films entitled The Joy Of Torture (Tokugawa Onna Keibatsu-Shi) directed by Teruo Ishii. This series ran for a total of eight volumes and proved to be quite successful. Toei Studios cashed in with this film, directed by Yuji Makiguchi (which some people believe was a pseudonym for Tereo Ishii) and gave it a similar title – the film is also known as Oxen Split Torturing. Continue reading
Junior High School Student Yudo spends his nights hanging out at the disco; his parents are more interested in dealing with their swapping partners than taking care of their son. One evening, while he is shoplifting, a young woman gives him a hand and helps him pull off the snatch. Yudo, mesmerized by the woman, follows her to find out where she lives. Then attacks her.. Continue reading