Plot :The Cat People originated way back in time, when humans sacrificed their women to Leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People. We follow brother and sister – who seem to be the only ones of their kind left
Without question one of the true classics of hardcore, Through the Looking Glass is yet another perfect example (like Café Flesh or even Thundercrack) of how porn can be used to craft and/or embellish a film so it works as erotica as well as a legitimate movie. Also released in a highly successful ‘R’ rated version, without the hardcore sex, “Glass” is a genuinely engaging and nightmarish supernatural/possession story with some superbly crafted sequences. The film is just alive with decadence and taboo, eroticism and depravity.
The effective music score, of harpsichord ditties and female harmonies, is co-credited to Harry Manfredini of all people, who would go on to do the classic Friday the 13th score. And this period sounding music works perfectly in highlighting the decadence of the movie…one of the most powerful and unusual hardcore films ever to be produced, and as such is nothing less but essential viewing for any fan of Exploitation, and extreme Underground cinema.” – Beardyfreak.com Continue reading
Scrooge is a 1951 film adaptation of Charles Dickens’s A Christmas Carol. It starred Alastair Sim as Ebenezer Scrooge and was directed by Brian Desmond Hurst, with a screenplay by Noel Langley. It was released as A Christmas Carol in the United States.
Comparison with the source material:
In the film, Mrs Dilber is the name of the charwoman, whereas in the book the woman was unnamed and the laundress was named Mrs Dilber. The charwoman’s role is greatly expanded in the film, to the point that she receives second billing in the list of characters. Continue reading
An evil troll, Torok, the transformed state of the ex-husband of an old friendly witch named Eunice St. Clair, has chosen her apartment building to be the heart of the restoration of the world he once knew. To do this he uses an Emerald ring, and takes possession of a little girl named Wendy, whose brother Harry immediately suspects something wrong. Torok, often in the form of the little girl, goes into each occupant’s apartment, hideously transforming people into plant pods. Continue reading
It has often been said that Jean Cocteau was the first major poet and writer to treat the cinema with total seriousness. But actually it was the cinema that made him into a major artist. “The movie screen,” he said, “is the true mirror refecting the flesh and blood of my dreams.” And one of his most poetic, dreamlike films was La Belle et La Bête.
Watching it now, you can’t feel its audacity as you might have done at the time. Faithfully, but not totally innocently, based on the fairy tale by Madame LePrince de Beaumont, it is almost purely visual, even if a Freudian analysis is possible. And it is certainly completely different in atmosphere and style from anything that had gone before, at least in the commercial cinema.
The team who made it in 1946 – and it was a team – broke a good many rules at the urging of Cocteau. Georges Auric’s memorable music didn’t so much underline the visuals as frequently cut across them, reaching a synthesis at vital moments. Henri Alekan’s equally extraordinary cinematography, which the studio described unsympathetically as “white cheese”, is the opposite of conventionally fantastic. Continue reading
Little Shop of Horrors, Russian Style
By Oleg Liakhovich The Moscow News
On the heels of the XXVI Moscow International Film Festival came an event even more pompous and widely publicized – the premiere of a movie meant to spark a revival of Russia’s popular cinema while giving Hollywood a battle royale on its own terms
Night Watch (Nochnoy Dozor in original Russian) depicts the on-going struggle between the magical forces of good and evil in present-day Moscow. The movie was eagerly awaited by fans and became an object of an intense advertising campaign in all media. Its US $3mln budget – an incredible sum for a local movie – and plentiful special effects, also a novelty for Russian cinema with its established traditions of inexpensive quality dramas and solid adaptations of literary classics, were to make Night Watch Russia’s equivalent of an American summer blockbuster. The producers actually went as far as officially calling it “the first Russian blockbuster” long before it had the chance to appear on screen. Even Russia’s own Oscar winner and self-styled national sage director Nikita Mikhalkov, while admitting that the film “wasn’t his thing”, said that it was “cool” and called it Russia’s “answer to Quentin Tarantino”. Serious praise indeed – after all, only a dirty mind would suspect Mikhalkov of still being sore at old Quentin for “stealing” his Palme d’Or in Cannes back in 1994.
Lightsaber, Anyone? Continue reading
A more horrific and gloomy version of The Beauty and the Beast. Julie is a bankrupt merchant`s daughter who as the only one of the three daughters chooses to save her father`s life by going to the Haunted Wood`s Castle where she meets Netvor. He wants to kill her, but her beauty prevents him from that. Although she is forbidden to see him she starts to love him and the love rescues him from his curse… Continue reading