Aleksandr Ptushko – Skazka o poteryannom vremeni aka A Tale of Lost Times (1964)

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One day, four sorcerers appeared out of the blue in the streets of a small town. These evil old people had long been dreaming of getting back their former vigor and youth. But to do that, they had to find people who would aimlessly waste their time. And they were very lucky: four schoolchildren had proved ideal guinea pigs for the magicians. The kids and the old people changed their roles for a while. You can’t even imagine what happened! The schoolchildren had to hide for some time in an abandoned house on the outskirts of the town – they just couldn’t appear before their parents as bearded, bent, old persons. Meanwhile, the sorcerers had their fun at school in the guise of their victims. And only on a certain day and at a certain hour, time could be turned back again…
ruscico Continue reading

David Lynch – Dune [Extended Edition] (1984)

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SEVERAL of the characters in ”Dune” are psychic, which puts them in the unique position of being able to understand what goes on in the movie. The plot of ”Dune” is perilously overloaded, as is virtually everything else about it. As the first king-sized, Italian-produced science-fiction epic, ”Dune” is an ornate affair, awash in the kind of marble, mosaics, wood paneling, leather tufting and gilt trim more suitable to moguls’ offices than to far-flung planets in the year 10191. Not all of the overkill is narrative or decorative. Even the villain, a flying, pustule-covered creature, has more facial sores than he absolutely needs. Continue reading

Terry Gilliam – Tideland [+Extras] (2005)

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After her mother dies from a heroin overdose, Jeliza-Rose is taken from the big city to a rural farmhouse by her father. As she tries to settle into a new life in a house her father had purchased for his now-deceased mother, Jeliza-Rose’s attempts to deal with what’s happened result in increasingly odd behavior, as she begins to communicate mainly with her bodiless Barbie doll heads and Dell, a neighborhood woman who always wears a beekeeper’s veil. Continue reading

Peter Yates – Krull [+Extras] (1983)

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From imdb.com

Why you MUST give Krull a second look….
Author: Nathan castle

‘Fantasy’, in the traditional ‘Dungeons & Dragons’ sense, in the movies is often seen by the general public as a warning sign (and often rightly so). On the surface, Krull does seem like standard fantasy cliche. Prince must rescue princess from monster. Not very promising so far, is it? Already starting to lose interest? YOU FOOLS! Consider these additional elements: An orchestral soundtrack by the mighty James Horner (Titanic), which is possibly the best score he has ever written, possibly even THE best score ever written; A brilliant mostly-British cast, including Liam Neeson, Robbie Coltrane, Tucker Jenkins :) and a host of other distinguished actors; A script which is so corny that it cannot fail to be fantastic when delivered with such hammed-up enthusiasm by the actors; and finally a few brilliant touches such as the boyhood-dream-weapon the Glave – a giant mind-controlled shuriken. This film falls in to the same category as Flash Gordon which was released a few years before – epic, brit-centric, totally entertaining masterpieces of camp grandeur. Don’t write it off until you’ve seen it enough to appreciate its subtleties. Continue reading

Jonas Middleton – Through The Looking Glass (1976)

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Without question one of the true classics of hardcore, Through the Looking Glass is yet another perfect example (like Café Flesh or even Thundercrack) of how porn can be used to craft and/or embellish a film so it works as erotica as well as a legitimate movie. Also released in a highly successful ‘R’ rated version, without the hardcore sex, “Glass” is a genuinely engaging and nightmarish supernatural/possession story with some superbly crafted sequences. The film is just alive with decadence and taboo, eroticism and depravity.

The effective music score, of harpsichord ditties and female harmonies, is co-credited to Harry Manfredini of all people, who would go on to do the classic Friday the 13th score. And this period sounding music works perfectly in highlighting the decadence of the movie…one of the most powerful and unusual hardcore films ever to be produced, and as such is nothing less but essential viewing for any fan of Exploitation, and extreme Underground cinema.” – Beardyfreak.com Continue reading