Two soldiers–searching the Sahara for Atlantis–are captured by raiders from the lost city. They are taken before its beautiful queen who has over 50 mummified ex-lovers! What follows is an endless nightmare, climaxing with the murder of one of the soldiers. There are some brilliant moments in this sci-fi fantasy classic.
A pair of Legionnaires discover the remains of the lost city of Atlantis in the middle of the Sahara desert. It is ruled by a strange and beautiful demi-goddess. (guess who). Continue reading
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent. We then follow them in search of a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the “Arbiter of Elegance” in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence.
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention…..to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Continue reading
City of Pirates
(La Ville des pirates, France/Portugal, 1983)
Raúl Ruiz’s City of Pirates is (de)composed under the sign of Surrealism, with its trust in ecstasy, scandal, the call of the wild, mystification, prophetic dreams, humour, the uncanny. Given the surprising swerves and disorientations evoking Buñuel and Dalí, and the confidence in a poetic discourse recalling Eluard and Péret, one wonders if Ruiz didn’t elaborate his scenario using the Surrealist mode of automatic writing. Troubled, graceful Isidore – Ducasse and Duncan? – is a purely Surrealist heroine, part Ophelia, Salomé, Bérénice, prone to trances, somnambulism, hysterical seizure, contact with the ‘other side’. Her calm violence links her to the real life murderesses – Germaine Berton, the Papin sisters – exalted by Breton’s circle, and by Jacques Lacan. Indeed, Lacan’s notion of a psychoanalysis in which the analyst stays off his patient’s wavelength, inspired by the idea of ‘surrealist dialogue’ in which paired monologues at cross purposes strike sparks of meaning off each other, underpins the scatty trajectory of Ruiz’s own graphomania, snared this time as the tale of a Pirate’s City. Continue reading
On the eve of the First World War, a wealthy count, Forbek, builds a rocco pleasure dome in the French countryside. He invites his wife and his friends to live a life of idyllic seclusion inside the dome. In 1982, the same dome is the venue for a teaching seminar attended by a number of teachers with some radical ideas for educating children. Both Forbek and the seminar’s organisers are striving for similar things, the creation of a better world. Both are doomed to failure…
taken from here
This second feature in Nacer Khemir’s Desert Trilogy is a visually ravishing folktale reminiscent of “The Thousand and One Nights.” The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a fragment of manuscript, Hassan goes in search of the missing pieces, believing that once he finds them, he will learn the secrets of love. With the help of Zin, a lovers’ go-between, he meets the beautiful Aziz, Princess of Samarkand. After encountering wars, a battle between false prophets and an ancient curse, he learns that an entire lifetime would not suffice for him to learn the many dimensions of love. Continue reading
In a secluded Brazilian coastal village, where everything seems to stand still, Clarisse watches her life over the course of a day, unlike those around her who live that day just like any other. She tries to understand her obscure reality and the destiny of the people around her in a circling, disturbing sense of time. Continue reading