Carol Reed reached the peak of his form with this classic noir, an elegy for American innocence and European elegance. Joseph Cotten, in fine form, stars as unemployed pulp-novelist Holly Martins. When he arrives in post-WWII Vienna on the promise of a job from his old friend Harry Lime (Orson Welles), he finds that Lime has recently died in a dubious car accident. Against the advice of British sector authority Major Calloway (Trevor Howard), who accuses Lime of criminal behavior, the indignant Martins decides to stay to investigate his friend’s death. He searches this city of rubble-strewn streets and bombed-out buildings, earnestly questioning Lime’s associates, a cynical, war-weary collection of black-market hustlers. At length, he realizes that the stories he’s hearing are so full of contradiction, he’s getting nowhere. Yet, he’s entranced by Lime’s beautiful girlfriend, Anna Schmidt (Alida Valli), who, unlike the others, seems to have loved Harry. Continue reading
“A man plans a hold-up with a group of trusted fellows, he gets his hands on the money, and the girl – what could go wrong? Almost everything.”
The Locksmith Killer.
Daniel Boisett (Robert Hossein) and his friend Paul Genest (Jean Sorel) are disturbed by the home owner during an attempted safe-cracking. In the ensuing mêlée, Paul accidentally kills the home owner and both men flee the scene in panic. Paul manages to escape but Daniel is shot and wounded by police and is promptly sentenced to a lengthy stint in prison. Continue reading
By Jeffrey M. Anderson
Essentially a retread of The Freshman (1990) on a much lower budget, In the Soup concerns a young wannabe filmmaker, Adolfo Rollo (Steve Buscemi) who becomes mixed up with a gangster-type, Joe (Seymour Cassell) in the name of financing his first film.
Very little filmmaking occurs, though. What really happens is the old story of the life-loving older guy teaching the high-strung younger fellow a thing or two about living.
Yes, it’s an old story that has been told a thousand times before and since, but Alexandre Rockwell’s little film has a home movie charm and a streetwise wit that make it a must-see sleeper. Continue reading
A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute. Continue reading
A sharpshooter kills two prisoners in a police van at night. The guard on the van is suspended for six months; he’s Tamon, an upright, modest man. He begins his own investigation into the murders. Who were the victims, who are their relatives and girlfriends, who else was on the van that night? As he doggedly investigates, others die, coincidences occur, and several leads take him to the Hamaju Agency, which may be supplying call girls. Its owner is in jail, his daughter, the enigmatic Yuko, keeps turning up where Tamon goes. Tamon believes he can awaken good in people, but has he met his match? Will he solve the murders or be the next victim? And who is Akiba? Continue reading
Out of the Past is so perfect a film noir that it is considered practically a textbook example of the genre. In his first starring role (it had previously been offered to John Garfield and Dick Powell), Robert Mitchum plays Jeff Bailey, the friendly but secretive proprietor of a mountain-village gas station. As Jeff’s worshipful deaf-mute attendant (Dick Moore) looks on in curious fascination, an unsavory character named Joe (Paul Valentine) pulls up to the station, obviously looking for the owner. Jeff is all too aware of Joe’s identity; he’s been dreading this moment for quite some time, knowing full well that it will mean the end of his semi-idyllic existence, not to mention his engagement to local girl Ann (Virginia Huston). In a lengthy flashback, the audience is apprised of the reasons behind Jeff’s discomfort – and thus begins a tale of treachery, betrayal and intrigue that extends into the present day and turns Jeff’s life upside down. Out of the Past was remade in 1984 as Against All Odds, with Jane Greer cast as the mother of her original character. Continue reading
Synopsis (All Movie Guide)
This ambitious independent production was packaged by producer W. Lee Wilder, brother of Billy Wilder, and distributed by Republic. The title character, played with relish (and a bit of mustard) by Erich Von Stroheim, is an arrogant vaudeville artiste specializing in a trick-gunshot act. A dyed-in-the-wool misogynist, Flamarion at first pays little attention to his beautiful assistant Connie (Mary Beth Hughes)-just as well, since Connie is already married to Flamarion’s other assistant, Al Wallace (Dan Duryea). Bored with marriage, Connie begins playing up to her boss, the result being the “accidental” death of Al during Flamarion’s act. Having committed murder for Connie’s sake, Flamarion fully expects to be sexually compensated-but he doesn’t know the treacherous Connie as well as the late Al did. Future cult favorite Anthony Mann’s direction is rather perfunctory, suggesting perhaps that he was somewhat intimidated in the presence of the flamboyant Von Stroheim. — Hal Erickson Continue reading