‘Georges Villard is a modest bank employee who dreams of earning more money so that he can live more comfortably. When Monsieur Steve offers him a chance to do just that he accepts without a moment’s hesitation, partly because he wants to be near to Steve’s woman, Florence. However, Georges knows there will be a catch: what Steve wants is help to rob the bank where he works. When Georges refuses, he realises that his life is now in danger…’
– James Travers, Willems Henri Continue reading
SYNOPSIS: A defense lawyer risks his career to expose a killer no one else believes exists in this tense noir thriller.
When a farmer and his housekeeper are murdered by an intruder, the police arrest George Braden (John Craven), a hired hand who confesses to spare his pregnant wife Ellen (Teresa Wright) the stress of interrogation. Angering the tight-knit community by agreeing to defend the accused, attorney Doug Madison ( Macdonald Carey) tries but loses the case, and Braden is sentenced to die. With time running out and the execution just hours away, Madison races the clock to find the real killer and prove his client’s innocence. Eerily anticipating the 1959 killings that would later inspire In Cold Blood, Count the Hours was shot by John Alton, an Oscar-winning cinematographer whose credits include the classic noirs He Walked by Night, Raw Deal and T-Men. Continue reading
Of all the iconic images in Carol Reed’s The Third Man, none is as recognizable as the sight of Harry Lime (Orson Welles) standing in a Vienna doorway, bathed in shadow. Accompanied by Anton Karas’s unforgettable zither score, it’s one of the most iconic entrances in film history, which is befitting one of film’s most iconic characters. Although he’s only on screen for a fraction of the film’s running time, Lime stands out as one of the screen’s most chilling embodiments of the banality of evil, and a perfect stand-in for Third Man‘s vision of moral breakdown in post-WWII Europe. Continue reading
Willie Sutton robbed banks during the Depression because, he explained, “That’s where the money is.” Former Indiana farmboy John Dillinger also knew where the money was. And his string of early-1930s heists, murders and daring jailbreaks were so bold and notorious he became Public Enemy #1. Dillinger, Oscar-nominated* for its screenplay, is the bullet-paced story of the man whose crimes captivated and terrified the nation. Lawrence Tierney plays the title role, breaking free of screen anonymity and moving into a 50-year tough-guy career that would include 1947’s Born to Kill and 1992’s Reservoir Dogs. Perhaps it was a brutal early prison stretch that turned Dillinger from kid to killer. Perhaps he was a murderous thug to his core. Either way, Dillinger presents his story with Film noir style and lets you decide.
— dvdbeaver Continue reading
In pre-World War II London, Spanish agent Denard struggles to close a high-level business deal that will strike a blow against fascists in his native country. But industrialists not yet alert to the threat of fascism reject him. A teenage ally caught up in his efforts is murdered. And the mission itself seems a failure. Yet neither the story nor Denard will stop there. Charles Boyer plays Denard and Lauren Bacall is a jaded industrial heiress who assists him in this intricate spy drama. For her second screen appearance, Bacall took a critical thumping, yet her presence smolders. The film itself still satisfies, thanks in no small measure to James Wong Howe’s atmospheric cinematography and the story craft of source novelist Graham Greene. Continue reading
A sultry night club singer, a man who has also traveled to many exotic ports and a salesman meet aboard ship on the 45-mile trip from Hong Kong to Macao. The singer is quickly hired by an American expatriate who runs the biggest casino in Macao and has a thriving business in converting hot jewels into cash. Her new boss thinks one of her traveling companions is a cop. One is — but not the one the boss suspects.
— IMDb. Continue reading
A former Spanish Civil War prisoner, John McKittrick arrives in New York to find the truth behind the death of his friend Louie Lepetino. He finds himself being chased by Nazi agents who want an item he has brought back from Spain and cannot give up. When another of his friends is murdered, McKittrick realizes that he cannot trust anyone around him – not anyone.
— Jim Beaver (IMDb) Continue reading