The story concerns a couple of ex-servicemen who engineer a robbery, only to run afoul of professional criminals.
Dick et Tony, parachutistes rapatriés d’Indochine ont accepté de rendre un petit service au Maltais. Pour une commission de deux millions de francs, ils ont fait transiter 25 millions, mais au moment de rendre l’argent, le Maltais n’est pas là. Ils investissent alors cet argent dans une boîte de nuit.
In his mesmerizing debut feature, twenty-four-year-old director Louis Malle brought together the beauty of Jeanne Moreau, the camerawork of Henri Decaë, and a now legendary score by Miles Davis. A touchstone of the careers of both its star and director, Elevator to the Gallows is a richly atmospheric thriller of murder and mistaken identity unfolding over one restless Parisian night. Continue reading
Pete and Ellen have reared Meg as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath to come help with chores on the farm: Pete isn’t getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby has other plans for him. Meanwhile they all get closer to real danger and the dark secret of the red house. Continue reading
Young model Leonora Eames (Bel Geddes) marries multimillionaire Smith Ohlrig (Ryan). Ohlrig though is deranged and did not marry for love. Eames insists several times that she married for love, but the film suggests that she is deluding herself. When Ohlrig becomes too abusive, she leaves him, penniless, to find a job at a medical clinic in a poor neighborhood and eventually falls for Dr. Larry Quinada (Mason). Continue reading
A wife, a daughter, a steady job. Yesterday Jim Molner was an ordinary guy. Today he’s a desperate man, frantically trying to save himself and his family, held hostage by a demented terrorist who’s demanding $500,000 not to detonate a bomb he’s planted on a domestic airliner. James Mason and Rod Steiger head an “A” cast in a jolting, psychology-driven thriller that, like The Desperate Hours, Suddenly and other 1950s films, turns home sweet home into the tense site of a family held hostage. Cry Terror! adds a sweaty layer of sexual tension as well, provided by Angie Dickinson as the terrorist’s sinuous moll and Neville Brand as his benny-addled henchman, salivating over Molner’s distraught wife (Inger Stevens). From Warner Brothers! Continue reading
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre lacks of courage and ran away. Another customer, Monsieur Edmond, a procurer, rescues her. When Renee goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in love with her, but Renee is still thinking of Pierre … Continue reading
For passion, betrayal and murder… there’s still no place like home.
Michael Chambers returns home to celebrate his mother’s marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimulate back into the town, renew his relationships with his family and friends (and enemies) and, most-of-all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother’s new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex’s heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancée. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company. Continue reading