In “Oriane,” the past is like a series of boxes, all different sizes and shapes, that the filmmaker beckons us to open. And in each is a memory, a treasured object, a wound.
The movie is by Fina Torres, a Venezuelan-born filmmaker making her debut as a director, and it has the texture of a personal tale. The character whose experiences are recalled here is a Frenchwoman in her thirties named Marie (Daniela Silverio) who learns that she has inherited the remote Venezuelan family estate that belonged to her recently dead aunt Oriane. Read More »