Restored by “La Cinémathèque Française” in 1988
A ghost has been seen during the night in the Louvre Museum (Paris), and a guard is found dying near the statue of Belphégor, a god of Moabites and Ammonites. A young reporter, Jacques Bellegarde, begin to investigate but soon he’s being threatened by some letters sent by … Belphégor
It’s a silent mini-serie in 4 parts, after a popular book of Arthur Bernède, in the style of the 1st Fantômas (in fact, René Navarre was Fantômas in the Louis Feuillade’s movie)
Nearly 40 years later, a remake of this serie was made with Juliette Greco and met a great success in France, and is much better known that this one. Continue reading
A rambling, amusing and occasionally poignant examination of one man’s career as a director/performer of pornography. This behind-the-scenes look at the skin flick trade and its prominent purveyor Hervé P. Gustave, who goes by the moniker HPG, reveals the trials and tribulations that go hand in hand (or shaft in slot, as the case may be) with the creation of said material, such as getting money shots, shooting around anatomy for soft porn gigs, and coaxing reluctant amateurs to perform as the clock is ticking. Culled from 10 years of oh-so-very-unerotic footage, renowned visual artist Siboni shapes an intriguing portrait, one that never glorifies or condemns its subject or his chosen profession. Continue reading
Eureka, Masters of Cinema wrote:
One of the most revered names in world cinema, Henri – Georges Clouzot, made a remarkably self – assured debut in 1942 with the deliciously droll thriller The Murderer Lives at 21 [L ‘ Assassin habite au 21].
A thief and killer stalks the streets of Paris, leaving a calling card from “Monsieur Durand” at the scene of each crime. But after a cache of these macabre identifications is discovered by a burglar in the boarding house at 21 Avenue Junot, Inspector Wenceslas Vorobechik (Pierre Fresnay) takes lodging at the infamous address in an undercover bid to solve the crime, with help from his struggling – actress girlfriend Mila (Suzy Delair).
Featuring audacious directorial touches, brilliant performances, and a daring tone that runs the gamut from light comedy to sinister noir, as well as a subtle portrait of tensions under Nazi occupation, this overlooked gem from the golden age of French cinema is presented in a beautiful new high – definition restoration. Continue reading
A child is kidnapped and forced to sell flowers on the street.
My films are like that: in a room, but looking out onto an open sky. I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign. That’s the arrangement of the elements. It’s an act of faith. La vallée close is just this: elements treated above all as if in a documentary that, without being changed, portray the story and reveal between them the elements of fiction. But above all seen as they are, insignificant. And then in the relations they set up, they can satisfy our desire for a story. – Jean-Claude Rousseau Continue reading
In the late 1800’s, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He’s already a problem to the Crown because of his political ideas; this love affair with someone not of royal blood breeches protocol. The Crown allows the union only after the couple agrees to a morganatic marriage. The emperor further neutralizes Franz by making him inspector general of the army, sending him afield for months at a time. In June of 1914, fearing for his safety, Sophie seeks permission to accompany Franz to Sarajevo; protocol dictates that no army troops attend Franz while she is present. An assassin strikes. Their deaths spark World War I.
— IMDb Continue reading
Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies. Continue reading